☀️ JOIN SPN MOBILE
Forums
New posts
Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
What's new
New posts
New media
New media comments
New resources
Latest activity
Videos
New media
New comments
Library
Latest reviews
Donate
Log in
Register
What's new
New posts
Menu
Log in
Register
Install the app
Install
Welcome to all New Sikh Philosophy Network Forums!
Explore Sikh Sikhi Sikhism...
Sign up
Log in
Social Lounge
Theatre, Movies & Cinema
Short Review---veere Di Wedding
JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding.
You are using an out of date browser. It may not display this or other websites correctly.
You should upgrade or use an
alternative browser
.
Reply to thread
Message
<blockquote data-quote="ashdoc" data-source="post: 216827" data-attributes="member: 15932"><p>Four bold modern sassy female friends meet again reigniting memories of their school days . And even in those days they had been bold , wearing miniskirts to school and creating mayhem on the campus . </p><p></p><p>And why should not they be bold ? Their confidence and uninhibited behaviour is backed by real money which their families possess . Yeah , all of them belong to rich families and can do things which middle class girls can only dream of .</p><p></p><p>Kareena Kapoor is in a live in relationship with her boyfriend , but one day her boyfriend proposes to her and she is forced to accept because she doesn't want to hurt him . But she is not at all comfortable with the relatives of her boyfriend that she has to now adjust with as part of the impending marriage . She was happy with the live in relationship and cannot bear the overweening affection being poured on her by her in laws . Reason---she has not lived with a happy family as she comes from a broken home . As the marriage rituals are on and cause her increasing discomfort , she takes the excuse of her boyfriend making a snide remark at her to call off the marriage . </p><p></p><p>Sonam Kapoor is desperate to get married . She was in a major relationship with a boy since young age but that didn't work out . Now during the marriage of Kareena she tries to kiss a guy she wants to marry . But he shoos her off , and on the rebound she sleeps with a guy angling for her whose name even she does not know . </p><p></p><p>Sakshi Talsania has run off with her white lover to get married and has a kid with him whom she adores . But the kid and her increasing weight put brakes on her sex life . Her father has never forgiven her for her elopement with a white man and is not on talking terms with her though she wants to reconnect with him .</p><p></p><p>Swara Bhaskar is on course to get divorced from her husband with whom she has major issues . The highlight of the movie is her masturbation scene , in which she masturbates after a fight with her husband and he walks in just as she is reaching orgasm . She wears the most sexy clothes in the movie and has a reputation among the aunties in her neighbourhood .</p><p></p><p>These women go to Phuket to forget their troubles and have a whale of a time swimming and partying there . They wear exposing clothes and use swear words and discuss intimate details that women can discuss only with their closest buddies . But behind all the boldness they are vulnerable women in need to connect with the people they have left behind and the people they love . So do they ? Watch the movie for that....</p><p></p><p>All four women look good and dress even better . Acting is good too and colours and photography of the movie are nice . Songs and background music is a major plus point of the film and enjoyment of the film is enhanced by it . The movie is focused on the four girls and hence the actors chosen for playing their love interests are unknown actors . So the four actresses get to dominate the movie . </p><p></p><p>Beneath all the lack of inhibitions , all four are shown to be nice girls . If you go with an open mind not to get overly concerned by the boldness in the film like the masturbation scene , the movie is fun to be enjoyed and also to get sentimental as there are some emotions in the end . </p><p></p><p>Verdict---Good .</p><p></p><p>Three and a half stars out of five .</p></blockquote><p></p>
[QUOTE="ashdoc, post: 216827, member: 15932"] Four bold modern sassy female friends meet again reigniting memories of their school days . And even in those days they had been bold , wearing miniskirts to school and creating mayhem on the campus . And why should not they be bold ? Their confidence and uninhibited behaviour is backed by real money which their families possess . Yeah , all of them belong to rich families and can do things which middle class girls can only dream of . Kareena Kapoor is in a live in relationship with her boyfriend , but one day her boyfriend proposes to her and she is forced to accept because she doesn't want to hurt him . But she is not at all comfortable with the relatives of her boyfriend that she has to now adjust with as part of the impending marriage . She was happy with the live in relationship and cannot bear the overweening affection being poured on her by her in laws . Reason---she has not lived with a happy family as she comes from a broken home . As the marriage rituals are on and cause her increasing discomfort , she takes the excuse of her boyfriend making a snide remark at her to call off the marriage . Sonam Kapoor is desperate to get married . She was in a major relationship with a boy since young age but that didn't work out . Now during the marriage of Kareena she tries to kiss a guy she wants to marry . But he shoos her off , and on the rebound she sleeps with a guy angling for her whose name even she does not know . Sakshi Talsania has run off with her white lover to get married and has a kid with him whom she adores . But the kid and her increasing weight put brakes on her sex life . Her father has never forgiven her for her elopement with a white man and is not on talking terms with her though she wants to reconnect with him . Swara Bhaskar is on course to get divorced from her husband with whom she has major issues . The highlight of the movie is her masturbation scene , in which she masturbates after a fight with her husband and he walks in just as she is reaching orgasm . She wears the most sexy clothes in the movie and has a reputation among the aunties in her neighbourhood . These women go to Phuket to forget their troubles and have a whale of a time swimming and partying there . They wear exposing clothes and use swear words and discuss intimate details that women can discuss only with their closest buddies . But behind all the boldness they are vulnerable women in need to connect with the people they have left behind and the people they love . So do they ? Watch the movie for that.... All four women look good and dress even better . Acting is good too and colours and photography of the movie are nice . Songs and background music is a major plus point of the film and enjoyment of the film is enhanced by it . The movie is focused on the four girls and hence the actors chosen for playing their love interests are unknown actors . So the four actresses get to dominate the movie . Beneath all the lack of inhibitions , all four are shown to be nice girls . If you go with an open mind not to get overly concerned by the boldness in the film like the masturbation scene , the movie is fun to be enjoyed and also to get sentimental as there are some emotions in the end . Verdict---Good . Three and a half stars out of five . [/QUOTE]
Insert quotes…
Verification
Post reply
Social Lounge
Theatre, Movies & Cinema
Short Review---veere Di Wedding
This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register.
By continuing to use this site, you are consenting to our use of cookies.
Accept
Learn more…
Top