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ਰਾਗੁ ਗੋਂਡ | Raag Gond
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ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
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ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
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ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
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Anjulian (1019-1020)
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ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
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ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
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ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
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Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
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ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
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ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
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ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
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Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
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Shaloks Bhagat Kabir
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Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Guru Granth Sahib
Jup Banee
The Jap Ji Of Guru Nanak : Its Doctrinal Basis
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<blockquote data-quote="spnadmin" data-source="post: 137389" data-attributes="member: 35"><p><strong><span style="color: Sienna"></span></strong></p><p><strong><span style="color: Sienna"></span></strong></p><p><strong><span style="color: Sienna">Neither. He is referring to the Divine Essence as Shabad, often described as vibratory energy, which is always present in creation and beyond time. Gurbani is this vibration translated into poetry. </span></strong></p><p><strong><span style="color: Sienna"></span></strong></p><p><strong><span style="color: Sienna">Sardar ji is referring to this, in the thread starter: </span></strong></p><p><strong><span style="color: Sienna"></span></strong></p><p><strong><span style="color: Sienna"></span></strong></p><p><strong><span style="color: Sienna"></span></strong></p><p><strong><span style="color: Sienna">Please also refer to this explanation </span></strong></p><p><strong><span style="color: Sienna"></span></strong></p><p><strong><span style="color: Sienna">There is greater elaboration at this link: </span></strong></p><p><strong><span style="color: Sienna"><a href="http://www.gurbani.org/articles/webart20.htm" target="_blank">http://www.gurbani.org/articles/webart20.htm</a></span></strong></p><p><strong><span style="color: Sienna"></span></strong></p><p><strong><span style="color: Sienna">Guru Nanak describes the idea this way in Pauree 36:</span></strong></p><p><strong><span style="color: Sienna"></span></strong></p><p><strong><span style="color: Sienna">ਗਿਆਨ ਖੰਡ ਮਹਿ ਗਿਆਨੁ ਪਰਚੰਡੁ ॥</span></strong></p><p><strong><span style="color: Sienna">Gi▫ān kẖand mėh gi▫ān parcẖand.</span></strong></p><p><strong><span style="color: Sienna">In the realm of wisdom, spiritual wisdom reigns supreme.</span></strong></p><p><strong><span style="color: Sienna"></span></strong></p><p><strong><span style="color: Sienna">ਤਿਥੈ ਨਾਦ ਬਿਨੋਦ ਕੋਡ ਅਨੰਦੁ ॥</span></strong></p><p><strong><span style="color: Sienna">Ŧithai nāḏ binoḏ kod anand.</span></strong></p><p><strong><span style="color: Sienna">The Sound-current of the Naad vibrates there, amidst the sounds and the sights of bliss. </span></strong></p><p><strong><span style="color: Sienna"></span></strong></p><p><strong><span style="color: Sienna">What did Karpur Singh mean by "modified?" Do we know what Punjabi word he used for that term?</span></strong></p><p><strong><span style="color: Sienna"></span></strong></p><p><strong><span style="color: Sienna">Some scholars would argue that Shabad is "modified" because it is transformed into Gurbani as verse. </span></strong></p><p><strong><span style="color: Sienna"></span></strong></p><p><strong><span style="color: Sienna">Also from gurbani.org </span></strong></p><p><strong><span style="color: Sienna"></span></strong></p><p><strong><span style="color: Sienna">In my opinion all of Gurbani is Shabad transformed. But in response to the questions you raise, Sardar Karpur Singh has already described the "paurees" as hymns. What is Guru Nanak saying in pauree 38, the last pauree</span></strong></p><p><strong><span style="color: Sienna"></span></strong></p><p><strong><span style="color: Sienna"></span></strong></p><p><strong><span style="color: Sienna">ਜਤੁ ਪਾਹਾਰਾ ਧੀਰਜੁ ਸੁਨਿਆਰੁ ॥</span></strong></p><p><strong><span style="color: Sienna">Jaṯ pāhārā ḏẖīraj suni▫ār.</span></strong></p><p><strong><span style="color: Sienna">Let self-control be the furnace, and patience the goldsmith.</span></strong></p><p><strong><span style="color: Sienna"></span></strong></p><p><strong><span style="color: Sienna">ਅਹਰਣਿ ਮਤਿ ਵੇਦੁ ਹਥੀਆਰੁ </span></strong></p><p><strong><span style="color: Sienna">Ahraṇ maṯ veḏ hathī▫ār.</span></strong></p><p><strong><span style="color: Sienna">Let understanding be the anvil, and spiritual wisdom the tools.</span></strong></p><p><strong><span style="color: Sienna"></span></strong></p><p><strong><span style="color: Sienna">ਭਉ ਖਲਾ ਅਗਨਿ ਤਪ ਤਾਉ ॥</span></strong></p><p><strong><span style="color: Sienna">Bẖa▫o kẖalā agan ṯap ṯā▫o.</span></strong></p><p><strong><span style="color: Sienna">With the Fear of God as the bellows, fan the flames of tapa, the body's inner heat.</span></strong></p><p><strong><span style="color: Sienna"></span></strong></p><p><strong><span style="color: Sienna">ਭਾਂਡਾ ਭਾਉ ਅੰਮ੍ਰਿਤੁ ਤਿਤੁ ਢਾਲਿ ॥</span></strong></p><p><strong><span style="color: Sienna">Bẖāʼndā bẖā▫o amriṯ ṯiṯ dẖāl.</span></strong></p><p><strong><span style="color: Sienna">In the crucible of love, melt the Nectar of the Name,</span></strong></p><p><strong><span style="color: Sienna"></span></strong></p><p><strong><span style="color: Sienna">ਘੜੀਐ ਸਬਦੁ ਸਚੀ ਟਕਸਾਲ ॥</span></strong></p><p><strong><span style="color: Sienna">Gẖaṛī▫ai sabaḏ sacẖī taksāl.</span></strong></p><p><strong><span style="color: Sienna">and mint the True Coin of the Shabad, the Word of God.</span></strong></p><p><strong><span style="color: Sienna"></span></strong></p><p><strong><span style="color: Sienna">ਜਿਨ ਕਉ ਨਦਰਿ ਕਰਮੁ ਤਿਨ ਕਾਰ ॥</span></strong></p><p><strong><span style="color: Sienna">Jin ka▫o naḏar karam ṯin kār.</span></strong></p><p><strong><span style="color: Sienna">Such is the karma of those upon whom He has cast His Glance of Grace.</span></strong></p><p><strong><span style="color: Sienna"></span></strong></p><p><strong><span style="color: Sienna">ਨਾਨਕ ਨਦਰੀ ਨਦਰਿ ਨਿਹਾਲ ॥੩੮॥</span></strong></p><p><strong><span style="color: Sienna">Nānak naḏrī naḏar nihāl. ||38||</span></strong></p><p><strong><span style="color: Sienna">O Nanak, the Merciful Lord, by His Grace, uplifts and exalts them. ||38||</span></strong></p><p><strong><span style="color: Sienna"></span></strong></p><p><strong><span style="color: Sienna">Sardar Kapur Singh ji has already enunciated what he believes is the turn the Guru Nanak took which makes Japji uniquely revolutionary</span></strong></p><p><strong><span style="color: Sienna"></span></strong></p><p><strong><span style="color: Sienna"></span></strong></p><p><strong><span style="color: Sienna"></span></strong></p><p><strong><span style="color: Sienna">We can see the connections with pauree 38. Ordinary humans are capable of experiencing the truth through rigrous discipline (fan the flames of tapa, the body's inner heat) and the glance of grace (O Nanak, the Merciful Lord, by His Grace, uplifts and exalts them).</span></strong></p></blockquote><p></p>
[QUOTE="spnadmin, post: 137389, member: 35"] [B][COLOR="Sienna"] Neither. He is referring to the Divine Essence as Shabad, often described as vibratory energy, which is always present in creation and beyond time. Gurbani is this vibration translated into poetry. Sardar ji is referring to this, in the thread starter: Please also refer to this explanation There is greater elaboration at this link: [url]http://www.gurbani.org/articles/webart20.htm[/url] Guru Nanak describes the idea this way in Pauree 36: ਗਿਆਨ ਖੰਡ ਮਹਿ ਗਿਆਨੁ ਪਰਚੰਡੁ ॥ Gi▫ān kẖand mėh gi▫ān parcẖand. In the realm of wisdom, spiritual wisdom reigns supreme. ਤਿਥੈ ਨਾਦ ਬਿਨੋਦ ਕੋਡ ਅਨੰਦੁ ॥ Ŧithai nāḏ binoḏ kod anand. The Sound-current of the Naad vibrates there, amidst the sounds and the sights of bliss. What did Karpur Singh mean by "modified?" Do we know what Punjabi word he used for that term? Some scholars would argue that Shabad is "modified" because it is transformed into Gurbani as verse. Also from gurbani.org In my opinion all of Gurbani is Shabad transformed. But in response to the questions you raise, Sardar Karpur Singh has already described the "paurees" as hymns. What is Guru Nanak saying in pauree 38, the last pauree ਜਤੁ ਪਾਹਾਰਾ ਧੀਰਜੁ ਸੁਨਿਆਰੁ ॥ Jaṯ pāhārā ḏẖīraj suni▫ār. Let self-control be the furnace, and patience the goldsmith. ਅਹਰਣਿ ਮਤਿ ਵੇਦੁ ਹਥੀਆਰੁ Ahraṇ maṯ veḏ hathī▫ār. Let understanding be the anvil, and spiritual wisdom the tools. ਭਉ ਖਲਾ ਅਗਨਿ ਤਪ ਤਾਉ ॥ Bẖa▫o kẖalā agan ṯap ṯā▫o. With the Fear of God as the bellows, fan the flames of tapa, the body's inner heat. ਭਾਂਡਾ ਭਾਉ ਅੰਮ੍ਰਿਤੁ ਤਿਤੁ ਢਾਲਿ ॥ Bẖāʼndā bẖā▫o amriṯ ṯiṯ dẖāl. In the crucible of love, melt the Nectar of the Name, ਘੜੀਐ ਸਬਦੁ ਸਚੀ ਟਕਸਾਲ ॥ Gẖaṛī▫ai sabaḏ sacẖī taksāl. and mint the True Coin of the Shabad, the Word of God. ਜਿਨ ਕਉ ਨਦਰਿ ਕਰਮੁ ਤਿਨ ਕਾਰ ॥ Jin ka▫o naḏar karam ṯin kār. Such is the karma of those upon whom He has cast His Glance of Grace. ਨਾਨਕ ਨਦਰੀ ਨਦਰਿ ਨਿਹਾਲ ॥੩੮॥ Nānak naḏrī naḏar nihāl. ||38|| O Nanak, the Merciful Lord, by His Grace, uplifts and exalts them. ||38|| Sardar Kapur Singh ji has already enunciated what he believes is the turn the Guru Nanak took which makes Japji uniquely revolutionary We can see the connections with pauree 38. Ordinary humans are capable of experiencing the truth through rigrous discipline (fan the flames of tapa, the body's inner heat) and the glance of grace (O Nanak, the Merciful Lord, by His Grace, uplifts and exalts them).[/color][/b] [/QUOTE]
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Guru Granth Sahib
Jup Banee
The Jap Ji Of Guru Nanak : Its Doctrinal Basis
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