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Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Discussions
Hard Talk
Bachittar Natak
[Part Iii] Charitropakhyan – Analysis And Clarifications Of Charitar 21-23 – Story Of (A)Noop Kaur (
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<blockquote data-quote="Gyani Jarnail Singh" data-source="post: 124963" data-attributes="member: 189"><p>In my earlier post...I wrote:</p><p></p><p><strong>Its always better to stick to a "Line by line TRANSLATION..rather than a Coloured personal INTERPRETATION !! .</strong>.</p><p></p><p> By this i mean that the Line by Line Translation done by Pritpal Singh Ji Bindra is a more reliable source simply because its a word for word ( or as near as it can get) and only the Language is different. bindra ji doesnt make a judgement call either way..its left to the readers.</p><p></p><p>What the others ( interpreters and katha writers like Pandit narain Singh and also Prabhjot Singh Ji ) do is take one whole paragraph or paragraphs, and do a "what I UNDERSTAND" type of conclusion. In such a method, some KEY elements that may NOT FIT the authors "understanding/Concluison".... may be LEFT OUT or discarded. I call this a "coloured" interpretation as iT is NOT the entire story...but a selective understanding as per the author.</p><p></p><p>The Words highlighted in RED..were taken form the Pandit narain Singh/Prabhjyot Singh "interpretation" While Pandit ji says that its .."PEOPLE..LOK that Bow to and touch the Rajah's feet..meaning the Rajah is referring to the Sangats/subjects etc in Genral...the English interpetation done by PS..uses the word "YOU"...which is the Rajah directly addressing the Lady anoop kaur !!..YOU anoop !! Bow at my feet and now you want to do this ??? To mE there is a world of a difference between the <strong>YOU</strong> ( just ONE single person) and <strong>LOK</strong> (THEY..lots of people ..meaning I have a "reputation" outside !! ).</p><p></p><p>Secondly..its normal for a Lady, alone..to BOW to her lover's feet (many women do that to their husbands)..and still have sexual relations with him....BUT a person who has PEOPLE BOWING TO HIS FEET IN PUBLIC...is NOT the same thing at all. ( BTW..I can imagine a Pehova baba or a Chicago baba having such a "conversation" in a locked motel room while "counselling" a single woman ( not his wife ) I cannot condone this being attributed to MY GURU. NO WAY is MY GURU going to be in such a situation.</p><p></p><p>Correct me if I am wrong...the jury is still out.ikonkaar</p></blockquote><p></p>
[QUOTE="Gyani Jarnail Singh, post: 124963, member: 189"] In my earlier post...I wrote: [B]Its always better to stick to a "Line by line TRANSLATION..rather than a Coloured personal INTERPRETATION !! .[/B]. By this i mean that the Line by Line Translation done by Pritpal Singh Ji Bindra is a more reliable source simply because its a word for word ( or as near as it can get) and only the Language is different. bindra ji doesnt make a judgement call either way..its left to the readers. What the others ( interpreters and katha writers like Pandit narain Singh and also Prabhjot Singh Ji ) do is take one whole paragraph or paragraphs, and do a "what I UNDERSTAND" type of conclusion. In such a method, some KEY elements that may NOT FIT the authors "understanding/Concluison".... may be LEFT OUT or discarded. I call this a "coloured" interpretation as iT is NOT the entire story...but a selective understanding as per the author. The Words highlighted in RED..were taken form the Pandit narain Singh/Prabhjyot Singh "interpretation" While Pandit ji says that its .."PEOPLE..LOK that Bow to and touch the Rajah's feet..meaning the Rajah is referring to the Sangats/subjects etc in Genral...the English interpetation done by PS..uses the word "YOU"...which is the Rajah directly addressing the Lady anoop kaur !!..YOU anoop !! Bow at my feet and now you want to do this ??? To mE there is a world of a difference between the [B]YOU[/B] ( just ONE single person) and [B]LOK[/B] (THEY..lots of people ..meaning I have a "reputation" outside !! ). Secondly..its normal for a Lady, alone..to BOW to her lover's feet (many women do that to their husbands)..and still have sexual relations with him....BUT a person who has PEOPLE BOWING TO HIS FEET IN PUBLIC...is NOT the same thing at all. ( BTW..I can imagine a Pehova baba or a Chicago baba having such a "conversation" in a locked motel room while "counselling" a single woman ( not his wife ) I cannot condone this being attributed to MY GURU. NO WAY is MY GURU going to be in such a situation. Correct me if I am wrong...the jury is still out.ikonkaar [/QUOTE]
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Hard Talk
Bachittar Natak
[Part Iii] Charitropakhyan – Analysis And Clarifications Of Charitar 21-23 – Story Of (A)Noop Kaur (
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