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Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Gurmat Vichaar
Shabad in Focus
Antt Kaal
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<blockquote data-quote="swarn bains" data-source="post: 220171" data-attributes="member: 17695"><p>ਕਰ ਲੈ ਦਿਲ ਦੀ ਸਫਾਈ ਜੇ ਦੀਦਾਰ ਚਾਹੀਦਾ</p><p>sggs deals with only one subject. ei how to cleanse your soul. there four ways to do so. love, humility dedication and guru;s teaching. one way or other they all take you to the same point.</p><p>then there are vices, which are against straightening your mind. such as kaam. We the kaam thirsty people link it to sex and only sex. actually any and every act which hijacks your mind is kaam, such as the explanation in this article.how to cleanse your soul. next the transliteration. such as my name is karminder singh. it cannot be called goofy or any other name. That is the purpose of transliteration. as tarlochan wrote</p><p>antcal jo lachhmi simre , sarp jone autre, or antcall jo istri simre beswa jone autre. in transliteration the translator cannot change to say that my name is goofy. it has to be the english translation of what is written. then there is translation or explanation. in that every stanza is opened up and the author explains it with his own view. here it is not so. Tarlochan did not go to God and asked him and told the audience or followers. He is just guiding people to be peaceful in order to straiten your mind. if the critic wants to blow his horn. he can ask tarlochan to take this out from sggs or condemn him. A poet writes what comes to his mind momentarily. if he or she does not write it disappers and never comes back such as. last line in sggs ਸਭੈ ਪੁਤਰ ਰਾਗਨ ਕੇ ਆਠਾਰਹ ਦੇ ਬੀਸ. It does not mean only 48 are the sons of God(by the way who are those 48). here the authors writes " all are the sons of God whether eighteen, ten, or 20 to harmonize the stanza That is authors way of guiding. nit picking sometime is good and other times not. so called social scholars sometimes go over board. not very nice</p></blockquote><p></p>
[QUOTE="swarn bains, post: 220171, member: 17695"] ਕਰ ਲੈ ਦਿਲ ਦੀ ਸਫਾਈ ਜੇ ਦੀਦਾਰ ਚਾਹੀਦਾ sggs deals with only one subject. ei how to cleanse your soul. there four ways to do so. love, humility dedication and guru;s teaching. one way or other they all take you to the same point. then there are vices, which are against straightening your mind. such as kaam. We the kaam thirsty people link it to sex and only sex. actually any and every act which hijacks your mind is kaam, such as the explanation in this article.how to cleanse your soul. next the transliteration. such as my name is karminder singh. it cannot be called goofy or any other name. That is the purpose of transliteration. as tarlochan wrote antcal jo lachhmi simre , sarp jone autre, or antcall jo istri simre beswa jone autre. in transliteration the translator cannot change to say that my name is goofy. it has to be the english translation of what is written. then there is translation or explanation. in that every stanza is opened up and the author explains it with his own view. here it is not so. Tarlochan did not go to God and asked him and told the audience or followers. He is just guiding people to be peaceful in order to straiten your mind. if the critic wants to blow his horn. he can ask tarlochan to take this out from sggs or condemn him. A poet writes what comes to his mind momentarily. if he or she does not write it disappers and never comes back such as. last line in sggs ਸਭੈ ਪੁਤਰ ਰਾਗਨ ਕੇ ਆਠਾਰਹ ਦੇ ਬੀਸ. It does not mean only 48 are the sons of God(by the way who are those 48). here the authors writes " all are the sons of God whether eighteen, ten, or 20 to harmonize the stanza That is authors way of guiding. nit picking sometime is good and other times not. so called social scholars sometimes go over board. not very nice [/QUOTE]
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Gurmat Vichaar
Shabad in Focus
Antt Kaal
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