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Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Gurmat Vichaar
Shabad in Focus
Har Jeeo Kirapaa Karae Thaa Naam Dhhiaaeeai Jeeo | ਹਰਿ ਜੀਉ ਕ੍ਰਿਪਾ ਕਰੇ ਤਾ ਨਾਮੁ ਧਿਆਈਐ ਜੀਉ
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<blockquote data-quote="spnadmin" data-source="post: 189117" data-attributes="member: 35"><p>findingmyway ji</p><p></p><p>I cannot point to any authority but this has always been my understanding from my earliest readings of the use of ਜੀਉ or jeeo.</p><p></p><p>Your question </p><p></p><p>First Guru Ram Das is using the sound of "jeeo" as a poetic device at the end of these verses. By doing that he creates a metric unity throughout the shabad, tying the verses together by ending them with a common word. The sound of jeeeeeeeeeeo and the repetition of that sound contribute to the peacefulness, calm and sense of order. </p><p></p><p>Guru Ram Das does the same thing with the word raam in other shabads. You hear raaaaaaaam over and over and the effect is relaxing and encourages someone to contemplate the shabad. The word raam is not a reference to Rama.</p><p></p><p>Second, the meaning of jeeo here. Like raam the word need not be translated. I don't think it can or should be translated. In English the meaning would be more like 'depend on it, he is always my friend.' Or even speaking to God, 'Isn't that right, my friend?" These are understood not stated out loud. An just as a friend is someone you can depend on to be there when you need him, so jeeeeeeo repeated again and again reminds us that God is always there.</p><p></p><p>And the translation is almost irrelevant because it is not the translation of the word but the meaning it plants in the mind by its sound or continual intonation that matters. </p><p></p><p>ਸਦਾ ਰਹੈ ਕਰ ਜੋੜਿ ਪ੍ਰਭੁ ਮਨਿ ਭਾਇਆ ਜੀਉ ॥Sadhaa Rehai Kar Jorr Prabh Man Bhaaeiaa........ and then Jeeo ||........Oh you are always, always my friend!</p><p></p><p>So between the sound, the meter and the meaning of the ever constant word "jeeeeo" the shabad gives enormous comfort to the mind.</p></blockquote><p></p>
[QUOTE="spnadmin, post: 189117, member: 35"] findingmyway ji I cannot point to any authority but this has always been my understanding from my earliest readings of the use of ਜੀਉ or jeeo. Your question First Guru Ram Das is using the sound of "jeeo" as a poetic device at the end of these verses. By doing that he creates a metric unity throughout the shabad, tying the verses together by ending them with a common word. The sound of jeeeeeeeeeeo and the repetition of that sound contribute to the peacefulness, calm and sense of order. Guru Ram Das does the same thing with the word raam in other shabads. You hear raaaaaaaam over and over and the effect is relaxing and encourages someone to contemplate the shabad. The word raam is not a reference to Rama. Second, the meaning of jeeo here. Like raam the word need not be translated. I don't think it can or should be translated. In English the meaning would be more like 'depend on it, he is always my friend.' Or even speaking to God, 'Isn't that right, my friend?" These are understood not stated out loud. An just as a friend is someone you can depend on to be there when you need him, so jeeeeeeo repeated again and again reminds us that God is always there. And the translation is almost irrelevant because it is not the translation of the word but the meaning it plants in the mind by its sound or continual intonation that matters. ਸਦਾ ਰਹੈ ਕਰ ਜੋੜਿ ਪ੍ਰਭੁ ਮਨਿ ਭਾਇਆ ਜੀਉ ॥Sadhaa Rehai Kar Jorr Prabh Man Bhaaeiaa........ and then Jeeo ||........Oh you are always, always my friend! So between the sound, the meter and the meaning of the ever constant word "jeeeeo" the shabad gives enormous comfort to the mind. [/QUOTE]
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Gurmat Vichaar
Shabad in Focus
Har Jeeo Kirapaa Karae Thaa Naam Dhhiaaeeai Jeeo | ਹਰਿ ਜੀਉ ਕ੍ਰਿਪਾ ਕਰੇ ਤਾ ਨਾਮੁ ਧਿਆਈਐ ਜੀਉ
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