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ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Theatre, Movies & Cinema
Ashdoc's Movie Review - Couple Of Old Movies I Saw On Dvd
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<blockquote data-quote="ashdoc" data-source="post: 215631" data-attributes="member: 15932"><p><strong>Fever</strong></p><p><strong></strong></p><p><strong><img src="https://tse4.mm.bing.net/th?id=OIP.GJRGnF3iSS4-WIS3cLBdewHaKs&pid=Api" alt="" class="fr-fic fr-dii fr-draggable " style="" /></strong></p><p></p><p>The movie starts with actor Rajeev Khandelwal walking on a mountain road in Switzerland after alighting from a bus , and actress Gauhar Khan following him in a car and offering him a ride to his destination . He recognises her and accepts the offer of a ride . But as she drives further she pushes him out of the car and he falls below the road in a valley . When he wakes up he finds himself in a hospital , where the doctor informs him that he has not been injured seriously . But he himself realises that he has lost much of his memory . He says that his name is Armin Salem and he is from Paris . But can't remember much beyond that . The doctor ( Victor Banerjee ) thinks that his patient is a good man in trouble and gives him money to survive till he regains his memory . Meanwhile he is discharged from hospital and starts staying in a hotel close by .</p><p></p><p>In the hospital and again in the hotel he finds that he is being stalked by the same woman who tried to kill him---actress Gauhar Khan . She entices him by parading in bikinis when he goes to the swimming pool and soon tries to get close to him . She promises to help him regain his memory and begins to embrace and romance him . Gauhar tells him that her name is Kavya . But does she really want him to regain his memory considering the fact that she tried to kill him earlier ?</p><p></p><p>Meanwhile Armin does get to remember something in a disjointed jumbled manner and thinks that he may have killed a woman named Rhea Wagner ( Gemma Atkinson ) and that he may have been a professional assassin before he lost memory---a contract killer . When he tells the doctor of this , the doctor plainly tells him that if this is the case then he might have been helping the wrong person and he regrets giving money to him .</p><p></p><p>Armin remembers Rhea Wagner further in front of Kavya and says that even though his assignment was to kill Rhea , he fell in love with her beauty instead and went on to have an affair with her . At this point we are treated to some red hot love making scenes between Armin and Rhea and boy!!....Gemma Atkinson does really look beautiful and hot with a lovely pink body and superb silky skin . And Armin fell so deeply in love with Rhea that he dropped the idea of killing her and confessed his real identity to her instead . She threatened to go to the police with the truth and in desperation Armin had to kill her to stop her from doing so .</p><p></p><p>But when he goes to Rhea's place , she is not only alive but says that no affair took place between the two and he had met her only once and later sent her some emails . That his real name is not Armin and he is a writer who writes suspense thriller novels . Meanwhile Armin returns to his room to find a woman murdered there . But Kavya helps him dispose off the body . But Armin is now confused as to whether he is Armin or Karan and wonders why Kavya is helping him .</p><p></p><p>It is on a car ride with Kavya that he remembers the earlier car ride in which he was attempted to be killed by Kavya and finally everything comes back to him . He is Karan , a writer and Armin is just a character from his novel . He is no contract killer but the contract killer Armin was an identity he picked up after he lost his memory as he could remember only that identity from his novel . And that Kavya is not herself but his wife Pooja . When he confronts Pooja / Kavya with this fact , she admits that she is his wife Pooja . That she left everything including her job for marrying him , but her obsessive love for him began to stifle Karan and he decided to break off from her . But she followed him and in a fit of rage tried to push him into the valley . But when Karan woke up in hospital she could see that he had lost his memory . Pooja felt that she could regain his love in this new condition and hence was helping him . But the girlfriend who he was shacked up with after leaving Pooja had followed him to his hospital and when Pooja saw her she murdered the girlfriend so that she would not come in between them again---the woman whose body was dumped in Karan's hotel room was his girlfriend .</p><p></p><p>Pooja now beseeches Karan to come back to her , and says that she has the courage to love someone who does not love back . That all's fair in love , and such quotations are made true by people like her who even murder for true love . But Karan can't bring himself to love a killer and once again Pooja pushes him off the car , but this time only onto the road . She sacrifices her life by deliberately colliding with an oncoming truck because she can't bear to be without Karan .</p><p></p><p>Among all these events I found myself falling in love with Pooja....where are these women who are ready to do and die for love ? I have never found one in real life . If I ever found one I would forsake the world and be off with her in a jiffy !!</p><p></p><p>Even though no sensational events occur in the movie , the director has kept the suspense running in the movie . We can't figure out what Armin/Karan is going to remember next . The end comes as a genuine surprise , even though some dialogues by Pooja in the movie do give hint that she is a woman desperate in love . Photography of Switzerland is absolutely breathtaking and is given additional lustre by the superb colours of the movie . Songs are really worth humming and background music is nice too . Acting is decent by everyone without being too spectacular . And everyone looks good ; Rajeev Khandelwal as Karan , Gauhar Khan as Pooja and Gemma Atkinson as Rhea . In fact it seems that all actors and actresses in this movie have been chosen for their good looks .</p><p></p><p>Having completed this review , I am going to be off in search for someone like Pooja for myself . Someone high on the fever of love....that is what the title of the movie meant , isn't it ?</p><p></p><p>Verdict---Very decent .</p><p></p><p>Three stars out of five .</p></blockquote><p></p>
[QUOTE="ashdoc, post: 215631, member: 15932"] [B]Fever [IMG]https://tse4.mm.bing.net/th?id=OIP.GJRGnF3iSS4-WIS3cLBdewHaKs&pid=Api[/IMG][/B] The movie starts with actor Rajeev Khandelwal walking on a mountain road in Switzerland after alighting from a bus , and actress Gauhar Khan following him in a car and offering him a ride to his destination . He recognises her and accepts the offer of a ride . But as she drives further she pushes him out of the car and he falls below the road in a valley . When he wakes up he finds himself in a hospital , where the doctor informs him that he has not been injured seriously . But he himself realises that he has lost much of his memory . He says that his name is Armin Salem and he is from Paris . But can't remember much beyond that . The doctor ( Victor Banerjee ) thinks that his patient is a good man in trouble and gives him money to survive till he regains his memory . Meanwhile he is discharged from hospital and starts staying in a hotel close by . In the hospital and again in the hotel he finds that he is being stalked by the same woman who tried to kill him---actress Gauhar Khan . She entices him by parading in bikinis when he goes to the swimming pool and soon tries to get close to him . She promises to help him regain his memory and begins to embrace and romance him . Gauhar tells him that her name is Kavya . But does she really want him to regain his memory considering the fact that she tried to kill him earlier ? Meanwhile Armin does get to remember something in a disjointed jumbled manner and thinks that he may have killed a woman named Rhea Wagner ( Gemma Atkinson ) and that he may have been a professional assassin before he lost memory---a contract killer . When he tells the doctor of this , the doctor plainly tells him that if this is the case then he might have been helping the wrong person and he regrets giving money to him . Armin remembers Rhea Wagner further in front of Kavya and says that even though his assignment was to kill Rhea , he fell in love with her beauty instead and went on to have an affair with her . At this point we are treated to some red hot love making scenes between Armin and Rhea and boy!!....Gemma Atkinson does really look beautiful and hot with a lovely pink body and superb silky skin . And Armin fell so deeply in love with Rhea that he dropped the idea of killing her and confessed his real identity to her instead . She threatened to go to the police with the truth and in desperation Armin had to kill her to stop her from doing so . But when he goes to Rhea's place , she is not only alive but says that no affair took place between the two and he had met her only once and later sent her some emails . That his real name is not Armin and he is a writer who writes suspense thriller novels . Meanwhile Armin returns to his room to find a woman murdered there . But Kavya helps him dispose off the body . But Armin is now confused as to whether he is Armin or Karan and wonders why Kavya is helping him . It is on a car ride with Kavya that he remembers the earlier car ride in which he was attempted to be killed by Kavya and finally everything comes back to him . He is Karan , a writer and Armin is just a character from his novel . He is no contract killer but the contract killer Armin was an identity he picked up after he lost his memory as he could remember only that identity from his novel . And that Kavya is not herself but his wife Pooja . When he confronts Pooja / Kavya with this fact , she admits that she is his wife Pooja . That she left everything including her job for marrying him , but her obsessive love for him began to stifle Karan and he decided to break off from her . But she followed him and in a fit of rage tried to push him into the valley . But when Karan woke up in hospital she could see that he had lost his memory . Pooja felt that she could regain his love in this new condition and hence was helping him . But the girlfriend who he was shacked up with after leaving Pooja had followed him to his hospital and when Pooja saw her she murdered the girlfriend so that she would not come in between them again---the woman whose body was dumped in Karan's hotel room was his girlfriend . Pooja now beseeches Karan to come back to her , and says that she has the courage to love someone who does not love back . That all's fair in love , and such quotations are made true by people like her who even murder for true love . But Karan can't bring himself to love a killer and once again Pooja pushes him off the car , but this time only onto the road . She sacrifices her life by deliberately colliding with an oncoming truck because she can't bear to be without Karan . Among all these events I found myself falling in love with Pooja....where are these women who are ready to do and die for love ? I have never found one in real life . If I ever found one I would forsake the world and be off with her in a jiffy !! Even though no sensational events occur in the movie , the director has kept the suspense running in the movie . We can't figure out what Armin/Karan is going to remember next . The end comes as a genuine surprise , even though some dialogues by Pooja in the movie do give hint that she is a woman desperate in love . Photography of Switzerland is absolutely breathtaking and is given additional lustre by the superb colours of the movie . Songs are really worth humming and background music is nice too . Acting is decent by everyone without being too spectacular . And everyone looks good ; Rajeev Khandelwal as Karan , Gauhar Khan as Pooja and Gemma Atkinson as Rhea . In fact it seems that all actors and actresses in this movie have been chosen for their good looks . Having completed this review , I am going to be off in search for someone like Pooja for myself . Someone high on the fever of love....that is what the title of the movie meant , isn't it ? Verdict---Very decent . Three stars out of five . [/QUOTE]
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Ashdoc's Movie Review - Couple Of Old Movies I Saw On Dvd
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