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Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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<blockquote data-quote="spnadmin" data-source="post: 144478" data-attributes="member: 35"><p>ac marshall ji</p><p></p><p>Why seek pardon at all? Ambarsaria ji at the beginning of this thread alluded to the political and cultural reasons for tying dastar. You have described exactly how the turban became part of the revolutionary movement that was begun by Guru Nanak. And, you have given his reasoning. Donning a turban, rejecting caste, honoring women, all this was how Guru Nanak worked to move a people forward whose spirits had been sickened by the moral corruption of those very religious and political overlords who dared to keep everyone else in a socially and spiritually humiliated state. Guru Gobind Singh institutionalized dastar as a symbol of Sikh identity. Today we celebrate the liberation of our identity by honoring and wearing a turban.</p><p></p><p>Guru Arjan Dev joyously describes the feeling of moral victory that accompanies/is symbolized in turban/dastar once we face the real oppressors (the five thieves) and are able to overcome them:</p><p></p><p></p><p>ਹਉ ਗੋਸਾਈ ਦਾ ਪਹਿਲਵਾਨੜਾ ॥</p><p>Ho Gosaaee Dhaa Pehilavaanarraa ||</p><p>I am a wrestler; I belong to the Lord of the World.</p><p></p><p>ਮੈ ਗੁਰ ਮਿਲਿ ਉਚ ਦੁਮਾਲੜਾ ॥</p><p>Mai Gur Mil Ouch Dhumaalarraa ||</p><p>I met with the Guru, and I have tied a tall, plumed turban.</p><p></p><p>ਸਭ ਹੋਈ ਛਿੰਝ ਇਕਠੀਆ ਦਯੁ ਬੈਠਾ ਵੇਖੈ ਆਪਿ ਜੀਉ ॥੧੭॥</p><p>Sabh Hoee Shhinjh Eikatheeaa Dhay Baithaa Vaekhai Aap Jeeo ||17||</p><p>All have gathered to watch the wrestling match, and the Merciful Lord Himself is seated to behold it. ||17||</p><p></p><p>ਵਾਤ ਵਜਨਿ ਟੰਮਕ ਭੇਰੀਆ ॥</p><p>Vaath Vajan Ttanmak Bhaereeaa ||</p><p>The bugles play and the drums beat.</p><p></p><p>ਮਲ ਲਥੇ ਲੈਦੇ ਫੇਰੀਆ ॥</p><p>Mal Lathhae Laidhae Faereeaa ||</p><p>The wrestlers enter the arena and circle around.</p><p></p><p></p><p>ਨਿਹਤੇ ਪੰਜਿ ਜੁਆਨ ਮੈ ਗੁਰ ਥਾਪੀ ਦਿਤੀ ਕੰਡਿ ਜੀਉ ॥੧੮॥</p><p>Nihathae Panj Juaan Mai Gur Thhaapee Dhithee Kandd Jeeo ||18||</p><p>I have thrown the five challengers to the ground, and the Guru has patted me on the back. ||18||</p></blockquote><p></p>
[QUOTE="spnadmin, post: 144478, member: 35"] ac marshall ji Why seek pardon at all? Ambarsaria ji at the beginning of this thread alluded to the political and cultural reasons for tying dastar. You have described exactly how the turban became part of the revolutionary movement that was begun by Guru Nanak. And, you have given his reasoning. Donning a turban, rejecting caste, honoring women, all this was how Guru Nanak worked to move a people forward whose spirits had been sickened by the moral corruption of those very religious and political overlords who dared to keep everyone else in a socially and spiritually humiliated state. Guru Gobind Singh institutionalized dastar as a symbol of Sikh identity. Today we celebrate the liberation of our identity by honoring and wearing a turban. Guru Arjan Dev joyously describes the feeling of moral victory that accompanies/is symbolized in turban/dastar once we face the real oppressors (the five thieves) and are able to overcome them: ਹਉ ਗੋਸਾਈ ਦਾ ਪਹਿਲਵਾਨੜਾ ॥ Ho Gosaaee Dhaa Pehilavaanarraa || I am a wrestler; I belong to the Lord of the World. ਮੈ ਗੁਰ ਮਿਲਿ ਉਚ ਦੁਮਾਲੜਾ ॥ Mai Gur Mil Ouch Dhumaalarraa || I met with the Guru, and I have tied a tall, plumed turban. ਸਭ ਹੋਈ ਛਿੰਝ ਇਕਠੀਆ ਦਯੁ ਬੈਠਾ ਵੇਖੈ ਆਪਿ ਜੀਉ ॥੧੭॥ Sabh Hoee Shhinjh Eikatheeaa Dhay Baithaa Vaekhai Aap Jeeo ||17|| All have gathered to watch the wrestling match, and the Merciful Lord Himself is seated to behold it. ||17|| ਵਾਤ ਵਜਨਿ ਟੰਮਕ ਭੇਰੀਆ ॥ Vaath Vajan Ttanmak Bhaereeaa || The bugles play and the drums beat. ਮਲ ਲਥੇ ਲੈਦੇ ਫੇਰੀਆ ॥ Mal Lathhae Laidhae Faereeaa || The wrestlers enter the arena and circle around. ਨਿਹਤੇ ਪੰਜਿ ਜੁਆਨ ਮੈ ਗੁਰ ਥਾਪੀ ਦਿਤੀ ਕੰਡਿ ਜੀਉ ॥੧੮॥ Nihathae Panj Juaan Mai Gur Thhaapee Dhithee Kandd Jeeo ||18|| I have thrown the five challengers to the ground, and the Guru has patted me on the back. ||18|| [/QUOTE]
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