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Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Theatre, Movies & Cinema
Ashdoc's Movie Review---Pink
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<blockquote data-quote="ashdoc" data-source="post: 210232" data-attributes="member: 15932"><p><strong>Review has spoilers</strong></p><p></p><p>Three mod babes go to a resort with some young guys they meet at a rock concert . The three seem to be from the bubble gum crowd---wearing miniskirts or shorts showing off their lovely legs and thighs , wearing sleeveless tops that show off bra straps....but are actually more than just that , having had experience of sex with multiple partners before . The guys are not from their class---sure they have money , but are a world away with their feudal mindset of considering mod babes as 'usable material' and not allowing women of their own family any freedoms . </p><p></p><p>A scuffle breaks off between the girls and the guys which leaves one of the guys badly injured and being rushed to hospital . What could have happened that led to the fight---this the audience is left wondering , for both sides have different views of the matter and until the end of the movie what happened is not actually shown . Rather , it is reconstructed in front of the audience as their opposing versions in court . </p><p></p><p>So what could have happened ? Considering the obvious political correctness that such a movie is bound to take , shouldn't it be clear to the audience from the start that the guys must be in the wrong and the women in the right ? That the guys were about to rape the girls....</p><p></p><p>But the movie stretches the political correctness to the limit . What if I told you that the girls actually agreed to take payment for sex and changed their mind at the last moment because when the actual moment for physical intimacy came they were repelled from selling their bodies by their own conscience ? What does that make the guys who had already paid for sex , but found their advances thwarted at the last moment---victims or villains ? That is the question that is to be solved by the honourable court .</p><p></p><p>And helping the court solve this question is a lawyer played by the superstar Amitabh Bachhan himself , and he solves it in his own inimitable style---showing the judge how different rules are applied to girls and boys along with double standards of morality . And showing how girls of the regions on the chinese border ( one of the girls is from north east India ) are treated as 'loose and easy' .</p><p></p><p>Of the three girls , Tapsee Pannu looks best . Kirti Kulhari has become somewhat bloated since the days when I had reviewed her movie 'Jal' ( water ) , where she was a slim beauty . Andrea Tariang looks okay . Of the guys , Angad Bedi looks smart and tall but menacing . The rest look like his hangers on but some are menacing . </p><p></p><p>The mindset of the feudal Indian male is shown . Angad is ready to use his political connections to tweak the evidence in his favour and even female cops do not have any qualms in helping him in doing that . And of course , the whole system looks at girls who wear certain clothes and have certain lifestyle ( like alcohol and multiple relationships ) as sluts .</p><p></p><p>Music is good and so are songs . What is riveting is the courtroom drama that Amitabh dominates . His acting is in good touch even at this age . Actually all act well . What is pathbreaking in the film is , the message that a 'no' by a girl should be treated as 'NO' in capital letters . Even if the 'no' is said at the last moment .</p><p></p><p>Verdict---Good . </p><p></p><p>Three and half stars .</p></blockquote><p></p>
[QUOTE="ashdoc, post: 210232, member: 15932"] [B]Review has spoilers[/B] Three mod babes go to a resort with some young guys they meet at a rock concert . The three seem to be from the bubble gum crowd---wearing miniskirts or shorts showing off their lovely legs and thighs , wearing sleeveless tops that show off bra straps....but are actually more than just that , having had experience of sex with multiple partners before . The guys are not from their class---sure they have money , but are a world away with their feudal mindset of considering mod babes as 'usable material' and not allowing women of their own family any freedoms . A scuffle breaks off between the girls and the guys which leaves one of the guys badly injured and being rushed to hospital . What could have happened that led to the fight---this the audience is left wondering , for both sides have different views of the matter and until the end of the movie what happened is not actually shown . Rather , it is reconstructed in front of the audience as their opposing versions in court . So what could have happened ? Considering the obvious political correctness that such a movie is bound to take , shouldn't it be clear to the audience from the start that the guys must be in the wrong and the women in the right ? That the guys were about to rape the girls.... But the movie stretches the political correctness to the limit . What if I told you that the girls actually agreed to take payment for sex and changed their mind at the last moment because when the actual moment for physical intimacy came they were repelled from selling their bodies by their own conscience ? What does that make the guys who had already paid for sex , but found their advances thwarted at the last moment---victims or villains ? That is the question that is to be solved by the honourable court . And helping the court solve this question is a lawyer played by the superstar Amitabh Bachhan himself , and he solves it in his own inimitable style---showing the judge how different rules are applied to girls and boys along with double standards of morality . And showing how girls of the regions on the chinese border ( one of the girls is from north east India ) are treated as 'loose and easy' . Of the three girls , Tapsee Pannu looks best . Kirti Kulhari has become somewhat bloated since the days when I had reviewed her movie 'Jal' ( water ) , where she was a slim beauty . Andrea Tariang looks okay . Of the guys , Angad Bedi looks smart and tall but menacing . The rest look like his hangers on but some are menacing . The mindset of the feudal Indian male is shown . Angad is ready to use his political connections to tweak the evidence in his favour and even female cops do not have any qualms in helping him in doing that . And of course , the whole system looks at girls who wear certain clothes and have certain lifestyle ( like alcohol and multiple relationships ) as sluts . Music is good and so are songs . What is riveting is the courtroom drama that Amitabh dominates . His acting is in good touch even at this age . Actually all act well . What is pathbreaking in the film is , the message that a 'no' by a girl should be treated as 'NO' in capital letters . Even if the 'no' is said at the last moment . Verdict---Good . Three and half stars . [/QUOTE]
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