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Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Does Akaal Forgive?
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<blockquote data-quote="Original" data-source="post: 206578" data-attributes="member: 14400"><p>Admin Kaur Ji</p><p></p><p>In reference to <a href="http://www.srigranth.org/servlet/gurbani.dictionary?Param=%E0%A8%AE%E0%A9%87%E0%A8%B0%E0%A8%BE" target="_blank"><u><strong>ਮੇਰਾ </strong></u></a><a href="http://www.srigranth.org/servlet/gurbani.dictionary?Param=%E0%A8%AA%E0%A9%8D%E0%A8%B0%E0%A8%AD%E0%A9%81" target="_blank"><u><strong>ਪ੍ਰਭੁ </strong></u></a><a href="http://www.srigranth.org/servlet/gurbani.dictionary?Param=%E0%A8%AC%E0%A8%96%E0%A8%B8%E0%A9%87" target="_blank"><u><strong>ਬਖਸੇ </strong></u></a><a href="http://www.srigranth.org/servlet/gurbani.dictionary?Param=%E0%A8%AC%E0%A8%96%E0%A8%B8%E0%A8%A3%E0%A8%B9%E0%A8%BE%E0%A8%B0%E0%A9%81" target="_blank"><u><strong>ਬਖਸਣਹਾਰੁ </strong></u></a><strong>॥੨॥ [above], </strong>one would, in the first instance, look for the <strong>"active"</strong> and the <strong>"passive"</strong> voice of the actor making the statement, orally or in writing. And, in this case, it's Guru Amardas Ji [subject, ADJ]. What follows is that in a sentence where the <span style="color: #ff0080">verb</span> is in the active [<a href="http://www.srigranth.org/servlet/gurbani.dictionary?Param=%E0%A8%AC%E0%A8%96%E0%A8%B8%E0%A9%87" target="_blank"><u><strong><span style="color: #ff00ff">ਬਖਸੇ</span></strong></u></a>, meaning, forgive in the context in which it is applied by ADJ] voice, the subject [ADJ] of the sentence acts upon the object [God] of the sentence. Where the verb is in the passive voice, the object of the sentence is acted upon by the subject. For example -</p><p></p><p>The defendant <span style="color: #ff00ff">struck</span> the claimant = active voice = <u><span style="color: #ff00ff">ਬਖਸੇ</span></u></p><p>The claimant <span style="color: #ff00ff">was struck</span> by the defendant = passive voice = <a href="http://www.srigranth.org/servlet/gurbani.dictionary?Param=%E0%A8%AC%E0%A8%96%E0%A8%B8%E0%A8%A3%E0%A8%B9%E0%A8%BE%E0%A8%B0%E0%A9%81" target="_blank"><span style="color: #ff00ff">ਬਖਸਣਹਾਰੁ</span></a></p><p></p><p>Since <a href="http://www.srigranth.org/servlet/gurbani.dictionary?Param=%E0%A8%AE%E0%A9%87%E0%A8%B0%E0%A8%BE" target="_blank"><u><strong>ਮੇਰਾ </strong></u></a><a href="http://www.srigranth.org/servlet/gurbani.dictionary?Param=%E0%A8%AA%E0%A9%8D%E0%A8%B0%E0%A8%AD%E0%A9%81" target="_blank"><u><strong>ਪ੍ਰਭੁ </strong></u></a><a href="http://www.srigranth.org/servlet/gurbani.dictionary?Param=%E0%A8%AC%E0%A8%96%E0%A8%B8%E0%A9%87" target="_blank"><u><strong>ਬਖਸੇ </strong></u></a>is delivered in an active voice, meaning, ADJ is declaring that His God <span style="color: #0000ff"><strong>forgives, </strong>it</span> must accordingly be read as an authoritative account of ADJ's Ekonkar. However, caution must be had when presenting an overview of Ekonkar as nirgun [without attributes].</p><p></p><p>It must be noted that AP is beyond good n bad, right n wrong, forgive n blame, etc.,,,,.</p><p></p><p>Hope it helps you to wonder better -</p></blockquote><p></p>
[QUOTE="Original, post: 206578, member: 14400"] Admin Kaur Ji In reference to [URL='http://www.srigranth.org/servlet/gurbani.dictionary?Param=%E0%A8%AE%E0%A9%87%E0%A8%B0%E0%A8%BE'][U][B]ਮੇਰਾ [/B][/U][/URL][URL='http://www.srigranth.org/servlet/gurbani.dictionary?Param=%E0%A8%AA%E0%A9%8D%E0%A8%B0%E0%A8%AD%E0%A9%81'][U][B]ਪ੍ਰਭੁ [/B][/U][/URL][URL='http://www.srigranth.org/servlet/gurbani.dictionary?Param=%E0%A8%AC%E0%A8%96%E0%A8%B8%E0%A9%87'][U][B]ਬਖਸੇ [/B][/U][/URL][URL='http://www.srigranth.org/servlet/gurbani.dictionary?Param=%E0%A8%AC%E0%A8%96%E0%A8%B8%E0%A8%A3%E0%A8%B9%E0%A8%BE%E0%A8%B0%E0%A9%81'][U][B]ਬਖਸਣਹਾਰੁ [/B][/U][/URL][B]॥੨॥ [above], [/B]one would, in the first instance, look for the [B]"active"[/B] and the [B]"passive"[/B] voice of the actor making the statement, orally or in writing. And, in this case, it's Guru Amardas Ji [subject, ADJ]. What follows is that in a sentence where the [COLOR=#ff0080]verb[/COLOR] is in the active [[URL='http://www.srigranth.org/servlet/gurbani.dictionary?Param=%E0%A8%AC%E0%A8%96%E0%A8%B8%E0%A9%87'][U][B][COLOR=#ff00ff]ਬਖਸੇ[/COLOR][/B][/U][/URL], meaning, forgive in the context in which it is applied by ADJ] voice, the subject [ADJ] of the sentence acts upon the object [God] of the sentence. Where the verb is in the passive voice, the object of the sentence is acted upon by the subject. For example - The defendant [COLOR=#ff00ff]struck[/COLOR] the claimant = active voice = [U][COLOR=#ff00ff]ਬਖਸੇ[/COLOR][/U] The claimant [COLOR=#ff00ff]was struck[/COLOR] by the defendant = passive voice = [URL='http://www.srigranth.org/servlet/gurbani.dictionary?Param=%E0%A8%AC%E0%A8%96%E0%A8%B8%E0%A8%A3%E0%A8%B9%E0%A8%BE%E0%A8%B0%E0%A9%81'][COLOR=#ff00ff]ਬਖਸਣਹਾਰੁ[/COLOR][/URL] Since [URL='http://www.srigranth.org/servlet/gurbani.dictionary?Param=%E0%A8%AE%E0%A9%87%E0%A8%B0%E0%A8%BE'][U][B]ਮੇਰਾ [/B][/U][/URL][URL='http://www.srigranth.org/servlet/gurbani.dictionary?Param=%E0%A8%AA%E0%A9%8D%E0%A8%B0%E0%A8%AD%E0%A9%81'][U][B]ਪ੍ਰਭੁ [/B][/U][/URL][URL='http://www.srigranth.org/servlet/gurbani.dictionary?Param=%E0%A8%AC%E0%A8%96%E0%A8%B8%E0%A9%87'][U][B]ਬਖਸੇ [/B][/U][/URL]is delivered in an active voice, meaning, ADJ is declaring that His God [COLOR=#0000ff][B]forgives, [/B]it[/COLOR] must accordingly be read as an authoritative account of ADJ's Ekonkar. However, caution must be had when presenting an overview of Ekonkar as nirgun [without attributes]. It must be noted that AP is beyond good n bad, right n wrong, forgive n blame, etc.,,,,. Hope it helps you to wonder better - [/QUOTE]
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