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Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Guru Granth Sahib
Aasaa Di Vaar
Aasaa Di Vaar To First Pauri: Āpīnĥai āp Sāji▫o / ਆਪੀਨ੍ਹ੍ਹੈ ਆਪੁ ਸਾਜਿਓ
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<blockquote data-quote="spnadmin" data-source="post: 181151" data-attributes="member: 35"><p>Ambarsaria ji</p><p></p><p>Yes.. unless the story was all hatched up. My understanding has been for some time that the choice of Tunde was quite deliberate. There is a lot on the Internet about the story of King Asa behind Tunde Asraje ki Dhunne. Poets put the story of King Asa to music; the folk tunes allegedly inspired Guru Arjan Dev."Guru Arjan found a great resemblance between the five-lined pauris of Guru Nanak's Asa-di-var and the var of Tunda-Asaraja and prescribed the tune of the latter for the singing of the former. "</p><p></p><p>Sikiwiki has a good account of Tunde, <a href="http://www.sikhiwiki.org/index.php/Tunda_Asraja" target="_blank">http://www.sikhiwiki.org/index.php/Tunda_Asraja</a></p><p>giving 3 different versions to explain it all: Pundit Narayan Singh, Professor Sahib Singh, and an un-named 3rd version.</p><p></p><p>For musical instruments of the time, we can be sure the harmonium did not become part of the music of North India until the 19th Century, introduced by Austrian missionaries at that time. </p><p></p><p>Probable instruments used by the dhadi for folk tunes and ballads were Rebab, Sarangi and Dhad. information in the Sikh Encyclopedia/musicology section. http://www.thesikhencyclopedia.com/arts-and-heritage/musicology-and-musicians/dhadi[/url]</p><p></p><p> "Guru Nanak Dev renovated the Arab/Iranian string instrument REBAB ...There are 22 Vars in the scriptures to be sung on the specific tunes by the 'Rebabis'. For example the Asa Di Var is to be sung in Raag Bhairvi on 'Tunde Asraje ki Dhuni' (ref: 'Guru Arjan Dev, Prophet & Poet' by H.L.Agnihotri). <a href="http://www.sikh-heritage.co.uk/arts/rebabiMardana/RebabiMardana.htm" target="_blank">http://www.sikh-heritage.co.uk/arts/rebabiMardana/RebabiMardana.htm</a></p></blockquote><p></p>
[QUOTE="spnadmin, post: 181151, member: 35"] Ambarsaria ji Yes.. unless the story was all hatched up. My understanding has been for some time that the choice of Tunde was quite deliberate. There is a lot on the Internet about the story of King Asa behind Tunde Asraje ki Dhunne. Poets put the story of King Asa to music; the folk tunes allegedly inspired Guru Arjan Dev."Guru Arjan found a great resemblance between the five-lined pauris of Guru Nanak's Asa-di-var and the var of Tunda-Asaraja and prescribed the tune of the latter for the singing of the former. " Sikiwiki has a good account of Tunde, [url]http://www.sikhiwiki.org/index.php/Tunda_Asraja[/url] giving 3 different versions to explain it all: Pundit Narayan Singh, Professor Sahib Singh, and an un-named 3rd version. For musical instruments of the time, we can be sure the harmonium did not become part of the music of North India until the 19th Century, introduced by Austrian missionaries at that time. Probable instruments used by the dhadi for folk tunes and ballads were Rebab, Sarangi and Dhad. information in the Sikh Encyclopedia/musicology section. http://www.thesikhencyclopedia.com/arts-and-heritage/musicology-and-musicians/dhadi[/url] "Guru Nanak Dev renovated the Arab/Iranian string instrument REBAB ...There are 22 Vars in the scriptures to be sung on the specific tunes by the 'Rebabis'. For example the Asa Di Var is to be sung in Raag Bhairvi on 'Tunde Asraje ki Dhuni' (ref: 'Guru Arjan Dev, Prophet & Poet' by H.L.Agnihotri). [url]http://www.sikh-heritage.co.uk/arts/rebabiMardana/RebabiMardana.htm[/url] [/QUOTE]
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Guru Granth Sahib
Aasaa Di Vaar
Aasaa Di Vaar To First Pauri: Āpīnĥai āp Sāji▫o / ਆਪੀਨ੍ਹ੍ਹੈ ਆਪੁ ਸਾਜਿਓ
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