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Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Theatre, Movies & Cinema
Ashdoc's Movie Review - Couple Of Old Movies I Saw On Dvd
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<blockquote data-quote="ashdoc" data-source="post: 210068" data-attributes="member: 15932"><p>Unfreedom ( 2015 )</p><p></p><p><strong>review has spoilers</strong></p><p></p><p>This english film with characters who either live or originate in the Indian subcontinent has been banned in India due to scenes of brutal violence and graphic depiction of lesbian sex---and banning a film is like waving a red rag to a bull as far as I am concerned . The film is easily available on the internet , and I had already been enticed by a clip of the film showing explicit lesbian sex that was circulating on whatsapp . </p><p></p><p>It deals with two parallel plots ( one originating in Pakistan and the other based in India ) that never intersect , but are interconnected anyway due to the fact that in both plots the victims have to face brutal violence for believing in their beliefs and living their way of life---and the director's message is that though technically India and Pakistan are both free countries , it is 'unfreedom' that prevails . </p><p></p><p>In one plot a muslim leader ( played by Victor Banerjee ) living in New York is kidnapped by a fundamentalist muslim ( played by Bhanu Uday ) sent from Pakistan . He is kidnapped because he preaches tolerance and moderation and he refuses to recant his views in front of the camera placed by his kidnapper . So he is forced to undergo the most brutal torture by his kidnapper using the most sharp and vile instruments---the kind of savagery which will make you puke if it goes on any further on the screen in front of you . The kidnapper himself is mentally tortured by an incident in his past and this results in a bizarre ending to the torture fest . </p><p></p><p>The other plot is more tantalising---at least at the start . It is based in Indian capital city Delhi , and here a girl ( Preeti Gupta ) is being forced to marry against her wishes by her policeman father . She cuts her long traditionally Indian hair to short tresses as an act of rebellion . But when her father admonishes her , she tries to kill herself with a pistol . Finally she plucks up enough courage to run away to the the person she romantically loves---another woman , played by Bhavani Lee . </p><p></p><p>AAH Bhavani Lee....the start of the movie itself shows her strutting about completely naked painting nude paintings and giving fiery speeches espousing lesbian and transgender rights . Her butts and her boobs are just perfect---butts are shapely and boobs are taut and erect . She is bisexual and Preeti Gupta has to shoot Bhavani's male lover ( they are shown having sex in a parked vehicle when Preeti arrives waving gun ) to kidnap Bhavani . Having kidnapped Bhavani they escape across a river and then Preeti proposes marriage to Bhavani . They marry in front of the sacred fire , and then comes what I had been waiting for---their lovemaking scene . The sight of two beautiful naked bodies entwined and gyrating in pleasure and rubbing each others privates is one of the most hot and sexy scenes I have seen in mainstream cinema---and I have seen a lot of mainstream cinema . Bhavani is more fair skinned , while Preeti is dusky in complexion with heavier breasts . </p><p></p><p>But Preeti's father has policemen after her and two lesbian lovers are caught . In the police station he asks Preeti to leave Bhavani and when she refuses , he does what is the most gruesome act I have seen in a film ever---he makes his fellow policemen rape his own daughter in front of his own eyes as punishment for her lesbianism ( which he feels is against Indian culture ) !! </p><p></p><p>The director has truly crossed all limits as far as taking cinematic liberty is concerned , and his method of showing the 'unfreedom' in the Indian subcontinent is really too way off....</p><p>Of course , the movie does leave a lasting impact and the director has made it with extraordinary zeal . Inspite of the brutal scenes , you have to credit him with that . </p><p></p><p>The film is obviously not a good advertisement of the subcontinent and will make a westerner have the most horrifying image of south asia and it's people . 'Unfreedom' does exist in both India and Pakistan , but to this degree of violence ? Not surprisingly , it is banned in India .</p><p></p><p>Acting is good by everyone and the two girls have put real zest in their lovemaking . Photography and music is decent and appropriate for the situations . </p><p></p><p>Verdict---No holds barred stuff . I would give it three stars out of five .</p></blockquote><p></p>
[QUOTE="ashdoc, post: 210068, member: 15932"] Unfreedom ( 2015 ) [B]review has spoilers[/B] This english film with characters who either live or originate in the Indian subcontinent has been banned in India due to scenes of brutal violence and graphic depiction of lesbian sex---and banning a film is like waving a red rag to a bull as far as I am concerned . The film is easily available on the internet , and I had already been enticed by a clip of the film showing explicit lesbian sex that was circulating on whatsapp . It deals with two parallel plots ( one originating in Pakistan and the other based in India ) that never intersect , but are interconnected anyway due to the fact that in both plots the victims have to face brutal violence for believing in their beliefs and living their way of life---and the director's message is that though technically India and Pakistan are both free countries , it is 'unfreedom' that prevails . In one plot a muslim leader ( played by Victor Banerjee ) living in New York is kidnapped by a fundamentalist muslim ( played by Bhanu Uday ) sent from Pakistan . He is kidnapped because he preaches tolerance and moderation and he refuses to recant his views in front of the camera placed by his kidnapper . So he is forced to undergo the most brutal torture by his kidnapper using the most sharp and vile instruments---the kind of savagery which will make you puke if it goes on any further on the screen in front of you . The kidnapper himself is mentally tortured by an incident in his past and this results in a bizarre ending to the torture fest . The other plot is more tantalising---at least at the start . It is based in Indian capital city Delhi , and here a girl ( Preeti Gupta ) is being forced to marry against her wishes by her policeman father . She cuts her long traditionally Indian hair to short tresses as an act of rebellion . But when her father admonishes her , she tries to kill herself with a pistol . Finally she plucks up enough courage to run away to the the person she romantically loves---another woman , played by Bhavani Lee . AAH Bhavani Lee....the start of the movie itself shows her strutting about completely naked painting nude paintings and giving fiery speeches espousing lesbian and transgender rights . Her butts and her boobs are just perfect---butts are shapely and boobs are taut and erect . She is bisexual and Preeti Gupta has to shoot Bhavani's male lover ( they are shown having sex in a parked vehicle when Preeti arrives waving gun ) to kidnap Bhavani . Having kidnapped Bhavani they escape across a river and then Preeti proposes marriage to Bhavani . They marry in front of the sacred fire , and then comes what I had been waiting for---their lovemaking scene . The sight of two beautiful naked bodies entwined and gyrating in pleasure and rubbing each others privates is one of the most hot and sexy scenes I have seen in mainstream cinema---and I have seen a lot of mainstream cinema . Bhavani is more fair skinned , while Preeti is dusky in complexion with heavier breasts . But Preeti's father has policemen after her and two lesbian lovers are caught . In the police station he asks Preeti to leave Bhavani and when she refuses , he does what is the most gruesome act I have seen in a film ever---he makes his fellow policemen rape his own daughter in front of his own eyes as punishment for her lesbianism ( which he feels is against Indian culture ) !! The director has truly crossed all limits as far as taking cinematic liberty is concerned , and his method of showing the 'unfreedom' in the Indian subcontinent is really too way off.... Of course , the movie does leave a lasting impact and the director has made it with extraordinary zeal . Inspite of the brutal scenes , you have to credit him with that . The film is obviously not a good advertisement of the subcontinent and will make a westerner have the most horrifying image of south asia and it's people . 'Unfreedom' does exist in both India and Pakistan , but to this degree of violence ? Not surprisingly , it is banned in India . Acting is good by everyone and the two girls have put real zest in their lovemaking . Photography and music is decent and appropriate for the situations . Verdict---No holds barred stuff . I would give it three stars out of five . [/QUOTE]
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Ashdoc's Movie Review - Couple Of Old Movies I Saw On Dvd
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