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Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Gurmat Vichaar
Shabad in Focus
Kabeer Man Pankhi Bha-i-o Ud Ud Dah Dis Ja-e | ਕਬੀਰ ਮਨੁ ਪੰਖੀ ਭਇਓ ਉਡਿ ਉਡਿ ਦਹ ਦਿਸ ਜਾਇ
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<blockquote data-quote="spnadmin" data-source="post: 183606" data-attributes="member: 35"><p>I was waiting for Luckysingh ji to figure it out. </p><p>OK - The previous says when "one" died, and then a progression of 2 died, then 4 died, then 6 died. It is a signature of Kabir to build in a mathematical or alphabetical puzzle.</p><p></p><p>"One" is the self or false self consciousness. When One dies 5 other evils die with it. <span style="color: Sienna">Kabeer, when one died, two were dead. When two died, four were dead. When four died, six were dead, four males and two females.</span> Notice the tuks progress from 1 to 2 to 4 to 6. And 1 plus 5 is 6. </p><p></p><p>Two of the evils are female and 4 are male. The self plus 5 evils but not the 5 evils we ordinarily think of. They are mentioned specifically in earlier saloks of Kabir.</p><p></p><p><span style="color: Blue"><em>"(1) pride (e.g, Jaat-Paat, etc.), (2) Kusang or bad association, (3) Sareer-Moh or body-attachment (emotional attachments, body-consciousness, body-identity, defective vision etc.), (4) Kaam (lust, Triashnaa, desires, mind's wanderings due to all evil passions etc.), and (5) Nindaa or slander ("Bhaar Paraaee Sir Charrai", consciousness of good-bad etc.)." </em></span></p><p><span style="color: Blue"></span></p><p><span style="color: Blue">Kaam and Nindaa are female gender ; the others are male gender... one dies after the other once the ego or false self dies <a href="http://www.gurbani.org/articles/webart221.htm" target="_blank">http://www.gurbani.org/articles/webart221.htm</a></span></p><p></p><p>The use of mathematical progressions was popular in the poetry of Kabir's time. The mystery of it made him a favorite of many people; we still enjoy it today in literature. Kabir also used the "acrostic" starting a tuk with a letter of the alphabet and building from one letter to another. Guru Nanak also used the ancrostic. Interesting is that this was also popular in European poetry of the era.</p></blockquote><p></p>
[QUOTE="spnadmin, post: 183606, member: 35"] I was waiting for Luckysingh ji to figure it out. OK - The previous says when "one" died, and then a progression of 2 died, then 4 died, then 6 died. It is a signature of Kabir to build in a mathematical or alphabetical puzzle. "One" is the self or false self consciousness. When One dies 5 other evils die with it. [COLOR="Sienna"]Kabeer, when one died, two were dead. When two died, four were dead. When four died, six were dead, four males and two females.[/COLOR] Notice the tuks progress from 1 to 2 to 4 to 6. And 1 plus 5 is 6. Two of the evils are female and 4 are male. The self plus 5 evils but not the 5 evils we ordinarily think of. They are mentioned specifically in earlier saloks of Kabir. [COLOR="Blue"][I]"(1) pride (e.g, Jaat-Paat, etc.), (2) Kusang or bad association, (3) Sareer-Moh or body-attachment (emotional attachments, body-consciousness, body-identity, defective vision etc.), (4) Kaam (lust, Triashnaa, desires, mind's wanderings due to all evil passions etc.), and (5) Nindaa or slander ("Bhaar Paraaee Sir Charrai", consciousness of good-bad etc.)." [/I] Kaam and Nindaa are female gender ; the others are male gender... one dies after the other once the ego or false self dies [url]http://www.gurbani.org/articles/webart221.htm[/url][/COLOR] The use of mathematical progressions was popular in the poetry of Kabir's time. The mystery of it made him a favorite of many people; we still enjoy it today in literature. Kabir also used the "acrostic" starting a tuk with a letter of the alphabet and building from one letter to another. Guru Nanak also used the ancrostic. Interesting is that this was also popular in European poetry of the era. [/QUOTE]
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Gurmat Vichaar
Shabad in Focus
Kabeer Man Pankhi Bha-i-o Ud Ud Dah Dis Ja-e | ਕਬੀਰ ਮਨੁ ਪੰਖੀ ਭਇਓ ਉਡਿ ਉਡਿ ਦਹ ਦਿਸ ਜਾਇ
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