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Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Discussions
Sikh History & Heritage
British Heritage To Support Production On The Maharaja
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<blockquote data-quote="drkhalsa" data-source="post: 13338" data-attributes="member: 384"><p style="text-align: center"><strong><span style="font-family: 'Verdana'"><span style="font-size: 15px"></span></span></strong></p> <p style="text-align: center"><strong><span style="font-family: 'Verdana'"><span style="font-size: 15px"></span></span></strong></p> <p style="text-align: center"><strong><span style="font-family: 'Verdana'"><span style="font-size: 15px"><span style="font-family: 'Verdana'"><span style="font-size: 12px"><span style="color: #800080"><strong><a href="http://www.tribuneindia.com/2005/20050905/punjab1.htm#11" target="_blank">British Heritage to support production on the Maharaja </a></strong></span></span></span></span></span></strong></p> <p style="text-align: center"><strong><span style="font-family: 'Verdana'"><span style="font-size: 15px"><span style="font-family: 'Verdana'"><span style="font-size: 10px"><span style="font-family: 'Verdana'"><span style="font-size: 9px">Chandigarh, September 4 </span></span></span></span><strong><span style="font-family: 'Verdana'"><span style="font-size: 10px"></span></span></strong></span></span></strong></p> <p style="text-align: center"><strong><span style="font-family: 'Verdana'"><span style="font-size: 15px"><strong><span style="font-family: 'Verdana'"><span style="font-size: 10px"></span></span></strong><img src="http://www.tribuneindia.com/2005/20050905/pun5.jpg" alt="" class="fr-fic fr-dii fr-draggable " style="" /></span></span></strong></p> <p style="text-align: center"><strong><span style="font-family: 'Verdana'"><span style="font-size: 15px">British Heritage to support production on the Maharaja </span></span></strong></p> <p style="text-align: center"><strong><span style="font-family: 'Verdana'"><span style="font-size: 15px"></span></span><span style="font-family: 'Verdana'"><span style="font-size: 10px">Aditi Tandon</span></span></strong></p> <p style="text-align: center"><strong><span style="font-family: 'Verdana'"><span style="font-size: 10px">Tribune News Service </span></span></strong></p><p><span style="font-family: 'Verdana'"><span style="font-size: 10px"></span></span></p><p><span style="font-family: 'Verdana'"><span style="font-size: 10px"></span></span></p><p><span style="font-family: 'Verdana'"><span style="font-size: 10px">Chandigarh, September 4</span></span></p><p><span style="font-family: 'Verdana'"><span style="font-size: 10px">Maharaja Ranjit Singh has long captured the imagination of creative artists across Punjab. But now the inspiration is travelling far and wide. </span></span></p><p><span style="font-family: 'Verdana'"><span style="font-size: 10px">At least so it seems from the hectic efforts which Mr Tejinder Singh, a non resident Indian from London has been putting in to formalise the outline of a project that he and his team of theatre practitioners dreamt of. He is in India, specifically Punjab, these days to finalise the project that is massive both in scale and scope. At its heart is Maharaja Ranjit Sing — one of the finest emperors who ever walked the soil of India. </span></span></p><p><span style="font-family: 'Verdana'"><span style="font-size: 10px">Titled “The Last Emperor of India: Maharaja Ranjit Singh”, the docu-drama has managed to rope in reputed institutions like the British Heritage (a society that promotes priceless traditions of communities living in England) and the Victoria Albert Museum. </span></span></p><p><span style="font-family: 'Verdana'"><span style="font-size: 10px">To be raised at a whopping cost of £ 200,000, the drama aims to invoke in the modern generation a sense of history and respect for those who wrote it. </span></span></p><p><span style="font-family: 'Verdana'"><span style="font-size: 10px">In an interaction with The Tribune at the Punjab Kala Bhavan, Sector 16 today, Mr Tejinder Singh who has held meetings with Gulshan Grover, Manoj Bajpai, Nirmal Pandey and Sushant Singh for the role of Maharaja Ranjit Singh, said, “As the founder member of Punjabi Theatre Academy in the UK, I have had the opportunity to work on themes that bind continents. We use art to promote an understanding between ethnic communities inhabiting London. </span></span></p><p><span style="font-family: 'Verdana'"><span style="font-size: 10px">Together with Indians, Pakistanis and Britons, we weave inspiring tales from our countries and present them to youngsters who have never had the opportunity to experience the past. The project on Maharaja Ranjit Singh has a similar objective. We want to talk about true secularism which Maharaja Ranjit Singh preached and practiced. In his 40 years of rule, none was hanged, nor was any faith favoured.” </span></span></p><p><span style="font-family: 'Verdana'"><span style="font-size: 10px">Although research on the project has been on for a while, Mr Singh and his team have been looking for exclusive profiles of Maharaja Ranjit Singh that might be housed in the Punjab Archives Department. </span></span></p><p><span style="font-family: 'Verdana'"><span style="font-size: 10px">“We want to run an exhibition of the Maharaja’s photographs and his times as we screen the docu-drama in London. We have got a lot of information on the subject from the Victoria Albert Museum and the British archives, but we want some more from Punjab. For that, we will be meeting some officials in the state government shortly,” Mr Singh said, adding that the production in its final form will have actors of Pakistani as well as British descent. </span></span></p><p><span style="font-family: 'Verdana'"><span style="font-size: 10px">The idea is to integrate nationalities and tell the tale of a man who celebrated festivals of all communities. Mr Singh will be in Chandigarh for a while to screen talent for his production. After the basic selection of the cast is done, rehearsals will begin at the Watermans Art Centre, located on the Thames river in London. Till then, the team will be travelling across Punjab to get the feel of the land which Maharaja Ranjit Singh enriched with his enterprise</span></span></p><p><span style="font-family: 'Verdana'"><span style="font-size: 10px"></span></span></p></blockquote><p></p>
[QUOTE="drkhalsa, post: 13338, member: 384"] [CENTER][B][FONT=Verdana][SIZE=4] [FONT=Verdana][SIZE=3][COLOR=#800080][B][URL="http://www.tribuneindia.com/2005/20050905/punjab1.htm#11"]British Heritage to support production on the Maharaja [/URL][/B][/COLOR][/SIZE][/FONT] [FONT=Verdana][SIZE=2][FONT=Verdana][SIZE=1]Chandigarh, September 4 [/SIZE][/FONT][/SIZE][/FONT][B][FONT=Verdana][SIZE=2] [/SIZE][/FONT][/B][IMG]http://www.tribuneindia.com/2005/20050905/pun5.jpg[/IMG][/SIZE][/FONT][/B] [B][FONT=Verdana][SIZE=4]British Heritage to support production on the Maharaja [/SIZE][/FONT][FONT=Verdana][SIZE=2]Aditi Tandon Tribune News Service [/SIZE][/FONT][/B][FONT=Verdana][SIZE=2][/SIZE][/FONT][/CENTER][FONT=Verdana][SIZE=2] Chandigarh, September 4 Maharaja Ranjit Singh has long captured the imagination of creative artists across Punjab. But now the inspiration is travelling far and wide. At least so it seems from the hectic efforts which Mr Tejinder Singh, a non resident Indian from London has been putting in to formalise the outline of a project that he and his team of theatre practitioners dreamt of. He is in India, specifically Punjab, these days to finalise the project that is massive both in scale and scope. At its heart is Maharaja Ranjit Sing — one of the finest emperors who ever walked the soil of India. Titled “The Last Emperor of India: Maharaja Ranjit Singh”, the docu-drama has managed to rope in reputed institutions like the British Heritage (a society that promotes priceless traditions of communities living in England) and the Victoria Albert Museum. To be raised at a whopping cost of £ 200,000, the drama aims to invoke in the modern generation a sense of history and respect for those who wrote it. In an interaction with The Tribune at the Punjab Kala Bhavan, Sector 16 today, Mr Tejinder Singh who has held meetings with Gulshan Grover, Manoj Bajpai, Nirmal Pandey and Sushant Singh for the role of Maharaja Ranjit Singh, said, “As the founder member of Punjabi Theatre Academy in the UK, I have had the opportunity to work on themes that bind continents. We use art to promote an understanding between ethnic communities inhabiting London. Together with Indians, Pakistanis and Britons, we weave inspiring tales from our countries and present them to youngsters who have never had the opportunity to experience the past. The project on Maharaja Ranjit Singh has a similar objective. We want to talk about true secularism which Maharaja Ranjit Singh preached and practiced. In his 40 years of rule, none was hanged, nor was any faith favoured.” Although research on the project has been on for a while, Mr Singh and his team have been looking for exclusive profiles of Maharaja Ranjit Singh that might be housed in the Punjab Archives Department. “We want to run an exhibition of the Maharaja’s photographs and his times as we screen the docu-drama in London. We have got a lot of information on the subject from the Victoria Albert Museum and the British archives, but we want some more from Punjab. For that, we will be meeting some officials in the state government shortly,” Mr Singh said, adding that the production in its final form will have actors of Pakistani as well as British descent. The idea is to integrate nationalities and tell the tale of a man who celebrated festivals of all communities. Mr Singh will be in Chandigarh for a while to screen talent for his production. After the basic selection of the cast is done, rehearsals will begin at the Watermans Art Centre, located on the Thames river in London. Till then, the team will be travelling across Punjab to get the feel of the land which Maharaja Ranjit Singh enriched with his enterprise [/SIZE][/FONT] [/QUOTE]
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Sikh History & Heritage
British Heritage To Support Production On The Maharaja
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