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Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Guru Granth Sahib
Sidh Gosht
Guru Nanak Dev Ji Being Asked: Where It All Started, How Acquired Wisdom, Which Master You Disciple
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<blockquote data-quote="Luckysingh" data-source="post: 175079" data-attributes="member: 16886"><p>These terms were in my notes that I started compiling some time ago.</p><p>I'm sure these references were from Gyani Thakur Singh ji- (Patiale) katha of Japji sahib.</p><p> </p><p>Here is what I have.</p><p> </p><p><span style="color: #000080">Jap is of three types: </span></p><p> </p><p><span style="color: #000080">1. Vachak- Recitten with tongue and can be heard by others. </span></p><p> </p><p><span style="color: #000080">2: Upas: Recitten with tongue also but less audible. </span></p><p> </p><p><span style="color: #000080">3. Manas- Meditation of Vahiguroo with mind..meditation through thought process. </span></p><p> </p><p>First stage of gursikh is Vachak. Gyani Thakur ji gave example of how <span style="color: navy">sant baba Sundar singh ji maharaj Bhindranwale used to do japji sahib first in one hour, then do second japji sahib in half an hour, then do third japji sahib in 15 minuites, then do fourth japji sahib in 10 minutes, then fifth time do japji sahib in 5 minutes. </span></p><p> </p><p><span style="color: navy">In first stage, audible/dhuni gursikhs gets when reciting Vahiguroo loudly, gursikhs use that dhuni(tune) in their further stages and concentrate on that dhuni(tone). </span></p><p> </p><p> </p><p> </p><p><span style="color: #000080">Jap(meditation) is also done by: </span></p><p> </p><p><span style="color: #000080">1. Baikari Bani- When one recites naam with javan(tongue), hout(lips), khaieyal(thoughts) that is called Baikari Bani. </span></p><p> </p><p><span style="color: #000080">2. Madhma Bani- When one recites naam in Kant(throat) without moving lips...just with the thoughts is called Madhma Bani. </span></p><p> </p><p><span style="color: #000080">3. Pasanti Bani- When one recites naam in hirda(heart). </span></p><p> </p><p><span style="color: #000080">4. Para Bani- When one recites naam in Nabhi(Navel) without moving tongue and with the thoughts. In this stage vahiguroo naam gets infused in rom rom of the body. Meditation goes in automatic mode. There is no need for concentration. </span></p><p> </p><p><span style="color: #000080">Gurmukh Rom Rom Har Dhavaie || </span></p><p> </p><p><span style="color: #000080">After 4th stage, one gets to very high stage. Where one can hear(jap-resonance,dhuni) with their surati in pretty much everything in this creation ie- walls, birds, leafs, animals, human being, even from realms (bhramands). </span></p><p> </p><p><span style="color: #000080">Dharat Patal Akash Hai Meri Jindaeriye </span></p><p><span style="color: #000080">Sab Har Har Naam Dhavaiya Ram || </span></p><p> </p><p><span style="color: #000080">It's amazing how jap(meditations) which starts from tongue of this beings, travels through all the stages within the body and outside the body ie- outside nature, realms. After going through all the stages. This being becomes bhramgyani and goes turiya avastha. </span></p><p> </p><p>Gyani ji further added- Siri Guru Amar Das Ji son.. used to meditate on madma </p><p>bani(on throat/kant chakar) most of the time. </p><p> </p><p>I'm certain that this katha which is on CD and tape was discussed and translated on BC sikhs. com</p><p>If it was not from there, then I will try and located where the notes were from.</p><p> </p><p>I wouldn't say that the prayers hold different values in the way they are said.</p><p>I think that you progress through the different stages starting at recitation out loud with tongue.</p></blockquote><p></p>
[QUOTE="Luckysingh, post: 175079, member: 16886"] These terms were in my notes that I started compiling some time ago. I'm sure these references were from Gyani Thakur Singh ji- (Patiale) katha of Japji sahib. Here is what I have. [COLOR=#000080]Jap is of three types: [/COLOR] [COLOR=#000080]1. Vachak- Recitten with tongue and can be heard by others. [/COLOR] [COLOR=#000080]2: Upas: Recitten with tongue also but less audible. [/COLOR] [COLOR=#000080]3. Manas- Meditation of Vahiguroo with mind..meditation through thought process. [/COLOR] First stage of gursikh is Vachak. Gyani Thakur ji gave example of how [COLOR=navy]sant baba Sundar singh ji maharaj Bhindranwale used to do japji sahib first in one hour, then do second japji sahib in half an hour, then do third japji sahib in 15 minuites, then do fourth japji sahib in 10 minutes, then fifth time do japji sahib in 5 minutes. [/COLOR] [COLOR=navy]In first stage, audible/dhuni gursikhs gets when reciting Vahiguroo loudly, gursikhs use that dhuni(tune) in their further stages and concentrate on that dhuni(tone). [/COLOR] [COLOR=#000080]Jap(meditation) is also done by: [/COLOR] [COLOR=#000080]1. Baikari Bani- When one recites naam with javan(tongue), hout(lips), khaieyal(thoughts) that is called Baikari Bani. [/COLOR] [COLOR=#000080]2. Madhma Bani- When one recites naam in Kant(throat) without moving lips...just with the thoughts is called Madhma Bani. [/COLOR] [COLOR=#000080]3. Pasanti Bani- When one recites naam in hirda(heart). [/COLOR] [COLOR=#000080]4. Para Bani- When one recites naam in Nabhi(Navel) without moving tongue and with the thoughts. In this stage vahiguroo naam gets infused in rom rom of the body. Meditation goes in automatic mode. There is no need for concentration. [/COLOR] [COLOR=#000080]Gurmukh Rom Rom Har Dhavaie || [/COLOR] [COLOR=#000080]After 4th stage, one gets to very high stage. Where one can hear(jap-resonance,dhuni) with their surati in pretty much everything in this creation ie- walls, birds, leafs, animals, human being, even from realms (bhramands). [/COLOR] [COLOR=#000080]Dharat Patal Akash Hai Meri Jindaeriye [/COLOR] [COLOR=#000080]Sab Har Har Naam Dhavaiya Ram || [/COLOR] [COLOR=#000080]It's amazing how jap(meditations) which starts from tongue of this beings, travels through all the stages within the body and outside the body ie- outside nature, realms. After going through all the stages. This being becomes bhramgyani and goes turiya avastha. [/COLOR] Gyani ji further added- Siri Guru Amar Das Ji son.. used to meditate on madma bani(on throat/kant chakar) most of the time. I'm certain that this katha which is on CD and tape was discussed and translated on BC sikhs. com If it was not from there, then I will try and located where the notes were from. I wouldn't say that the prayers hold different values in the way they are said. I think that you progress through the different stages starting at recitation out loud with tongue. [/QUOTE]
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Guru Granth Sahib
Sidh Gosht
Guru Nanak Dev Ji Being Asked: Where It All Started, How Acquired Wisdom, Which Master You Disciple
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