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Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Guru Granth Sahib
Aasaa Di Vaar
Aasaa Di Vaar To First Pauri: Āpīnĥai āp Sāji▫o / ਆਪੀਨ੍ਹ੍ਹੈ ਆਪੁ ਸਾਜਿਓ
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<blockquote data-quote="spnadmin" data-source="post: 181223" data-attributes="member: 35"><p>You can read the full article, The Rebab Tradition at this link: <a href="http://www.sikh-heritage.co.uk/arts/rebabiMardana/RebabiMardana.htm" target="_blank">http://www.sikh-heritage.co.uk/arts/rebabiMardana/RebabiMardana.htm</a></p><p></p><p></p><p>Bhai Kahn Singh Nabha, writes in his 'Mahan Kosh', that the Rebab was previously known as "Narad Veena" or "Ravan Veena". It is the favourite instrument of the sage Narad and Goddess Saraswati. Although this instrument may have divine background, but Guru Nanak and the Sufi Fakirs have brought this instrument down to the level of the general public. For Guru Nanak the divine singer with this divine instrument was Bhai Mardana. Bhai Mardana was the first person from his childhood who started playing the divine gurbani music with the Rebab, and accompanied Guru Nanak on all his travels with earnest devotion.</p><p></p><p>Guru Nanak Dev renovated the Arab/Iranian string instrument REBAB and activated his friend Bhai Mardana to master it and sing the hymns of divine grace. That is how the celebrated 'Rebabi' Tradition came into being. There are 22 Vars in the scriptures to be sung on the specific tunes by the 'Rebabis'. <strong>For example the Asa Di Var is to be sung in Raag Bhairvi on 'Tunde Asraje ki Dhuni' (ref: 'Guru Arjan Dev, Prophet & Poet' by H.L.Agnihotri).</strong></p><p></p><p>During the times of the 6th Master the Rebab music was supplemented by 'Dhadi' singing of chivalrous Vars while Guru Gobind Singh combined the folk of Dhadi and Classical tradition of Rebabi and patronised a new school of Sikh Holy Music.</p><p></p><p>In Sri Anandpur Sahib's town planning a 'Muhalla of Rababis' came into being. Bhai Nand Lal Goya (The great Persian poet and musician) was the head of this school. A famous Rebabi DAULAT ALI was there to assist him.</p><p></p><p>The Master sent Bhai Nand Lal Goya and all the Rebabis to Multan to establish a Rebabi School over there. After that the city of Anandpur Sahib was besieged and destroyed. It is said that Daulat Ali, known as DAULTI Rebabi continued reciting the Sikh Holy Music.(Article courtesy Sikh Heritage Museum U.K. ref: Iqbal Namah (Persian) by Raja Ram Tota of Kashmir, the Royal scribe of Sher-e-Punjab Maharaja Ranjit Singh).</p></blockquote><p></p>
[QUOTE="spnadmin, post: 181223, member: 35"] You can read the full article, The Rebab Tradition at this link: [url]http://www.sikh-heritage.co.uk/arts/rebabiMardana/RebabiMardana.htm[/url] Bhai Kahn Singh Nabha, writes in his 'Mahan Kosh', that the Rebab was previously known as "Narad Veena" or "Ravan Veena". It is the favourite instrument of the sage Narad and Goddess Saraswati. Although this instrument may have divine background, but Guru Nanak and the Sufi Fakirs have brought this instrument down to the level of the general public. For Guru Nanak the divine singer with this divine instrument was Bhai Mardana. Bhai Mardana was the first person from his childhood who started playing the divine gurbani music with the Rebab, and accompanied Guru Nanak on all his travels with earnest devotion. Guru Nanak Dev renovated the Arab/Iranian string instrument REBAB and activated his friend Bhai Mardana to master it and sing the hymns of divine grace. That is how the celebrated 'Rebabi' Tradition came into being. There are 22 Vars in the scriptures to be sung on the specific tunes by the 'Rebabis'. [B]For example the Asa Di Var is to be sung in Raag Bhairvi on 'Tunde Asraje ki Dhuni' (ref: 'Guru Arjan Dev, Prophet & Poet' by H.L.Agnihotri).[/B] During the times of the 6th Master the Rebab music was supplemented by 'Dhadi' singing of chivalrous Vars while Guru Gobind Singh combined the folk of Dhadi and Classical tradition of Rebabi and patronised a new school of Sikh Holy Music. In Sri Anandpur Sahib's town planning a 'Muhalla of Rababis' came into being. Bhai Nand Lal Goya (The great Persian poet and musician) was the head of this school. A famous Rebabi DAULAT ALI was there to assist him. The Master sent Bhai Nand Lal Goya and all the Rebabis to Multan to establish a Rebabi School over there. After that the city of Anandpur Sahib was besieged and destroyed. It is said that Daulat Ali, known as DAULTI Rebabi continued reciting the Sikh Holy Music.(Article courtesy Sikh Heritage Museum U.K. ref: Iqbal Namah (Persian) by Raja Ram Tota of Kashmir, the Royal scribe of Sher-e-Punjab Maharaja Ranjit Singh). [/QUOTE]
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Guru Granth Sahib
Aasaa Di Vaar
Aasaa Di Vaar To First Pauri: Āpīnĥai āp Sāji▫o / ਆਪੀਨ੍ਹ੍ਹੈ ਆਪੁ ਸਾਜਿਓ
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