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Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Sikh Sikhi Sikhism
Mool-Mantar
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<blockquote data-quote="Gyani Jarnail Singh" data-source="post: 102685" data-attributes="member: 189"><p>Actually all these words are applied by HUMANS..Manglacharan..Mool Mantar..Beej mantar..etc etc.</p><p>Since such have existed in HINDU texts and religious culture...we Sikhs thought that we must have them too...so the more sanatanist..brahminised vedantist we are..the more we have of Beej mantrs, Mool Mantars and such.</p><p></p><p>Manglacharan is a short THANKSGIVING/ARDASS/PRAYER type of composition that Every Kavi/poet/writer of a Granth/book.poem/Vaar etc WILL write to ADDRESS HIS ISHT..His GURU..His GOD..His waheguru..His Creator.... IN English sometimes the word used is PRE-AMBLE...a Beginning...this is used in Plays etc to explain the story/byline/short synopsis..or give back ground information so that everyone can begin understanding the Play...</p><p></p><p>The EK Oangkar...to Satgur Parsaad ]] has TWO DANDEES...Finality is clear. It is just not one dandee but TWO. </p><p>The TITLE [[ JAP ]] is also ENCLOSED by TWO DANDEES.</p><p>Then the SLOK..AAD SACH..to nank Hosee Bhee SACH ]] again TWO DANDEES.and Number 1]] TWO DANDEES.of TWO SETS. Another NUMBER [[ 1]] appears after the First paurree to hsow that this NUMBER 1 is DIFFERENT and not succeeding the previous number [[1]] otherwisde it would be [[ 2]]!!</p><p>GURU JI has BROKEN UP and set clear boundaries as to where each part STOPS. In Normal Sentence a FULL STOP means it STOPS there..and the next is a new sentence. SAME HERE.</p><p></p><p>SO NOT only Has GURU JI placed clear STOPS to separate the Parts...Further through out the SGGS the Raags begin with "EK Oangkar..to Satgur Parsaad. ]]</p><p>IT CAN BE SHORTER....<span style="font-size: 12px"><u><strong>BUT NEVER AGAIN IS IT REPEATED UNTIL the Nank hosee bhee SACH PART</strong></u></span>...not once !!! Again a CLEAR and unmistakeable Message.</p><p></p><p>3. In the Hnadwritten Birs and in the Kartarpuri Bir which is the AAD Granth...the "EK Oangkar up to gurparsaad]] is ALWAYS at the TOP RIGHT HAND CORNER OF THE RIGHT HAND PAGE.</p><p></p><p>It was due to a mistake by the PRINTERS that this VITAL POINT about the POSITION of "EK Oangkar to Satgur Parsaad" was LOST in Printed Birs/..and placed RANDOMLY...and resulted in COMICAL SITUATIONS...where the Bani and the raag titles and EK Oangkar gur parsaad gets all mixed up..INSTEAD of being given its RIGHTFUL Place at the TOP Right side.</p><p></p><p>4. People always retort...WAADH bani parrhnn wich kee nuksaan hai...Whats the damage in reading more bani...NONE..is my answer..BUT then again..there are RULES and Grammar according to whch Gurbani is written..reasons why Guru ji placed TWO DANDEES and numbers and all. And my answer would also be..then WHY STOP at all...contineu till Mundawnni mh 5 and Slok EACH TIME you start reading Gurbani of SGGS...after all wheres the harm in reading more Gurbani ??...</p><p></p><p>Actually those who just read GURBANI to CHANGE thier lives...NEVER worry or ask such questions...swaal jwaab dovehn kareh mudhon khutthah jayeh..ONCE a person in frull prem begins gurbani paath...he/she wouldnt want to stop....its THAT ADDICTIVE !! and they DO SEE ther lives CHANGING...for the BETTER...while the DHUCHHARS..the question for the sake of question...are never satisfied and keep on asking..and never changing...as they run from pillar to post..from one "sant/Brahmgiani" to another "Gyani/Granthi"..and before you know it..WAHEGURU CALLS..and its all over..Baba BOLTEH THEH KHAAN GAYEH ?? the questioner is SILENCED...</p><p>So my beantii...READ GURBANI in order t o CHANGE YOUR OWN LIFE !!:happy::happy:<img src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" class="smilie smilie--sprite smilie--sprite8" alt=":D" title="Big Grin :D" loading="lazy" data-shortname=":D" /><img src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" class="smilie smilie--sprite smilie--sprite8" alt=":D" title="Big Grin :D" loading="lazy" data-shortname=":D" /></p></blockquote><p></p>
[QUOTE="Gyani Jarnail Singh, post: 102685, member: 189"] Actually all these words are applied by HUMANS..Manglacharan..Mool Mantar..Beej mantar..etc etc. Since such have existed in HINDU texts and religious culture...we Sikhs thought that we must have them too...so the more sanatanist..brahminised vedantist we are..the more we have of Beej mantrs, Mool Mantars and such. Manglacharan is a short THANKSGIVING/ARDASS/PRAYER type of composition that Every Kavi/poet/writer of a Granth/book.poem/Vaar etc WILL write to ADDRESS HIS ISHT..His GURU..His GOD..His waheguru..His Creator.... IN English sometimes the word used is PRE-AMBLE...a Beginning...this is used in Plays etc to explain the story/byline/short synopsis..or give back ground information so that everyone can begin understanding the Play... The EK Oangkar...to Satgur Parsaad ]] has TWO DANDEES...Finality is clear. It is just not one dandee but TWO. The TITLE [[ JAP ]] is also ENCLOSED by TWO DANDEES. Then the SLOK..AAD SACH..to nank Hosee Bhee SACH ]] again TWO DANDEES.and Number 1]] TWO DANDEES.of TWO SETS. Another NUMBER [[ 1]] appears after the First paurree to hsow that this NUMBER 1 is DIFFERENT and not succeeding the previous number [[1]] otherwisde it would be [[ 2]]!! GURU JI has BROKEN UP and set clear boundaries as to where each part STOPS. In Normal Sentence a FULL STOP means it STOPS there..and the next is a new sentence. SAME HERE. SO NOT only Has GURU JI placed clear STOPS to separate the Parts...Further through out the SGGS the Raags begin with "EK Oangkar..to Satgur Parsaad. ]] IT CAN BE SHORTER....[SIZE=3][U][B]BUT NEVER AGAIN IS IT REPEATED UNTIL the Nank hosee bhee SACH PART[/B][/U][/SIZE]...not once !!! Again a CLEAR and unmistakeable Message. 3. In the Hnadwritten Birs and in the Kartarpuri Bir which is the AAD Granth...the "EK Oangkar up to gurparsaad]] is ALWAYS at the TOP RIGHT HAND CORNER OF THE RIGHT HAND PAGE. It was due to a mistake by the PRINTERS that this VITAL POINT about the POSITION of "EK Oangkar to Satgur Parsaad" was LOST in Printed Birs/..and placed RANDOMLY...and resulted in COMICAL SITUATIONS...where the Bani and the raag titles and EK Oangkar gur parsaad gets all mixed up..INSTEAD of being given its RIGHTFUL Place at the TOP Right side. 4. People always retort...WAADH bani parrhnn wich kee nuksaan hai...Whats the damage in reading more bani...NONE..is my answer..BUT then again..there are RULES and Grammar according to whch Gurbani is written..reasons why Guru ji placed TWO DANDEES and numbers and all. And my answer would also be..then WHY STOP at all...contineu till Mundawnni mh 5 and Slok EACH TIME you start reading Gurbani of SGGS...after all wheres the harm in reading more Gurbani ??... Actually those who just read GURBANI to CHANGE thier lives...NEVER worry or ask such questions...swaal jwaab dovehn kareh mudhon khutthah jayeh..ONCE a person in frull prem begins gurbani paath...he/she wouldnt want to stop....its THAT ADDICTIVE !! and they DO SEE ther lives CHANGING...for the BETTER...while the DHUCHHARS..the question for the sake of question...are never satisfied and keep on asking..and never changing...as they run from pillar to post..from one "sant/Brahmgiani" to another "Gyani/Granthi"..and before you know it..WAHEGURU CALLS..and its all over..Baba BOLTEH THEH KHAAN GAYEH ?? the questioner is SILENCED... So my beantii...READ GURBANI in order t o CHANGE YOUR OWN LIFE !!:happy::happy::D:D [/QUOTE]
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