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Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Gurbani Wichar
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<blockquote data-quote="Original" data-source="post: 208864" data-attributes="member: 14400"><p>Dearest Japjisahib Ji -</p><p></p><p>Allow me to explain !</p><p></p><p>The writers of Gurbani possess a divine perspective with which they're able to analyse the mystical trends operating behind the visible world and present them on the level of reality. The verses found in SGGSJ express certain characters, places, themes and incidents as images, metaphors and allegories etc. The long n short of it all is that Gurbani is replete with divinity as well as secular consciousness, a bridge if you like, between the spiritual n the temporal world.</p><p></p><p>Swarn Singh Ji, in my view does a reasonable job for the prudent seeker and should be encouraged and not discouraged. Indeed, when n where tweaking could be justified on corrective grounds it should be actioned without reservations. This will not only help Swarn Ji, but will also improve the prose n poetic value of Gurbani for the better.</p><p></p><p>As regards the translation above, he's done a reasonable job, not perfect mind you, but nonetheless, carries the spirit n the letter of communication to all intent n purposes. The point in question [how Nanak can see the formless] is spiritually realised by an exalted being and thus expressed using human characteristics [Guru Arjun Dev]. Should you wish to translate it differently, I offer the following as an aid for your perusal:</p><p></p><p>॥ ਇਹ ਬਿਧਿ ਨਾਨਕ ਹਰਿ ਨੈਣ ਅਲੋਇ ॥੨॥੧॥੧੮॥ {ਪੰਨਾ 715}</p><p></p><p>ਇਹ = this</p><p>ਬਿਧਿ = method, intelligence, etc</p><p>ਹਰਿ = God</p><p>ਨੈਣ = eyes</p><p>ਅਲੋਇ = sight or to see</p><p></p><p>Similar shabd can be found on page 534 [<strong>ਮੈ ਪੇਖਿਓ ਰੀ ਊਚਾ ਮੋਹਨੁ ਸਭ ਤੇ ਊਚਾ]. Translation : O' I have seen the Lord to be high.....</strong></p><p></p><p>Take care - Gdnight !</p></blockquote><p></p>
[QUOTE="Original, post: 208864, member: 14400"] Dearest Japjisahib Ji - Allow me to explain ! The writers of Gurbani possess a divine perspective with which they're able to analyse the mystical trends operating behind the visible world and present them on the level of reality. The verses found in SGGSJ express certain characters, places, themes and incidents as images, metaphors and allegories etc. The long n short of it all is that Gurbani is replete with divinity as well as secular consciousness, a bridge if you like, between the spiritual n the temporal world. Swarn Singh Ji, in my view does a reasonable job for the prudent seeker and should be encouraged and not discouraged. Indeed, when n where tweaking could be justified on corrective grounds it should be actioned without reservations. This will not only help Swarn Ji, but will also improve the prose n poetic value of Gurbani for the better. As regards the translation above, he's done a reasonable job, not perfect mind you, but nonetheless, carries the spirit n the letter of communication to all intent n purposes. The point in question [how Nanak can see the formless] is spiritually realised by an exalted being and thus expressed using human characteristics [Guru Arjun Dev]. Should you wish to translate it differently, I offer the following as an aid for your perusal: ॥ ਇਹ ਬਿਧਿ ਨਾਨਕ ਹਰਿ ਨੈਣ ਅਲੋਇ ॥੨॥੧॥੧੮॥ {ਪੰਨਾ 715} ਇਹ = this ਬਿਧਿ = method, intelligence, etc ਹਰਿ = God ਨੈਣ = eyes ਅਲੋਇ = sight or to see Similar shabd can be found on page 534 [[B]ਮੈ ਪੇਖਿਓ ਰੀ ਊਚਾ ਮੋਹਨੁ ਸਭ ਤੇ ਊਚਾ]. Translation : O' I have seen the Lord to be high.....[/B] Take care - Gdnight ! [/QUOTE]
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