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Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Sikh History & Heritage
A Sikh Face In Ireland: Photographic And Life History Project
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<blockquote data-quote="spnadmin" data-source="post: 126152" data-attributes="member: 35"><p><strong> <a href="http://www.cbl.ie/Exhibitions/Temporary-Exhibitions.aspx" target="_blank">A Sikh Face in Ireland: Photographic and Life History Project</a> </strong></p><p></p><p> </p><p> <a href="http://2.bp.blogspot.com/_ENvIJKxl0Vc/S-PVhCUIYEI/AAAAAAAAAyU/UDkSPLSJ4fw/s1600/PhulpreetSingh.bmp" target="_blank"></a></p><p><a href="http://2.bp.blogspot.com/_ENvIJKxl0Vc/S-PVhCUIYEI/AAAAAAAAAyU/UDkSPLSJ4fw/s1600/PhulpreetSingh.bmp" target="_blank"></a></p><p>A Sikh Face in Ireland exhibition opens. In association with FOMACS (Forum on Migration & Communications, DIT) and Irish Sikh Council. Photographic and life history project, A Sikh Face in Ireland, will be on view at the Chester Beatty Library from 7 May - 18 July. </p><p></p><p></p><p>This multimedia exhibition is produced and supported by <a href="http://www.fomacs.org/" target="_blank">FOMACS (Forum on Migration and Communications)</a> in collaboration with photographer/oral historian, Dr Glenn Jordan, and researcher, Satwinder Singh.</p><p></p><p></p><p>A Sikh Face in Ireland is the first systematic exploration of the Sikh presence on the island of Ireland - providing both a profile of the present and a social and cultural history of Sikh immigrants and their descendants. The key themes of the exhibition include issues of culture, experience and identity. The exhibition illustrates that 'being a Sikh' is not a homogeneous experience; that people from similar backgrounds may live their identities in different ways. The exhibition portrays men who do and do not wear turbans, further depicting generational and gender differences. More generally, it explores the lived experiences and narratives of people often perceived as 'Other' by members of the general public - especially since 9/11. </p><p></p><p></p><p>A series of parallel events designed in collaboration with the Chester Beatty Library’s Intercultural Education Programme builds on different objects in the exhibition: photographic portraits accompanied by life stories; a short film, 'How to Tie a Turban'; a photographic and sound installation featuring contemporary Sikh musicians; an exhibition catalogue comprising essays, photographs, and extensive life stories in English and Punjabi; an interactive website designed for use in diverse educational settings, in addition to public workshops.</p><p></p><p></p><p>The project has been defined - in the context of a conversation with members of the <a href="http://www.irishsikhcouncil.com/" target="_blank">Irish Sikh Council</a> and <a href="http://www.fomacs.org/" target="_blank">FOMACS </a>- as a contribution to anti-racist education and transcultural understanding.</p></blockquote><p></p>
[QUOTE="spnadmin, post: 126152, member: 35"] [B] [URL="http://www.cbl.ie/Exhibitions/Temporary-Exhibitions.aspx"]A Sikh Face in Ireland: Photographic and Life History Project[/URL] [/B] [URL="http://2.bp.blogspot.com/_ENvIJKxl0Vc/S-PVhCUIYEI/AAAAAAAAAyU/UDkSPLSJ4fw/s1600/PhulpreetSingh.bmp"] [/URL] A Sikh Face in Ireland exhibition opens. In association with FOMACS (Forum on Migration & Communications, DIT) and Irish Sikh Council. Photographic and life history project, A Sikh Face in Ireland, will be on view at the Chester Beatty Library from 7 May - 18 July. This multimedia exhibition is produced and supported by [URL="http://www.fomacs.org/"]FOMACS (Forum on Migration and Communications)[/URL] in collaboration with photographer/oral historian, Dr Glenn Jordan, and researcher, Satwinder Singh. A Sikh Face in Ireland is the first systematic exploration of the Sikh presence on the island of Ireland - providing both a profile of the present and a social and cultural history of Sikh immigrants and their descendants. The key themes of the exhibition include issues of culture, experience and identity. The exhibition illustrates that 'being a Sikh' is not a homogeneous experience; that people from similar backgrounds may live their identities in different ways. The exhibition portrays men who do and do not wear turbans, further depicting generational and gender differences. More generally, it explores the lived experiences and narratives of people often perceived as 'Other' by members of the general public - especially since 9/11. A series of parallel events designed in collaboration with the Chester Beatty Library’s Intercultural Education Programme builds on different objects in the exhibition: photographic portraits accompanied by life stories; a short film, 'How to Tie a Turban'; a photographic and sound installation featuring contemporary Sikh musicians; an exhibition catalogue comprising essays, photographs, and extensive life stories in English and Punjabi; an interactive website designed for use in diverse educational settings, in addition to public workshops. The project has been defined - in the context of a conversation with members of the [URL="http://www.irishsikhcouncil.com/"]Irish Sikh Council[/URL] and [URL="http://www.fomacs.org/"]FOMACS [/URL]- as a contribution to anti-racist education and transcultural understanding. [/QUOTE]
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Sikh History & Heritage
A Sikh Face In Ireland: Photographic And Life History Project
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