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ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Theatre, Movies & Cinema
Ashdoc's Movie Review - Couple Of Old Movies I Saw On Dvd
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<blockquote data-quote="ashdoc" data-source="post: 215362" data-attributes="member: 15932"><p><strong>Naam gum jaayega ( 2005 )</strong></p><p><strong></strong></p><p><strong><img src="http://repos.hungama.com/wallpaper/display%20image/1024x768%20jpeg/2823994.jpg" alt="" class="fr-fic fr-dii fr-draggable " style="" /></strong></p><p></p><p>I recently realised that I had not reviewed any movie of the actress whom I had loved during my youth--Dia Mirza . I fell in love with her while watching the movie 'Rehna hai tere dil mey' ( Want to stay in your heart ) and went on to watch that movie several times . But I have forgotten parts of the movie by now and a review of that movie will require me to see it again---a chore too much because I have already seen it too many times years back . Not in the mood to see it again , just like I am not in the mood to fall in love with Dia again .</p><p></p><p>So I watched 'Naam gum jayega' ( Name will be lost ) , a flop movie of hers ; most of Dia's movies including RHTDM were flops . Now don't ask me why I chose to fall in love with a flop actress . Maybe because the successful ones were all booked !! I chose the movie because it is set in my favourite setting---the high mountains what else , where beauty of nature is abundant and where we Indians rush for vacation to escape the hot climate of India .</p><p></p><p>So on to the story . Aryan Srivastav and Divya are off to vacation in the mountains . But as they are driving on the winding mountain roads , they see an unconscious girl ( Dia Mirza ) lying on the road . They revive her and hear her story . She says that her name is Natasha and she fell in love with a boy named Vishal on a college hike months ago . But Vishal was not ready immediately to marry her , so she gave him six months to think about it and came back after six months to meet him . But by this time he had sold the house and the new owner was Nalini Sen . Natasha was agonised by the disappearance of Vishal and Nalini kindly agreed to allow this disturbed girl to stay to see if Vishal ever came back in search for her . But whenever Nalini was out of the house an amorous professor used to come in the house to try to force himself on her . It was to escape his clutches that she was running from the house and fell unconscious .</p><p></p><p>Aryan and Divya take Natasha back to Nalini and tell her that they are occult specialists who investigate the paranormal , but usually find that possessed people are just mentally disturbed . They feel that Natasha is similarly mentally disturbed as no one has seen the amorous professor except Natasha . Soon they track Vishal , but he says that he has never seen the girl claiming to be Natasha !! In fact , he says that his girlfriend Natasha is dead and buried . On the other hand the body of the professor is found too . So who is the girl claiming to be Natasha ? Has she murdered the professor and is living with a different identity to hide that fact ?</p><p></p><p>But everyone feels that the girl is genuinely mentally disturbed and decide to let her have what she wants---company of Vishal , but without the knowledge of his real girlfriend's death . And the girl claiming to be Natasha is really happy with Vishal near her . And as expected , real love blooms between them as Vishal develops feelings for her .</p><p></p><p>But Aryan investigates the whole matter of the professor's death . And finds out that the professor had tried to force himself on the girl in the past . So who was she ? Her real name was Geetanjali and she secretly loved Vishal , who was her friend Natasha's boyfriend . But was mentally disturbed by the professor trying to force himself on her . The professor died by another reason however , and Geetanjali is innocent . Aryan uses hypnotherapy to force Geetanjali to come to terms with the truth . And with Natasha conveniently dead in an accident and buried , it is time for Geetanjali to get united permanently with Vishal . Alls well that ends well....except for the audience .</p><p></p><p>The movie which begins as a suspense thriller soon gets bogged down in too many twists and turns and eventually turns uninteresting . Background music and songs are just about okay , but photography is better due to the sights of the pine tree covered green mountains . Acting by everyone is all right . Dia looks okay in some scenes and not so okay in some . Not as good as in RHTDM....</p><p></p><p>But critical consensus says that the movie was appreciated by the audience more than I did . Something that gladdened my heart .</p><p></p><p>Verdict---Not good .</p><p></p><p>One and a half stars out of five .</p></blockquote><p></p>
[QUOTE="ashdoc, post: 215362, member: 15932"] [B]Naam gum jaayega ( 2005 ) [IMG]http://repos.hungama.com/wallpaper/display%20image/1024x768%20jpeg/2823994.jpg[/IMG][/B] I recently realised that I had not reviewed any movie of the actress whom I had loved during my youth--Dia Mirza . I fell in love with her while watching the movie 'Rehna hai tere dil mey' ( Want to stay in your heart ) and went on to watch that movie several times . But I have forgotten parts of the movie by now and a review of that movie will require me to see it again---a chore too much because I have already seen it too many times years back . Not in the mood to see it again , just like I am not in the mood to fall in love with Dia again . So I watched 'Naam gum jayega' ( Name will be lost ) , a flop movie of hers ; most of Dia's movies including RHTDM were flops . Now don't ask me why I chose to fall in love with a flop actress . Maybe because the successful ones were all booked !! I chose the movie because it is set in my favourite setting---the high mountains what else , where beauty of nature is abundant and where we Indians rush for vacation to escape the hot climate of India . So on to the story . Aryan Srivastav and Divya are off to vacation in the mountains . But as they are driving on the winding mountain roads , they see an unconscious girl ( Dia Mirza ) lying on the road . They revive her and hear her story . She says that her name is Natasha and she fell in love with a boy named Vishal on a college hike months ago . But Vishal was not ready immediately to marry her , so she gave him six months to think about it and came back after six months to meet him . But by this time he had sold the house and the new owner was Nalini Sen . Natasha was agonised by the disappearance of Vishal and Nalini kindly agreed to allow this disturbed girl to stay to see if Vishal ever came back in search for her . But whenever Nalini was out of the house an amorous professor used to come in the house to try to force himself on her . It was to escape his clutches that she was running from the house and fell unconscious . Aryan and Divya take Natasha back to Nalini and tell her that they are occult specialists who investigate the paranormal , but usually find that possessed people are just mentally disturbed . They feel that Natasha is similarly mentally disturbed as no one has seen the amorous professor except Natasha . Soon they track Vishal , but he says that he has never seen the girl claiming to be Natasha !! In fact , he says that his girlfriend Natasha is dead and buried . On the other hand the body of the professor is found too . So who is the girl claiming to be Natasha ? Has she murdered the professor and is living with a different identity to hide that fact ? But everyone feels that the girl is genuinely mentally disturbed and decide to let her have what she wants---company of Vishal , but without the knowledge of his real girlfriend's death . And the girl claiming to be Natasha is really happy with Vishal near her . And as expected , real love blooms between them as Vishal develops feelings for her . But Aryan investigates the whole matter of the professor's death . And finds out that the professor had tried to force himself on the girl in the past . So who was she ? Her real name was Geetanjali and she secretly loved Vishal , who was her friend Natasha's boyfriend . But was mentally disturbed by the professor trying to force himself on her . The professor died by another reason however , and Geetanjali is innocent . Aryan uses hypnotherapy to force Geetanjali to come to terms with the truth . And with Natasha conveniently dead in an accident and buried , it is time for Geetanjali to get united permanently with Vishal . Alls well that ends well....except for the audience . The movie which begins as a suspense thriller soon gets bogged down in too many twists and turns and eventually turns uninteresting . Background music and songs are just about okay , but photography is better due to the sights of the pine tree covered green mountains . Acting by everyone is all right . Dia looks okay in some scenes and not so okay in some . Not as good as in RHTDM.... But critical consensus says that the movie was appreciated by the audience more than I did . Something that gladdened my heart . Verdict---Not good . One and a half stars out of five . [/QUOTE]
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Ashdoc's Movie Review - Couple Of Old Movies I Saw On Dvd
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