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Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Theatre, Movies & Cinema
Ashdoc's Movie Review---pari : Not A Fairy Tale
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<blockquote data-quote="ashdoc" data-source="post: 215488" data-attributes="member: 15932"><p>Arnab's ( Parambrata Chatterjee ) life is on the upswing . He is about to be married to the beautiful Piyali ( Ritabhari Chakraborty ) , whose warm outspoken nature seems to promise happiness after a shy withdrawn childhood that has been his lot earlier . But an accident changes his life . His father slams the car they are travelling in into a woman , who dies . The police search her house to find her daughter Rukhsana ( Anushka Sharma ) chained inside . </p><p></p><p>But the person working in the morgue sees that the dead mother is branded , and contacts the persons who he knows are into branding such entities . Those persons are led by professor Qasim , and their declared mission is to wipe out the cult of satan to which the dead woman belongs . She is a demoness whose mission is to perpetuate the cult of satan . And the professor and his group have destroyed the cult except the dead woman . Now it remains to kill the daughter , who is the last remaining demoness . The members of the cult and the professor are from Bangladesh . </p><p></p><p>However , the daughter Rukhsana sees the killers come for her and flees from the dog infested house she lives in to find refuge in the place in Kolkata where Arnab lives alone away from his parents . Sympathetic to her at first , Arnab tries to civilise her and give her some normalcy because he has seen her chained in her house . But he is unaware of her demonic propensities . </p><p></p><p>And do I even have to tell that the inevitable happens , and Rukhsana falls in love with Arnab . But what is important is that the love also makes her more human and turns her away from the demonic path that the ghost of her dead mother is urging her towards . But soon she becomes pregnant with Arnab's child . Will her mother's wish to continue the demonic cult be granted with the birth of the child , who after all will be the child of a demoness ? And what about Piyali , the fiancee of Arnab ? What is her role in all this ? Or will professor Qasim and his cohorts get to Rukhsana and destroy her before she gives birth to the child ? Watch the movie for the answers . </p><p></p><p>One must say that Anushka has taken a different role in her career with this movie , as she looks deglamourised and unattractive throughout the film . It is Piyali ( Ritabhari Chakraborty ) whose appearances I was eagerly waiting for throughout the movie , for her beauty is like a breath of fresh air in this dark and gory movie . </p><p></p><p>However the love of Rukhsana for Arnab and the transformation of her character is beautifully built up in the movie . You really feel sad for her , trapped as she is in this demonic form even though her heart is full of love . There are some real jolts of horror in the movie , but all interspersed with the sadness you feel for the souls trapped in this bizarre cult of perpetuating satan . The first half of the movie does not reveal as to who Rukhsana and her mother really are , and what is the purpose of professor Qasim to be after them . So a considerable part of the movie builds up suspense . </p><p></p><p>Parambrata Chatterjee looks vulnerable in his role as Arnab , and Rajat Kapoor looks coolly menacing as he carries out his rentless task of destruction of the cult . Photography is good , but colours are dark and surroundings dingy . Background music and songs are good . </p><p></p><p>Verdict---Decent .</p><p></p><p>Three stars out of five .</p></blockquote><p></p>
[QUOTE="ashdoc, post: 215488, member: 15932"] Arnab's ( Parambrata Chatterjee ) life is on the upswing . He is about to be married to the beautiful Piyali ( Ritabhari Chakraborty ) , whose warm outspoken nature seems to promise happiness after a shy withdrawn childhood that has been his lot earlier . But an accident changes his life . His father slams the car they are travelling in into a woman , who dies . The police search her house to find her daughter Rukhsana ( Anushka Sharma ) chained inside . But the person working in the morgue sees that the dead mother is branded , and contacts the persons who he knows are into branding such entities . Those persons are led by professor Qasim , and their declared mission is to wipe out the cult of satan to which the dead woman belongs . She is a demoness whose mission is to perpetuate the cult of satan . And the professor and his group have destroyed the cult except the dead woman . Now it remains to kill the daughter , who is the last remaining demoness . The members of the cult and the professor are from Bangladesh . However , the daughter Rukhsana sees the killers come for her and flees from the dog infested house she lives in to find refuge in the place in Kolkata where Arnab lives alone away from his parents . Sympathetic to her at first , Arnab tries to civilise her and give her some normalcy because he has seen her chained in her house . But he is unaware of her demonic propensities . And do I even have to tell that the inevitable happens , and Rukhsana falls in love with Arnab . But what is important is that the love also makes her more human and turns her away from the demonic path that the ghost of her dead mother is urging her towards . But soon she becomes pregnant with Arnab's child . Will her mother's wish to continue the demonic cult be granted with the birth of the child , who after all will be the child of a demoness ? And what about Piyali , the fiancee of Arnab ? What is her role in all this ? Or will professor Qasim and his cohorts get to Rukhsana and destroy her before she gives birth to the child ? Watch the movie for the answers . One must say that Anushka has taken a different role in her career with this movie , as she looks deglamourised and unattractive throughout the film . It is Piyali ( Ritabhari Chakraborty ) whose appearances I was eagerly waiting for throughout the movie , for her beauty is like a breath of fresh air in this dark and gory movie . However the love of Rukhsana for Arnab and the transformation of her character is beautifully built up in the movie . You really feel sad for her , trapped as she is in this demonic form even though her heart is full of love . There are some real jolts of horror in the movie , but all interspersed with the sadness you feel for the souls trapped in this bizarre cult of perpetuating satan . The first half of the movie does not reveal as to who Rukhsana and her mother really are , and what is the purpose of professor Qasim to be after them . So a considerable part of the movie builds up suspense . Parambrata Chatterjee looks vulnerable in his role as Arnab , and Rajat Kapoor looks coolly menacing as he carries out his rentless task of destruction of the cult . Photography is good , but colours are dark and surroundings dingy . Background music and songs are good . Verdict---Decent . Three stars out of five . [/QUOTE]
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