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Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Discussions
Hard Talk
Taking One Liners Out Of Context From Gurbani To Allow Intellectual Independence?
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<blockquote data-quote="Original" data-source="post: 207190" data-attributes="member: 14400"><p><strong>ਬਿਲਾਵਲੁ ਮਹਲਾ ੫ ॥ ਤਾਤੀ ਵਾਉ ਨ ਲਗਈ ਪਾਰਬ੍ਰਹਮ ਸਰਣਾਈ ॥ ਚਉਗਿਰਦ ਹਮਾਰੈ ਰਾਮ ਕਾਰ ਦੁਖੁ ਲਗੈ ਨ ਭਾਈ ॥੧॥ ਸਤਿਗੁਰੁ ਪੂਰਾ ਭੇਟਿਆ ਜਿਨਿ ਬਣਤ ਬਣਾਈ ॥ ਰਾਮ ਨਾਮੁ ਅਉਖਧੁ ਦੀਆ ਏਕਾ ਲਿਵ ਲਾਈ ॥੧॥ ਰਹਾਉ ॥ਰਾਖਿ ਲੀਏ ਤਿਨਿ ਰਖਨਹਾਰਿ ਸਭ ਬਿਆਧਿ ਮਿਟਾਈ ॥ ਕਹੁ ਨਾਨਕ ਕਿਰਪਾ ਭਈ ਪ੍ਰਭ ਭਏ ਸਹਾਈ ॥੨॥੧੫॥੭੯॥ {ਪੰਨਾ 819}</strong></p><p>..you definitely know how to pick your shabds. This one has a beautiful ring to it. The "nucleus" ram kar [<strong>ਰਾਮ ਕਾਰ] </strong>around which Guru Arjun Dev Ji builds the rest of the Shabd has its roots in the great Indian epic Ramayana [poem]. Guru Ji captilises on the main theme of the poem, God the protector [<strong>ਪਾਰਬ੍ਰਹਮ ਸਰਣਾਈ] </strong>and works through to distil and flavour the entire text. In so doing, Guru Ji praises the achitect God is [<strong>ਬਣਤ ਬਣਾਈ] </strong>and how by remaining steadfast to the covenant [<strong>ਰਾਮ ਨਾਮੁ ਅਉਖਧੁ ਦੀਆ],</strong> made with Him is one saved from all difficulties. Moreover, the name of God [nam] acts as the red ring [<strong>ram kar</strong>], within which one is protected indefinitely.</p><p>The idea of God the protector originated from the great tale of Ramayna. It goes something like this:</p><ul> <li data-xf-list-type="ul"> Ram is told to go to an exile for fourteen years in the forest. His wife Seeta and brother <a href="https://en.wikipedia.org/wiki/Lakshmana" target="_blank"><u>Lakshman</u></a> decide to join him, and all three spend the fourteen years in exile together. While in exile, Seeta sees this beautiful deer and requests her husband Ram to catch it for her. Ram sets out to catch the deer, but before he sets out on the chase he instruct his brother not to leave Seeta on her own in case she get's abducted by the evil Ravaan. Ram disappears into the thick of the forest in pursuit of the deer, and moments later a loud scream is heard. Seeta panics, thinking something has happened to Ram, she hurries Lakshman to go after Ram. Lakshman declines because Ram had left specific instructions for Seeta not to be left unattended . Moral dilemma, what to do ? Seeta comes up with a solution, "round ring the house O' Lakshman with<strong> "ram-kar"</strong> so no evil can enter". Lakshman accordingly, draws a line around the home and instructs Seeta not to go outside it. This line [ram kar lakeer] has divinal properties so that no evil could enter.......</li> </ul><p>Guru Arjun Dev Ji places emphasis on the relationship between humankind and God. And, how those that remain faithful remain protected.</p><p></p><p>...I take it your middle name is "honey" ! You're too sweeeeeet !</p></blockquote><p></p>
[QUOTE="Original, post: 207190, member: 14400"] [B]ਬਿਲਾਵਲੁ ਮਹਲਾ ੫ ॥ ਤਾਤੀ ਵਾਉ ਨ ਲਗਈ ਪਾਰਬ੍ਰਹਮ ਸਰਣਾਈ ॥ ਚਉਗਿਰਦ ਹਮਾਰੈ ਰਾਮ ਕਾਰ ਦੁਖੁ ਲਗੈ ਨ ਭਾਈ ॥੧॥ ਸਤਿਗੁਰੁ ਪੂਰਾ ਭੇਟਿਆ ਜਿਨਿ ਬਣਤ ਬਣਾਈ ॥ ਰਾਮ ਨਾਮੁ ਅਉਖਧੁ ਦੀਆ ਏਕਾ ਲਿਵ ਲਾਈ ॥੧॥ ਰਹਾਉ ॥ਰਾਖਿ ਲੀਏ ਤਿਨਿ ਰਖਨਹਾਰਿ ਸਭ ਬਿਆਧਿ ਮਿਟਾਈ ॥ ਕਹੁ ਨਾਨਕ ਕਿਰਪਾ ਭਈ ਪ੍ਰਭ ਭਏ ਸਹਾਈ ॥੨॥੧੫॥੭੯॥ {ਪੰਨਾ 819}[/B] ..you definitely know how to pick your shabds. This one has a beautiful ring to it. The "nucleus" ram kar [[B]ਰਾਮ ਕਾਰ] [/B]around which Guru Arjun Dev Ji builds the rest of the Shabd has its roots in the great Indian epic Ramayana [poem]. Guru Ji captilises on the main theme of the poem, God the protector [[B]ਪਾਰਬ੍ਰਹਮ ਸਰਣਾਈ] [/B]and works through to distil and flavour the entire text. In so doing, Guru Ji praises the achitect God is [[B]ਬਣਤ ਬਣਾਈ] [/B]and how[B] [/B]by[B] [/B]remaining[B] [/B]steadfast to the covenant [[B]ਰਾਮ ਨਾਮੁ ਅਉਖਧੁ ਦੀਆ],[/B] made with Him is one saved from all difficulties. Moreover, the name of God [nam] acts as the red ring [[B]ram kar[/B]], within which one is protected indefinitely. The idea of God the protector originated from the great tale of Ramayna. It goes something like this: [LIST] [*] Ram is told to go to an exile for fourteen years in the forest. His wife Seeta and brother [URL='https://en.wikipedia.org/wiki/Lakshmana'][U]Lakshman[/U][/URL] decide to join him, and all three spend the fourteen years in exile together. While in exile, Seeta sees this beautiful deer and requests her husband Ram to catch it for her. Ram sets out to catch the deer, but before he sets out on the chase he instruct his brother not to leave Seeta on her own in case she get's abducted by the evil Ravaan. Ram disappears into the thick of the forest in pursuit of the deer, and moments later a loud scream is heard. Seeta panics, thinking something has happened to Ram, she hurries Lakshman to go after Ram. Lakshman declines because Ram had left specific instructions for Seeta not to be left unattended . Moral dilemma, what to do ? Seeta comes up with a solution, "round ring the house O' Lakshman with[B] "ram-kar"[/B] so no evil can enter". Lakshman accordingly, draws a line around the home and instructs Seeta not to go outside it. This line [ram kar lakeer] has divinal properties so that no evil could enter....... [/LIST] Guru Arjun Dev Ji places emphasis on the relationship between humankind and God. And, how those that remain faithful remain protected. ...I take it your middle name is "honey" ! You're too sweeeeeet ! [/QUOTE]
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Taking One Liners Out Of Context From Gurbani To Allow Intellectual Independence?
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