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Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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<blockquote data-quote="Gyani Jarnail Singh" data-source="post: 170479" data-attributes="member: 189"><p>Todays Hukmanmah Explanation on ZTV Punjabi gave me a huge shock.....Guru ji uses the words <strong>GANDHEH.</strong>..and <strong>VEAINN </strong>- gandeh means FILTHY and Veainn are Ladies wailing at a death...</p><p>And what are these Filthy Wailings...?? THOSE that lead one away from WAHEGURU and attach you to this world...and Wailings as everyone know are a group of old ladies screaming and beating their chests ( mostly for show only) surrounding a dead body...( SPECIFICALLY BANNED IN SRM and replaced by KIRTAN ONLY )..</p><p></p><p>So I got to Thinking...in GURU Nanak Jis time...what would be such "<strong>Filthy wailings</strong>"...and i guess that would be the popular love ballads Heer Ranjha sassee punnu mirza sahiban etc etc...AND IF those seem like FILTHY WAILS to Guru Ji...JUST IMAGINE what Words Guru Ji would use IF he heard one of Miss POOJA's SONGS..or watched Diljeet Video..or saw Honey Singh singing Lukk twenty eight kurree dadhh..punjabi kurrian second hand maal ah....i SHUDDERED..<strong>.EVEN GURU JI would be LOST FOR WORDS </strong>!!! <strong>SIMPLY SPEECHLESS </strong>!!!..esp since in comparison to miss pooja diljeet or honey Mirza sahiban or Heer Waris Shah or damodars Heer.. is supposedly Cultural and Punjabi Heritage..blah blah and family story...see how TIMES have CHANGED.... TODAY even Eminent RAGIS whsoe sole Profession is RAAG and Original Vaars of Gurbani..are saying more and more frequently that Original raags of SGGS sound so "pathetic..slow..not catchy at all..and youngsters dont like them...thats is AKIRTGHANNTA of the Highest Order..Guru Ji made the PERFECT SUMEL of RAAG+SHABAD...one is the Body the other the SOUL...BOTH run like twin wheels of a vehicle...in harmony and tandem...one cannot separate one form the other...</p><p>SIKHS have to wake UP and feel the pulse of the new generation...we need to go back to our ROOTS...GURBANI in ORIGINAL RAAG..NO COMPROMISES.</p></blockquote><p></p>
[QUOTE="Gyani Jarnail Singh, post: 170479, member: 189"] Todays Hukmanmah Explanation on ZTV Punjabi gave me a huge shock.....Guru ji uses the words [B]GANDHEH.[/B]..and [B]VEAINN [/B]- gandeh means FILTHY and Veainn are Ladies wailing at a death... And what are these Filthy Wailings...?? THOSE that lead one away from WAHEGURU and attach you to this world...and Wailings as everyone know are a group of old ladies screaming and beating their chests ( mostly for show only) surrounding a dead body...( SPECIFICALLY BANNED IN SRM and replaced by KIRTAN ONLY ).. So I got to Thinking...in GURU Nanak Jis time...what would be such "[B]Filthy wailings[/B]"...and i guess that would be the popular love ballads Heer Ranjha sassee punnu mirza sahiban etc etc...AND IF those seem like FILTHY WAILS to Guru Ji...JUST IMAGINE what Words Guru Ji would use IF he heard one of Miss POOJA's SONGS..or watched Diljeet Video..or saw Honey Singh singing Lukk twenty eight kurree dadhh..punjabi kurrian second hand maal ah....i SHUDDERED..[B].EVEN GURU JI would be LOST FOR WORDS [/B]!!! [B]SIMPLY SPEECHLESS [/B]!!!..esp since in comparison to miss pooja diljeet or honey Mirza sahiban or Heer Waris Shah or damodars Heer.. is supposedly Cultural and Punjabi Heritage..blah blah and family story...see how TIMES have CHANGED.... TODAY even Eminent RAGIS whsoe sole Profession is RAAG and Original Vaars of Gurbani..are saying more and more frequently that Original raags of SGGS sound so "pathetic..slow..not catchy at all..and youngsters dont like them...thats is AKIRTGHANNTA of the Highest Order..Guru Ji made the PERFECT SUMEL of RAAG+SHABAD...one is the Body the other the SOUL...BOTH run like twin wheels of a vehicle...in harmony and tandem...one cannot separate one form the other... SIKHS have to wake UP and feel the pulse of the new generation...we need to go back to our ROOTS...GURBANI in ORIGINAL RAAG..NO COMPROMISES. [/QUOTE]
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