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Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Discussions
Interfaith Dialogues
Dancing And Gurbani
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<blockquote data-quote="Archived_Member4" data-source="post: 97754" data-attributes="member: 6184"><p>Your fighting a lost battle. Any Sikh knows Gurbani is <strong>highest authority.</strong></p><p> </p><p> </p><p> </p><p> </p><p> </p><p></p><p> </p><p> </p><p>What are the other reason(s)? And why didn’t they prefer to dance?</p><p> </p><p></p><p> </p><p> </p><p>Let’s change the we to a you. Don’t include others. </p><p> </p><p> </p><p> </p><p> </p><p> </p><p>Sure it is, dancing to gurbani is not inline with Guru Sahibs teaching.</p><p> </p><p></p><p> </p><p>Once again with the ‘we’, it’s only you sir, And I know you would have doubts, its obvious coming from you.</p><p> </p><p></p><p> </p><p>How is painting not gurmat? And to say that steel does the same thing as a pricless diamond (kirtan) is one of the worst examples. Kirtan gets you to God as it’s the Shabad Guru and painting is to express the 'I' with limited success. Painting is man made, kirtan is the Lords praises you can’t compare the two.</p><p> </p><p> </p><p> </p><p></p><p> </p><p> </p><p>Then its reading Gurbani without understanding.</p><p> </p><p> </p><p> </p><p>Your really confused here, The key word here to figure it out for you is AFTER. Also if you want to disrespect Gurbani, go right ahead, you have done it before by calling it maya.</p><p> </p><p> </p><p> </p><p>Gurbani doesn’t make someone dance. And its not gurmat. Only a Manmat will dance to Gurbani.</p><p> </p><p></p><p> </p><p>The answer lies in the question. Its called Attachment. One of the five thieves.</p><p> </p><p></p><p> </p><p>Attachment to the Shabad Guru is good because this will get you to God. The shabad Guru is eternal. The sound of an intrument is worldly and finite</p><p> </p><p> </p><p></p><p> </p><p>Gurbani helps a person control the mind. An action of jumping for joy when your happy and crying when your feeling sad is an emotional outburst where you are controlled by worldly events. Gurbani once read with full concentration helps to balance these emotions. Once balanced happiness and sadness are seen one and the same. Dancing is an action of joy and no control over the emotions. Gurbani helps to control this so it would be really foolish to say Gurbani can promote it.</p><p> </p><p> </p><p> </p><p></p><p> </p><p>If they were singing the shabd then they could have still danced. Or are you saying Guru Sahibs couldn’t do two things at once. </p><p> </p><p> </p><p> </p><p></p><p> </p><p>Guru Sahib had the most raas, which is unexplainable and this bring us back to what Gurbani does, it helps control the mind, where balance is brought into your body and mind, self-control. </p><p> </p><p> </p><p></p><p> </p><p>They read Gurbani and we read the same Gurbani, you get the same results.</p><p> </p><p> </p><p> </p><p></p><p> </p><p>It’s on you to clarify from the beginning, but you didn’t. There was no indication to which post you were referring too. There was no difficulty following the post as I just said you showed no indication so I went on one of the post I just wrote. Next time make it clear.</p></blockquote><p></p>
[QUOTE="Archived_Member4, post: 97754, member: 6184"] Your fighting a lost battle. Any Sikh knows Gurbani is [B]highest authority.[/B] What are the other reason(s)? And why didn’t they prefer to dance? Let’s change the we to a you. Don’t include others. Sure it is, dancing to gurbani is not inline with Guru Sahibs teaching. Once again with the ‘we’, it’s only you sir, And I know you would have doubts, its obvious coming from you. How is painting not gurmat? And to say that steel does the same thing as a pricless diamond (kirtan) is one of the worst examples. Kirtan gets you to God as it’s the Shabad Guru and painting is to express the 'I' with limited success. Painting is man made, kirtan is the Lords praises you can’t compare the two. Then its reading Gurbani without understanding. Your really confused here, The key word here to figure it out for you is AFTER. Also if you want to disrespect Gurbani, go right ahead, you have done it before by calling it maya. Gurbani doesn’t make someone dance. And its not gurmat. Only a Manmat will dance to Gurbani. The answer lies in the question. Its called Attachment. One of the five thieves. Attachment to the Shabad Guru is good because this will get you to God. The shabad Guru is eternal. The sound of an intrument is worldly and finite Gurbani helps a person control the mind. An action of jumping for joy when your happy and crying when your feeling sad is an emotional outburst where you are controlled by worldly events. Gurbani once read with full concentration helps to balance these emotions. Once balanced happiness and sadness are seen one and the same. Dancing is an action of joy and no control over the emotions. Gurbani helps to control this so it would be really foolish to say Gurbani can promote it. If they were singing the shabd then they could have still danced. Or are you saying Guru Sahibs couldn’t do two things at once. Guru Sahib had the most raas, which is unexplainable and this bring us back to what Gurbani does, it helps control the mind, where balance is brought into your body and mind, self-control. They read Gurbani and we read the same Gurbani, you get the same results. It’s on you to clarify from the beginning, but you didn’t. There was no indication to which post you were referring too. There was no difficulty following the post as I just said you showed no indication so I went on one of the post I just wrote. Next time make it clear. [/QUOTE]
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