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Guru Granth Sahib
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ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
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Gurbani (151-185)
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Gurbani (347-348)
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ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
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Gurbani (537-556)
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Gurbani (557-564)
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Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
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Vaar Sorath (642-659)
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Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
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ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
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Chhant (763-785)
Vaar Soohee (785-792)
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ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Hard Talk
Raagmala - Is It Really Part Of Gurbani?
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<blockquote data-quote="Ishna" data-source="post: 203830" data-attributes="member: 2709"><p>A little bit of background courtesy of Wikipedia...</p><p></p><p style="margin-left: 20px">The raagmala appended to Sri Guru Granth Sahib Ji is not much different from the others, and, by itself, does not set up a new system. This raagmala is nearest to the Hanuman Mat, but the arrangement of raags in Sri Guru Granth Sahib Ji is nearer to the Saiv Mala and the Kalinath Mat which give primacy to Siri Raag. The only system wherein occur all the raags and sub-raags employed in Sri Guru Granth Sahib Ji is Bharat Mat.</p> <p style="margin-left: 20px"></p> <p style="margin-left: 20px">In Sri Guru Granth Sahib Ji no distinction has been made between raags and rdgims and all the measures employed have been given the status of raags, each one of them recognized in its own right and not as “wife” or “son” to another raag. In practice over a long stretch of time, Gurmat Sangeet, i.e. Sikh music, has evolved its own style and conventions which make it a system distinct from other Indian systems.</p> <p style="margin-left: 20px"></p> <p style="margin-left: 20px">There are 8 raags that are utilised in Sri Guru Granth Sahib Ji that have not been mentioned in the Raagmala. These are: Bihagara, Wadahans, Manjh, Jaitsri, Ramkali, Tukhari, Prabhati and Jaijawanti. Mali-Gaura is not included in Raagmala but Gaura is.<a href="https://en.wikipedia.org/wiki/Ragmala#cite_note-2" target="_blank">[2]</a></p> <p style="margin-left: 20px"></p> <p style="margin-left: 20px">“The last pages of the Kartarpur Beerh do not suggest, either because of the presence of blank spaces, or scoring out, or obliteration hortal, or otherwise, that there was or could have been the least intention to write these hymns in the Granth. The Mudaavni is on page 973/1. Pages 973/2 and 974/1 are blank, and on page 974/2 is Raagmala. As such, there could never have been the possibility, nor could it ever have been contemplated that these three writings requiring a space of over four pages could have been accommodated on the two blank pages 973/2 and 974/1.” <a href="https://en.wikipedia.org/wiki/Ragmala#cite_note-3" target="_blank">[3]</a></p> <p style="margin-left: 20px"></p> <p style="margin-left: 20px">The puraatan (old) saroops that did or do include Raagmala (like Bhai Banno Beerh) also included other compositions after Mundaavni (but before Raagmala), such as: (i) Jit Dar Lakh Mohammada, (ii) Siahi Di Bhidhi, (iii) Ratanmala, (iv) Hakeekatrah mukam, (v) Praan Sangli, (vi) Rab Mukam Ki Sabk, (vii) Baye Atisb (16 saloks) etc. All seven of these compositions that existed after Mundaavni (but before Raagmala) were all unanimously discredited by the Panth and it was acknowledged that mischievous individuals had over time included these compositions at the end of Sri Guru Granth Sahib Ji but had no standing against Gurbani.</p> <p style="margin-left: 20px"></p><p>Even the Rehat Maryada is in doubt over Raagmala's status:</p><p></p><p style="margin-left: 20px">Article XI (a) of the Sikh Rehat Maryada (SRM): "The reading of the whole Guru Granth Sahib (intermittent or non-stop) may be concluded with the reading of Mundawani alone or the Rag Mala according to the convention traditionally observed at all the concerned places. (<em><strong>Since there is a difference of opinion within the Panth on this issue</strong></em>, nobody should dare to write or print a copy of Sri Guru Granth Sahib Ji excluding the Raag Mala)." <a href="https://en.wikipedia.org/wiki/Ragmala#cite_note-7" target="_blank">[7]</a></p></blockquote><p></p>
[QUOTE="Ishna, post: 203830, member: 2709"] A little bit of background courtesy of Wikipedia... [INDENT]The raagmala appended to Sri Guru Granth Sahib Ji is not much different from the others, and, by itself, does not set up a new system. This raagmala is nearest to the Hanuman Mat, but the arrangement of raags in Sri Guru Granth Sahib Ji is nearer to the Saiv Mala and the Kalinath Mat which give primacy to Siri Raag. The only system wherein occur all the raags and sub-raags employed in Sri Guru Granth Sahib Ji is Bharat Mat. In Sri Guru Granth Sahib Ji no distinction has been made between raags and rdgims and all the measures employed have been given the status of raags, each one of them recognized in its own right and not as “wife” or “son” to another raag. In practice over a long stretch of time, Gurmat Sangeet, i.e. Sikh music, has evolved its own style and conventions which make it a system distinct from other Indian systems. There are 8 raags that are utilised in Sri Guru Granth Sahib Ji that have not been mentioned in the Raagmala. These are: Bihagara, Wadahans, Manjh, Jaitsri, Ramkali, Tukhari, Prabhati and Jaijawanti. Mali-Gaura is not included in Raagmala but Gaura is.[URL='https://en.wikipedia.org/wiki/Ragmala#cite_note-2'][2][/URL] “The last pages of the Kartarpur Beerh do not suggest, either because of the presence of blank spaces, or scoring out, or obliteration hortal, or otherwise, that there was or could have been the least intention to write these hymns in the Granth. The Mudaavni is on page 973/1. Pages 973/2 and 974/1 are blank, and on page 974/2 is Raagmala. As such, there could never have been the possibility, nor could it ever have been contemplated that these three writings requiring a space of over four pages could have been accommodated on the two blank pages 973/2 and 974/1.” [URL='https://en.wikipedia.org/wiki/Ragmala#cite_note-3'][3][/URL] The puraatan (old) saroops that did or do include Raagmala (like Bhai Banno Beerh) also included other compositions after Mundaavni (but before Raagmala), such as: (i) Jit Dar Lakh Mohammada, (ii) Siahi Di Bhidhi, (iii) Ratanmala, (iv) Hakeekatrah mukam, (v) Praan Sangli, (vi) Rab Mukam Ki Sabk, (vii) Baye Atisb (16 saloks) etc. All seven of these compositions that existed after Mundaavni (but before Raagmala) were all unanimously discredited by the Panth and it was acknowledged that mischievous individuals had over time included these compositions at the end of Sri Guru Granth Sahib Ji but had no standing against Gurbani. [/INDENT] Even the Rehat Maryada is in doubt over Raagmala's status: [INDENT]Article XI (a) of the Sikh Rehat Maryada (SRM): "The reading of the whole Guru Granth Sahib (intermittent or non-stop) may be concluded with the reading of Mundawani alone or the Rag Mala according to the convention traditionally observed at all the concerned places. ([I][B]Since there is a difference of opinion within the Panth on this issue[/B][/I], nobody should dare to write or print a copy of Sri Guru Granth Sahib Ji excluding the Raag Mala)." [URL='https://en.wikipedia.org/wiki/Ragmala#cite_note-7'][7][/URL][/INDENT] [/QUOTE]
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Raagmala - Is It Really Part Of Gurbani?
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