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Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Sikh Sikhi Sikhism
Mezmerized With The World Of Nihangs
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<blockquote data-quote="spnadmin" data-source="post: 111777" data-attributes="member: 35"><p><strong>Mesmerised with the world of Sikh Nihangs</strong></p><p></p><p> Published on Tuesday, August 4, 2009 by <a href="http://sikhsangat.org/author/a-kaur/" target="_blank">A Kaur</a> <strong><a href="http://sikhsangat.org/wp-content/uploads/2009/08/nihang.jpg" target="_blank"><img src="http://sikhsangat.org/wp-content/uploads/2009/08/nihang.jpg" alt="" class="fr-fic fr-dii fr-draggable " style="" /></a>Ludhiana, Punjab: </strong>Today, some people see Nihangs as a relic, but others recognise them as a colourful and important part of the Punjabi heritage.</p><p></p><p></p><p> Gurbir Singh Brar, a photo artist also feels that there is no colourful subject as compared to Nihangs. Nihangs belong to a martial tradition started by the 10th Guru, Guru Gobind Singh. A photo exhibition by Brar under the theme “The Valiant Ones” was inaugurated today at Dr MS Randhawa Art Gallery, PAU.</p><p> Their way of life, style of dress, and weaponry has not changed much over the centuries and this was what capitulated Brar to spend five months with Nihangs around Punjab. During this period, he lived with them, learnt their way of living and captured them in his camera. Brar is all praise to the sense of discipline that prevails among Nihangs.</p><p></p><p></p><p> “They are very hospitable and are strict when it comes to disciple. Watching their practice session was the thing I enjoyed most during my five months stay with them all over Punjab,” adds Brar.</p><p></p><p></p><p> Brar said they are a semi-nomadic people and are organised into armies and live in camps known as cantonments. Men and women both train in horsemanship, swordsmanship, and in the Punjabi martial art known as ‘gatka’. During times of persecution in the past, the Nihangs defended Sikh shrines and the Sikh way of life and become known for their bravery against all odds.</p><p></p><p></p><p> In times of peace, they travel to festivals and fairs throughout India, staging displays of horsemanship and martial skills. The annual Hola Mohalla fair held at Anandpur Sahib on Baisakhi is especially notable for the Nihangs’ colourful displays of pageantry.</p><p></p><p></p><p> Brar has also formed an organisation “Sava Lakh Foundation” with the help of Nihangs. With the active involvement of Akal College Council Gursagar Mastuana Sahib and ace horseman Maghar Singh, a training programme in traditional horsemanship and martial arts has been initiated at Mastuana Sahib.</p><p></p><p></p><p> “In today’s competitive world, Sava Lakh Foundation exhorts the younger generation to live up to the ideals of the Gurus. The endeavour is to instil pride and enthusiasm in the present day youth, a youth morbidly impressed by the wrong influences and drawn towards drugs and wallowing in mediocrity,” he add<em>s.</em></p></blockquote><p></p>
[QUOTE="spnadmin, post: 111777, member: 35"] [B]Mesmerised with the world of Sikh Nihangs[/B] Published on Tuesday, August 4, 2009 by [URL="http://sikhsangat.org/author/a-kaur/"]A Kaur[/URL] [B][URL="http://sikhsangat.org/wp-content/uploads/2009/08/nihang.jpg"][IMG]http://sikhsangat.org/wp-content/uploads/2009/08/nihang.jpg[/IMG][/URL]Ludhiana, Punjab: [/B]Today, some people see Nihangs as a relic, but others recognise them as a colourful and important part of the Punjabi heritage. Gurbir Singh Brar, a photo artist also feels that there is no colourful subject as compared to Nihangs. Nihangs belong to a martial tradition started by the 10th Guru, Guru Gobind Singh. A photo exhibition by Brar under the theme “The Valiant Ones” was inaugurated today at Dr MS Randhawa Art Gallery, PAU. Their way of life, style of dress, and weaponry has not changed much over the centuries and this was what capitulated Brar to spend five months with Nihangs around Punjab. During this period, he lived with them, learnt their way of living and captured them in his camera. Brar is all praise to the sense of discipline that prevails among Nihangs. “They are very hospitable and are strict when it comes to disciple. Watching their practice session was the thing I enjoyed most during my five months stay with them all over Punjab,” adds Brar. Brar said they are a semi-nomadic people and are organised into armies and live in camps known as cantonments. Men and women both train in horsemanship, swordsmanship, and in the Punjabi martial art known as ‘gatka’. During times of persecution in the past, the Nihangs defended Sikh shrines and the Sikh way of life and become known for their bravery against all odds. In times of peace, they travel to festivals and fairs throughout India, staging displays of horsemanship and martial skills. The annual Hola Mohalla fair held at Anandpur Sahib on Baisakhi is especially notable for the Nihangs’ colourful displays of pageantry. Brar has also formed an organisation “Sava Lakh Foundation” with the help of Nihangs. With the active involvement of Akal College Council Gursagar Mastuana Sahib and ace horseman Maghar Singh, a training programme in traditional horsemanship and martial arts has been initiated at Mastuana Sahib. “In today’s competitive world, Sava Lakh Foundation exhorts the younger generation to live up to the ideals of the Gurus. The endeavour is to instil pride and enthusiasm in the present day youth, a youth morbidly impressed by the wrong influences and drawn towards drugs and wallowing in mediocrity,” he add[I]s.[/I] [/QUOTE]
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Sikh Sikhi Sikhism
Mezmerized With The World Of Nihangs
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