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Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Discussions
Hard Talk
Nanak Shah Fakir: The Dilemma & The Solution By I.j. Singh & Rajwant Singh
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<blockquote data-quote="Admin" data-source="post: 201245" data-attributes="member: 1"><p>Review by Bhai Baldeep Singh ji on Facebook, Movie - Nanak Shah Fakir (Hindi)</p><p></p><p>Historically this movie is very misleading - it is based on a very shoddy research. I do not doubt the intent of the producer but then being a devout (Sikh) doesn't mean one can get away with a poor understanding and ill handling of events based on reality. One cannot legitimise historical inaccuracies that too with the life story of someone as Guru Baba Nanak himself.</p><p></p><p>Reaction as I watched the film: Dark complexion hand is shown in the very beginning; Guru Nanak's voice is an issue; Mardana is uninspiring; Mardana's first meeting - the producer, who is also the dialogue writer, needs to check historicity; Costumes and sets are nice; Modi-Khana - Guru Nanak actually leaves the job immediately after the investigation but in the film he is still shown as employed at the time of him taking the long dip; River Bein dip historicity not proper (again)! - his return isn't shown properly; Namaz story also told inaccurately for the Nawab invited the Guru to offer Namaz and after he lost out, the Qazi was summoned to lead the Namaz; Naam khumari event happened with Babar and not with Daulat Khan; Malik Bhaggo story also is totally inaccurate; tabla accompanied with Nirmal Singh Ragi; The film has no impact and will not attract the youth; The casting is not impressive save a few performances - very uninspired people; Aarti is not in Dhanasri - R m P pattern in ascendency is strange; Make up of Mehta Kalu was poor - beard, plastic skin was detached; I liked the work of the actor who played the role of Rai Bular; Film is boring and too laid back; Baba Nanak costume - turban is not convincing; "Humm aap ke Sikh haiN Nanak Ji!" is so off; Mardana did not die in Kartarpur. </p><p></p><p>Good but a wasted effort, the film adds to the noise in the field and does not resolve or tell us anything. The film ending is very poor. </p><p></p><p>Watch it if you can if you only have time to spare. You won't gain anything if you watched nor will you lose anything if you didn't.</p><p></p><p>My Rating: ½/5 only for the fact that it might make you shed a tear or two by way of a reminder not that the film has anything to offer.</p><p></p><p><a href="https://www.facebook.com/bhaibs/posts/10152653179887820" target="_blank">https://www.facebook.com/bhaibs/posts/10152653179887820</a></p></blockquote><p></p>
[QUOTE="Admin, post: 201245, member: 1"] Review by Bhai Baldeep Singh ji on Facebook, Movie - Nanak Shah Fakir (Hindi) Historically this movie is very misleading - it is based on a very shoddy research. I do not doubt the intent of the producer but then being a devout (Sikh) doesn't mean one can get away with a poor understanding and ill handling of events based on reality. One cannot legitimise historical inaccuracies that too with the life story of someone as Guru Baba Nanak himself. Reaction as I watched the film: Dark complexion hand is shown in the very beginning; Guru Nanak's voice is an issue; Mardana is uninspiring; Mardana's first meeting - the producer, who is also the dialogue writer, needs to check historicity; Costumes and sets are nice; Modi-Khana - Guru Nanak actually leaves the job immediately after the investigation but in the film he is still shown as employed at the time of him taking the long dip; River Bein dip historicity not proper (again)! - his return isn't shown properly; Namaz story also told inaccurately for the Nawab invited the Guru to offer Namaz and after he lost out, the Qazi was summoned to lead the Namaz; Naam khumari event happened with Babar and not with Daulat Khan; Malik Bhaggo story also is totally inaccurate; tabla accompanied with Nirmal Singh Ragi; The film has no impact and will not attract the youth; The casting is not impressive save a few performances - very uninspired people; Aarti is not in Dhanasri - R m P pattern in ascendency is strange; Make up of Mehta Kalu was poor - beard, plastic skin was detached; I liked the work of the actor who played the role of Rai Bular; Film is boring and too laid back; Baba Nanak costume - turban is not convincing; "Humm aap ke Sikh haiN Nanak Ji!" is so off; Mardana did not die in Kartarpur. Good but a wasted effort, the film adds to the noise in the field and does not resolve or tell us anything. The film ending is very poor. Watch it if you can if you only have time to spare. You won't gain anything if you watched nor will you lose anything if you didn't. My Rating: ½/5 only for the fact that it might make you shed a tear or two by way of a reminder not that the film has anything to offer. [URL]https://www.facebook.com/bhaibs/posts/10152653179887820[/URL] [/QUOTE]
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Hard Talk
Nanak Shah Fakir: The Dilemma & The Solution By I.j. Singh & Rajwant Singh
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