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Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Theatre, Movies & Cinema
Ashdoc's Movie Review---Ram Leela
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<blockquote data-quote="spnadmin" data-source="post: 193845" data-attributes="member: 35"><p>review from FakingNews :grinningkaur:</p><p></p><p><strong></strong></p><p><strong>Ram Leela on its way to break Sachin’s record of making maximum people cry</strong></p><p></p><p></p><p>by indianpsycho</p><p></p><p><a href="http://www.fakingnews.firstpost.com/2013/11/ram-leela-on-its-way-to-break-sachins-record-of-making-maximum-people-cry/" target="_blank">http://www.fakingnews.firstpost.com/2013/11/ram-leela-on-its-way-to-break-sachins-record-of-making-maximum-people-cry/</a></p><p></p><p>Mumbai. After failing to break any box-office records despite a shockingly good opening, Ram Leela is now eyeing another record to make up for the lost opportunity. The film is now on its way to break a record recently created by Sachin Tendulkar, of making maximum number of people cry through his speech, albeit a little differently.</p><p>Ranveer and Deepika were the only people who laughed. Though its not sure if it they were laughing at the audience.</p><p></p><p>Ranveer and Deepika were the only people who laughed. Though its not sure if it they were laughing at the audience.</p><p></p><p>Experts claim the film has so far managed to make thousands of people LMAO (Lamenting their **** off) and ROFW (Rolling on the floor Weeping) through its storyline or rather the lack of it and is only few numbers away from breaking master’s record.</p><p></p><p>While the film has already broken the record in Mumbai circuit that comprises of Gujarat and Suarashtra, experts claim it would be an uphill task for it to break the record in Delhi and East Punjab circuit. As there it will face immense competition from Punjabi films like Ashmit Patel starrer Dil Saada Luteya Gaya which is already on a roll.</p><p></p><p>Moviegoers are in a fix as they can’t even blame film’s director Sanjay Leela Bhansali, who had given them enough warnings through his earlier films.</p><p></p><p>“I believed Bhansali when he said that this film would make everybody cry, but never imagined he was trolling us and the route the film would take to make it happen would be a nightmare. This is not how we Gujaratis behave for god’s sake!” said a man from Matunga who feels Bhansali’s films are nothing but an RGV’s film made on lavish and expensive sets.</p><p></p><p>“Yeah I cried and got emotional in the end. That of all the films I chose this one to spend my money on. I will recommend it to my boss and a colleague who got promotion ahead of me, for sure,” said another man from Ghatkopar.</p><p></p><p>But not everybody is crying. Few are thanking Bhansali for coming out with such films time and again.</p><p></p><p>“Ram Leela is a good tool to threaten and pressurize my team. Ever since I warned them of back to back to shows of this film if they fail to complete the project on time, their efficiency has increased manifold,” said Project Manager of yet another ‘leading’ IT company who wants Bhansali to continue making such films at least till his retirement.</p><p></p><p>In a related news, it is being reported (not by Ahmed Patel) that for the first time after watching Ram Leela, Congress President Sonia Gandhi didn’t have to use services of glycerin to shed tears.</p><p></p><p>Apparently she watched the film after Digvijay Singh told her that film is far too communal to be allowed to screen in India as it has extensive use of Saffron color in the background.</p></blockquote><p></p>
[QUOTE="spnadmin, post: 193845, member: 35"] review from FakingNews :grinningkaur: [B] Ram Leela on its way to break Sachin’s record of making maximum people cry[/B] by indianpsycho [url]http://www.fakingnews.firstpost.com/2013/11/ram-leela-on-its-way-to-break-sachins-record-of-making-maximum-people-cry/[/url] Mumbai. After failing to break any box-office records despite a shockingly good opening, Ram Leela is now eyeing another record to make up for the lost opportunity. The film is now on its way to break a record recently created by Sachin Tendulkar, of making maximum number of people cry through his speech, albeit a little differently. Ranveer and Deepika were the only people who laughed. Though its not sure if it they were laughing at the audience. Ranveer and Deepika were the only people who laughed. Though its not sure if it they were laughing at the audience. Experts claim the film has so far managed to make thousands of people LMAO (Lamenting their **** off) and ROFW (Rolling on the floor Weeping) through its storyline or rather the lack of it and is only few numbers away from breaking master’s record. While the film has already broken the record in Mumbai circuit that comprises of Gujarat and Suarashtra, experts claim it would be an uphill task for it to break the record in Delhi and East Punjab circuit. As there it will face immense competition from Punjabi films like Ashmit Patel starrer Dil Saada Luteya Gaya which is already on a roll. Moviegoers are in a fix as they can’t even blame film’s director Sanjay Leela Bhansali, who had given them enough warnings through his earlier films. “I believed Bhansali when he said that this film would make everybody cry, but never imagined he was trolling us and the route the film would take to make it happen would be a nightmare. This is not how we Gujaratis behave for god’s sake!” said a man from Matunga who feels Bhansali’s films are nothing but an RGV’s film made on lavish and expensive sets. “Yeah I cried and got emotional in the end. That of all the films I chose this one to spend my money on. I will recommend it to my boss and a colleague who got promotion ahead of me, for sure,” said another man from Ghatkopar. But not everybody is crying. Few are thanking Bhansali for coming out with such films time and again. “Ram Leela is a good tool to threaten and pressurize my team. Ever since I warned them of back to back to shows of this film if they fail to complete the project on time, their efficiency has increased manifold,” said Project Manager of yet another ‘leading’ IT company who wants Bhansali to continue making such films at least till his retirement. In a related news, it is being reported (not by Ahmed Patel) that for the first time after watching Ram Leela, Congress President Sonia Gandhi didn’t have to use services of glycerin to shed tears. Apparently she watched the film after Digvijay Singh told her that film is far too communal to be allowed to screen in India as it has extensive use of Saffron color in the background. [/QUOTE]
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Ashdoc's Movie Review---Ram Leela
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