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The Khalsa Heritage Project

Discussion in 'Arts & Society' started by spnadmin, Oct 24, 2009.

  1. spnadmin

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    1947-2014 (Archived)
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    Jun 17, 2004
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    The Khalsa Heritage Project

    In 1999, the tercentenary year of the Birth of the Khalsa, the Government of Punjab announced that it would build a Khalsa Heritage Complex at Anandpur Sahib to commemorate the epoch-making event.

    The project, an inspiring tribute to the heroic and poignant saga of the Sikhs and Punjab, stands amidst mountains on a sprawling 100-acre area.
    Dubbed as a "wonder in the making", the complex has been conceived to project the history and culture of Sikhs on an international scale.


    The project, which has been shaped like hands offering prayers, unfolds Sikh history and tradition like never before. People working on the project claim that a museum like this has never been built before in the country. It has no precedent, no comparison.

    Made up of building materials from across the subcontinent, the project is an architectural miracle and the world's foremost comprehensive Sikh heritage centre.

    Moshe Safdie, the internationally acclaimed Boston-based Israeli architect, has designed the Khalsa Heritage Complex.

    The project houses a museum, which will have souvenirs related to Sikh history comprising all of the Ten Sikh Gurus, Guru Granth Sahib and Sikh rulers like Maharaja Ranjit Singh. The museum will also house scriptures written by Guru Gobind Singh.

    The museum is conceived by Amardeep Behl, a Delhi-based designer running AB Design Habit, who is also working on the restoration of Harmandar Sahib.

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    The project has two main complexes, which are joined with a connecting ceremonial bridge. The canopy on this bridge is an architectural experiment and is situated in the opposite direction of the sun and does not provide any shade.

    The western complex houses an auditorium with a seating capacity of 400. It will have temporary exhibition galleries and a library, housing all journals, magazines, books and periodicals on Sikhism.

    The eastern complex has a north wing also known as the Flower Building. Its other wing is called the Boat Building or the Heritage Section.

    The roof of the Flower Building is shaped in the form of five petals - representing the Panj Piaras - the Five Cherished Ones - of Vaisakhi fame. Each petal will house an exhibit tracing the life history of all the Gurus from birth to attaining salvation/ martyrdom. These will be permanent exhibits. The petal at the highest altitude will have information and exhibits on Guru Granth Sahib.

    The rooftops of all the petals have been covered with special stainless steel sheets. At night, the entire building will be illuminated with its large silhouette being reflected in the seven acres around of water around it. It will also illuminate the night skyline of the historical city of the birth of the Khalsa.

    At the entry of the museum, permanent exhibits depicting Punjab before the birth of Guru Nanak have been placed. These will showcase the climate, culture and life of pre-Nanak times. The ceiling of this heritage building has been made of glass and its floor will be covered with water. The aim of this exhibit is to make the visitor introspective.

    Thematic carpets will adorn walls of this part of building, for which weavers from Mirzapur have been roped in. Next, the visitor is greeted with the thought-provoking concept of Ik Onkar. The Mool Mantar will echo all around this exhibit.

    This exhibit, with special sound effects, is situated in a drum-like building where lights will create an image of Ik Onkar and an audio message will highlight the core principles of Sikhism.

    Then starts a mesmerizing journey into the lives of the first Five Gurus in the five petals of the flower building. These five petals tell tales from Guru Nanak to Guru Arjan.

    The first petal will have the milieu of the times Guru Nanak was born in, tracing his life through the far-flung travels (udasis) he undertook. Further, there will be galleries depicting the lives and contributions of Guru Angad and Guru Amar Das.

    One of the galleries is divided into two, by recreating a baoli in the middle, to highlight the latter‘s life work. It will have leather and shadow puppets with painted murals in background.

    The gallery in the fourth petal contains exhibits on the contribution of Guru Ram Das, including the construction of the city of Ramdaspur, adding 11 ragas to the existing corpus of Gurbani, and the Laavan. The city of Ramdaspur has been recreated in an embroidered form.

    The gallery in the fifth petal showcases key events in the history of Sikhism: the construction of Harmandar Sahib, as well as the compilation and investiture of the Adi Granth. A pathway leading to the gallery will have a replica of Harmandar Sahib. The gallery also has an ethereal, glowing representation of the Parkash Sthan - the place of the Adi Granth in the Harmandar, in the centre.

    Around this central installation are shown stories related to the Adi Granth. Four doorways around it recreate different scenes describing the life and times of Guru Arjan.

    There is another gallery depicting Guru Arjan's martyrdom in the form of a sculpture on the terrace. Here, the events around the martyrdom have been narrated in an evocative manner without showcasing explicitly ****** and violent scenes, which is usually the case in other museums and exhibits.

    There is also an exhibit, which will suggest the coming together of five elements - fire, earth, water, air and space.

    The petals in the crescent building will cover the lifespans of Guru Hargobind, Guru Har Rai, Guru Harkrishan, Guru Teg Bahadar, Guru Gobind Singh and Gurta Gaddi.

    The galleries at the lower level will chronicle the trials, tribulations and triumphs of the Khalsa, from Banda Singh Bahadar to immediately after Partition, when Sikh dynamism helped revive a truncated Punjab with its elan, energy and resilience.


    The Khalsa Heritage Complex has a great potential to attract a large number of tourists, as the town already attracts millions of pilgrims from around the world to the many historical gurdwaras and Sikh forts in the region.

    The Punjab and Himachal Pradesh Governments have proposed a joint ropeway project from Naina Devi - the site where Guru Gobind Singh first recited "Chandi ki Vaar" - the Ode to the Sword - to Anandpur Sahib. Currently, a survey of the area is underway for this project.
    Besides these attractions, the Bhakhra-Nangal project and the Nangal wetland offer perfect features for developing this area as a major tourist hub.

    But the heritage complex project has been hit hard by the funds crunch, which has delayed its construction. Started by Prakash Singh Badal in 1998, the project ran into rough weather in 2003 with the then chief executive of Anandpur Sahib Foundation (ASF) seeking funds from Sikhs in the diaspora for its continuation.

    A year later, a consortium of five banks agreed to finance the project. The Central Government contributed around Rs. 480 million, while the five banks gave Rs. 1 billion. [Roughly, US $1 equals Rs. 48.] The rest of the amount has been spent by the state government.

    The government had earlier promised to complete the project by 2004. Later, the deadline was shifted to Baisakhi of this year. But the ASF now plans to inaugurate the project by November of this year.

    Modalities are being worked out to recruit staff members for the complex. Work is also on to finalize rare books and manuscripts for the hi-tech library that will be an integral part of complex.

    Please navigate to this link to see the impressive photographs of the architecture and exhibits.



  2. swarandeep singh

    swarandeep singh
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    Jan 17, 2010
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    The Building of the "Khalsa Heritage Project" has nothing to do with sikhism. It is a style statement of Moshie and he does the same kind of work everywhere in the world.
    There's nothing in it that connects it to our culture heritage or identity . ask a layman on the street and he will not have the slightest idea of which culture this building belongs to, however when you dig deep enough you will find israelie culture and its wailing walls as the predominant underlying inspirations.
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