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Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Guru Granth Sahib
Gurmat Sangeet
Kirtan With English Sub-titles
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<blockquote data-quote="Astroboy" data-source="post: 57591" data-attributes="member: 4990"><p><a href="http://mm2h.multiply.com/journal/item/6" target="_blank"><span style="color: #0b5eb4"><strong>Raag Todi</strong></span></a></p><p>We started with Raag Kalyan in the earlier posting, and now we will listen, view and discuss on Raag Todi. </p><p> </p><p><strong><span style="font-size: 12px">Explanation on Todi :</span></strong></p><p><strong>Raga Todi is known variously as Miyan ki Todi, Shuddha Todi and Darbari Todi. The kernel of Raganga Todi is embodied in the following tonal strip:</strong></p><p> </p><p><strong>S, r<->g, g r, S </strong></p><p><strong>This represents the Raga signature. </strong></p><p> </p><p><strong><span style="color: #3366ff">Short Explanation of Theory: </span></strong><a href="http://www.sawf.org/audio/todi/jha_todianga.ram" target="_blank"><span style="color: red">http://www.sawf.org/audio/todi/jha_todianga.ram</span></a></p><p> </p><p>A ragini of Dipak in the Ragmala, Todi is today the head of a thata. It is considered one of the most important of the north Indian ragas. Todi was used by the Gurus for 32 hymns. This is a raga for the late morning hours and the mood is gentle, with an aura of adoration. The texts composed to this raga emphasize that no matter what problems man meets or what worldly affairs distract the mind, devotion to the Lord brings one back to the path of release from worldliness. Generally used for singing praises of noble men and kings, this <span style="color: #003366">[FONT=Tahoma, sans-serif, Arial, Verdana]raga [/FONT]</span>was quite popular at Akbar’s Court. Tansen sang <span style="color: #003366">[FONT=Tahoma, sans-serif, Arial, Verdana]Mian-ki-todi [/FONT]</span>praise of Emperor Akbar. The Gurus, however, used this <span style="color: #003366">[FONT=Tahoma, sans-serif, Arial, Verdana]raga [/FONT]</span>to sing the praises of God. Guru Arjan Dev Ji sang as follows:</p><p>“I have just one God, my Lord; I know no other.</p><p>The Lord’s praise is my way of life, occupation and caste;</p><p>Hearing the <span style="color: #003366">[FONT=Tahoma, sans-serif, Arial, Verdana]kirtan [/FONT]</span>of the Lord, I feel great joy”[10].</p><p> </p><p><strong><span style="font-size: 12px"><span style="color: #006600">Commonly Used Variations of Todi</span></span></strong></p><p></p><p><span style="font-family: 'Times New Roman'"><span style="font-size: 12px">Todi</span></span></p><p><a href="http://www.gurmatsangeetproject.com/Recordings/NanakSinghPreet/Bhai%20Nanak%20Singh%20Preet%20-%20Joban%20jande%20na%20daraa.mp3" target="_blank"><span style="font-family: 'Times New Roman'"><span style="font-size: 12px"><span style="color: #0000ff"><u>Joban jande naa daraa</u></span></span></span></a></p><p><a href="http://www.gurmatsangeetproject.com/Recordings/SurjitSingh/Bhai%20Surjit%20Singh%20-%20Mai%20gobind%20puja%20kaha%20lai%20charavoh.mp3" target="_blank"><u><span style="font-family: 'Times New Roman'"><span style="font-size: 12px"><span style="color: #0000ff">Mai gobind puja kaha lai charavoh</span></span></span></u></a></p><p> </p><p><span style="font-family: 'Times New Roman'"><span style="font-size: 12px">Gujri Todi</span></span></p><p><a href="http://www.gurmatsangeetproject.com/Recordings/GurmitSinghShant4/gurmeet%20singh%20shant%20-%20tu%20data%20jiyan%20sabh%20na%20ka.mp3" target="_blank"><span style="font-family: 'Times New Roman'"><span style="font-size: 12px"><span style="color: #0000ff"><u>Tu data jiyan sabh na ka</u></span></span></span></a></p><p><a href="http://www.gurmatsangeetproject.com/Recordings/GurmitSinghShant2/jagat%20jalanda%20rakh%20le%20apni%20kirpa%20dhar.mp3" target="_blank"><u><span style="font-family: 'Times New Roman'"><span style="font-size: 12px"><span style="color: #0000ff">Jagat jalanda rakh le apni kirpa dhar</span></span></span></u></a></p><p> </p><p><span style="font-family: 'Times New Roman'"><span style="font-size: 12px">Desi Todi</span></span></p><p><a href="http://www.gurmatsangeetproject.com/Recordings/DilbaghSinghGulbaghSingh/Bhai%20Dilbagh%20Singh%20Gulbagh%20Singh%20-%20Amrit%20pivoh%20sadaa%20chir%20jivoh.mp3" target="_blank"><span style="font-family: 'Times New Roman'"><span style="font-size: 12px"><span style="color: #0000ff"><u>Amrit Pivoh Sadaa Chir Jivoh</u></span></span></span></a></p><p><a href="http://www.gurmatsangeetproject.com/Recordings/GianSinghJogi/Gyan%20SIngh%20Jogi%20-%20Hou%20Vaare%20Vaare%20Joun.mp3" target="_blank"><span style="font-family: 'Times New Roman'"><span style="font-size: 12px"><span style="color: #0000ff"><u>Hou Vaar Vaar Jaoun</u></span></span></span></a></p><p><a href="http://www.gurmatsangeetproject.com/Recordings/GurmitSinghShant2/Aaj%20more%20aaye%20hain.mp3" target="_blank"><u><span style="font-family: 'Times New Roman'"><span style="font-size: 12px"><span style="color: #0000ff">Aaj more aaye hain</span></span></span></u></a></p></blockquote><p></p>
[QUOTE="Astroboy, post: 57591, member: 4990"] [URL="http://mm2h.multiply.com/journal/item/6"][COLOR=#0b5eb4][B]Raag Todi[/B][/COLOR][/URL] We started with Raag Kalyan in the earlier posting, and now we will listen, view and discuss on Raag Todi. [B][SIZE=3]Explanation on Todi :[/SIZE][/B] [B]Raga Todi is known variously as Miyan ki Todi, Shuddha Todi and Darbari Todi. The kernel of Raganga Todi is embodied in the following tonal strip:[/B] [B]S, r<->g, g r, S [/B] [B]This represents the Raga signature. [/B] [B][COLOR=#3366ff]Short Explanation of Theory: [/COLOR][/B][URL="http://www.sawf.org/audio/todi/jha_todianga.ram"][COLOR=red]http://www.sawf.org/audio/todi/jha_todianga.ram[/COLOR][/URL] A ragini of Dipak in the Ragmala, Todi is today the head of a thata. It is considered one of the most important of the north Indian ragas. Todi was used by the Gurus for 32 hymns. This is a raga for the late morning hours and the mood is gentle, with an aura of adoration. The texts composed to this raga emphasize that no matter what problems man meets or what worldly affairs distract the mind, devotion to the Lord brings one back to the path of release from worldliness. Generally used for singing praises of noble men and kings, this [COLOR=#003366][FONT=Tahoma, sans-serif, Arial, Verdana]raga [/FONT][/COLOR]was quite popular at Akbar’s Court. Tansen sang [COLOR=#003366][FONT=Tahoma, sans-serif, Arial, Verdana]Mian-ki-todi [/FONT][/COLOR]praise of Emperor Akbar. The Gurus, however, used this [COLOR=#003366][FONT=Tahoma, sans-serif, Arial, Verdana]raga [/FONT][/COLOR]to sing the praises of God. Guru Arjan Dev Ji sang as follows: “I have just one God, my Lord; I know no other. The Lord’s praise is my way of life, occupation and caste; Hearing the [COLOR=#003366][FONT=Tahoma, sans-serif, Arial, Verdana]kirtan [/FONT][/COLOR]of the Lord, I feel great joy”[10]. [B][SIZE=3][COLOR=#006600]Commonly Used Variations of Todi[/COLOR][/SIZE][/B] [FONT=Times New Roman][SIZE=3]Todi[/SIZE][/FONT] [URL="http://www.gurmatsangeetproject.com/Recordings/NanakSinghPreet/Bhai%20Nanak%20Singh%20Preet%20-%20Joban%20jande%20na%20daraa.mp3"][FONT=Times New Roman][SIZE=3][COLOR=#0000ff][U]Joban jande naa daraa[/U][/COLOR][/SIZE][/FONT][/URL] [URL="http://www.gurmatsangeetproject.com/Recordings/SurjitSingh/Bhai%20Surjit%20Singh%20-%20Mai%20gobind%20puja%20kaha%20lai%20charavoh.mp3"][U][FONT=Times New Roman][SIZE=3][COLOR=#0000ff]Mai gobind puja kaha lai charavoh[/COLOR][/SIZE][/FONT][/U][/URL] [FONT=Times New Roman][SIZE=3]Gujri Todi[/SIZE][/FONT] [URL="http://www.gurmatsangeetproject.com/Recordings/GurmitSinghShant4/gurmeet%20singh%20shant%20-%20tu%20data%20jiyan%20sabh%20na%20ka.mp3"][FONT=Times New Roman][SIZE=3][COLOR=#0000ff][U]Tu data jiyan sabh na ka[/U][/COLOR][/SIZE][/FONT][/URL] [URL="http://www.gurmatsangeetproject.com/Recordings/GurmitSinghShant2/jagat%20jalanda%20rakh%20le%20apni%20kirpa%20dhar.mp3"][U][FONT=Times New Roman][SIZE=3][COLOR=#0000ff]Jagat jalanda rakh le apni kirpa dhar[/COLOR][/SIZE][/FONT][/U][/URL] [FONT=Times New Roman][SIZE=3]Desi Todi[/SIZE][/FONT] [URL="http://www.gurmatsangeetproject.com/Recordings/DilbaghSinghGulbaghSingh/Bhai%20Dilbagh%20Singh%20Gulbagh%20Singh%20-%20Amrit%20pivoh%20sadaa%20chir%20jivoh.mp3"][FONT=Times New Roman][SIZE=3][COLOR=#0000ff][U]Amrit Pivoh Sadaa Chir Jivoh[/U][/COLOR][/SIZE][/FONT][/URL] [URL="http://www.gurmatsangeetproject.com/Recordings/GianSinghJogi/Gyan%20SIngh%20Jogi%20-%20Hou%20Vaare%20Vaare%20Joun.mp3"][FONT=Times New Roman][SIZE=3][COLOR=#0000ff][U]Hou Vaar Vaar Jaoun[/U][/COLOR][/SIZE][/FONT][/URL] [URL="http://www.gurmatsangeetproject.com/Recordings/GurmitSinghShant2/Aaj%20more%20aaye%20hain.mp3"][U][FONT=Times New Roman][SIZE=3][COLOR=#0000ff]Aaj more aaye hain[/COLOR][/SIZE][/FONT][/U][/URL] [/QUOTE]
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Guru Granth Sahib
Gurmat Sangeet
Kirtan With English Sub-titles
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