☀️ JOIN SPN MOBILE
Forums
New posts
Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
What's new
New posts
New media
New media comments
New resources
Latest activity
Videos
New media
New comments
Library
Latest reviews
Donate
Log in
Register
What's new
New posts
Menu
Log in
Register
Install the app
Install
Welcome to all New Sikh Philosophy Network Forums!
Explore Sikh Sikhi Sikhism...
Sign up
Log in
Gurmat Vichaar
Gurmat Vichar - Discussions
Discourses in English
The Entire Raag Mala: The Last 2 Parts Missing?
JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding.
You are using an out of date browser. It may not display this or other websites correctly.
You should upgrade or use an
alternative browser
.
Reply to thread
Message
<blockquote data-quote="harman deep" data-source="post: 132111" data-attributes="member: 12892"><p><span style="color: black"><span style="font-family: 'Verdana'">Resectable sister,</span></span></p><p><span style="color: black"><span style="font-family: 'Verdana'"> I have read the whole discussion. Now these days it is our right that we should know what actual is. As veer ji is respectful to every body it is the choice of our new generation. The main thing which is most important is that we must know what everyone is thinking and we may have our own attitude.</span></span></p><p><span style="color: black"><span style="font-family: 'Verdana'"> Veer Vijaydeep Singh ji it is also important to study how Ragmala is followed by the persons who are full supporters of Ragmala if it is studied how Rags should be sing according to Ragmala than it will helpful to clear whole picture. I have today learnt that written script of Ragas are produced first in Iran after that Bhatkhande write the script for rags. It is not only important to read Ragmala but it is also important how it should be followed. Why till now we can not produce the system for rags, ragis. Why we can manot have the Ragis of Pandit Bhim Sen Joshi Stature. We are fighting for Ragmala but is the position of singing according to ragas. There is no doubt we are following the Indian Classical System But it is equally important that how much our system is influenced by ragi Ghranas Of Iran and Panjabi folk singing. As wars are ordered to sing according to some folk singing( tunde As raje ki dhuni gawni) .Most important is this we are only guessing about the ‘Ghar’ phrase.</span></span></p><p><span style="color: black"><span style="font-family: 'Verdana'"> Vijaydeep Singh is working in right direction though we not accept the whole work anyone we must have to recognize the wisdom which is shown if it is present in the work.Vijaydeep Singh ji it is also important to study is according to ancient traditional notations of our old traditional ragis upto how much extent all these systems are followed. What is Hunmant mat and what is Bhart Mat. and most important is that where all these stand in That Rag Padhti. All these aspects need to be studied and answered. If we can not follow Rag Mala than what is the purpose. It is also picks our intention. I am also ready to help you in these studies.If you give me to serve with you. Guru Fateh parvan hove jio.</span></span></p><p><span style="font-family: 'Calibri'"><span style="font-size: 12px"> </span></span></p><p><span style="font-family: 'Calibri'"><span style="font-size: 12px">Harmandeep Singh</span></span></p></blockquote><p></p>
[QUOTE="harman deep, post: 132111, member: 12892"] [COLOR=black][FONT=Verdana]Resectable sister,[/FONT][/COLOR] [COLOR=black][FONT=Verdana] I have read the whole discussion. Now these days it is our right that we should know what actual is. As veer ji is respectful to every body it is the choice of our new generation. The main thing which is most important is that we must know what everyone is thinking and we may have our own attitude.[/FONT][/COLOR] [COLOR=black][FONT=Verdana] Veer Vijaydeep Singh ji it is also important to study how Ragmala is followed by the persons who are full supporters of Ragmala if it is studied how Rags should be sing according to Ragmala than it will helpful to clear whole picture. I have today learnt that written script of Ragas are produced first in Iran after that Bhatkhande write the script for rags. It is not only important to read Ragmala but it is also important how it should be followed. Why till now we can not produce the system for rags, ragis. Why we can manot have the Ragis of Pandit Bhim Sen Joshi Stature. We are fighting for Ragmala but is the position of singing according to ragas. There is no doubt we are following the Indian Classical System But it is equally important that how much our system is influenced by ragi Ghranas Of Iran and Panjabi folk singing. As wars are ordered to sing according to some folk singing( tunde As raje ki dhuni gawni) .Most important is this we are only guessing about the ‘Ghar’ phrase.[/FONT][/COLOR] [COLOR=black][FONT=Verdana] Vijaydeep Singh is working in right direction though we not accept the whole work anyone we must have to recognize the wisdom which is shown if it is present in the work.Vijaydeep Singh ji it is also important to study is according to ancient traditional notations of our old traditional ragis upto how much extent all these systems are followed. What is Hunmant mat and what is Bhart Mat. and most important is that where all these stand in That Rag Padhti. All these aspects need to be studied and answered. If we can not follow Rag Mala than what is the purpose. It is also picks our intention. I am also ready to help you in these studies.If you give me to serve with you. Guru Fateh parvan hove jio.[/FONT][/COLOR] [FONT=Calibri][SIZE=3] [/SIZE][/FONT] [FONT=Calibri][SIZE=3]Harmandeep Singh[/SIZE][/FONT] [/QUOTE]
Insert quotes…
Verification
Post reply
Gurmat Vichaar
Gurmat Vichar - Discussions
Discourses in English
The Entire Raag Mala: The Last 2 Parts Missing?
This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register.
By continuing to use this site, you are consenting to our use of cookies.
Accept
Learn more…
Top