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Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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What Is Raaga Maala?
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<blockquote data-quote="Gyani Jarnail Singh" data-source="post: 170391" data-attributes="member: 189"><p><strong>Re: What is Raaga Maala</strong></p><p></p><p>There is RaagMaala...and then theres raagmaala....</p><p></p><p>The First one is a HOTCH POTCH Cut and Paste job done by an unprofessional...he CUT out a few contiguous parts of a LONGER POEM penned by a Poet called madhav nal..who wrote along poem called Kaam Kandla Raagmaala..around the time of Akbar's reign.</p><p>IN the ORIGINAL POEM...the NUMBERS are all in Order..that is they begin with [1] followed by [2]......[199]. followed by [200]........[250] ..followed by [251] etc etc... BUT the CUT and Paste Con artist afraid of being found out/or just plain IGNORANT...pasted the Parts and numbered them ALL..[1]...[1]....[1]...[1]...[1]....</p><p>( The <strong>KabioBach benti Chaupaii</strong> " The <strong>POET'S SAID BENTI IN CHAUPAII FORM</strong>"....is another suhc Copy cate Cut and Paste con perpetrated on sikhs..this Cut and Paste is REMOVED from its ORIGINAL Place in the CHARITAR PAKHOYAN SERIES of DG..where it exists with proper sequences of NUMBERING....BUT when Cut and Pasted as Kabio bach benti Chaupaii for Nitnem..its NUMBERS are CHANGED to [1]...[2]....3 and so on..Here the Con Artist apperars a bit more smart...than the one who cut pasted Ragamala at the end of SGGS.</p><p></p><p>1. Apart form the Senseless numbering ( comaprd to the Ultra fine tuned numbering system applied by Guur Arjun ji to SGGS making it FOOL PROOF to tampering/additions/subtractions/alterraions etc...) the RAAGS listed in something supposedly a Raag Index of SGGS has Raags that re NOT used in SGGS due to their "context"...Raags used by Courtesans dancing in fornt of Kings where alcohol is drunk liberally etc are NOT used in SGGS (obvioulsy)....BUT those RAAGS are LISTED in this Raagmaala preciely becasue its STOLEN out of a Courtesan darbar Poem written by a court poet to his beautiful dancing gilr friend in front of him....and RAAGS that are used in SGGS are<strong> MISSING CONSCIPICOUSLY</strong> from this supposed Rag index of SGGS.</p><p>Thirdly when GURU Nanak ji declares Sri Raag as SHIROMANI Raag..the Raag Maala author declares BHAIRO to be Shiromani Raag...Sri Raag comes FIRST in SGGS..Bhairo raag comes FIRST in RM.</p><p></p><p>2. The Raag Maala author being a court poet..imagines Raags and Ragnnies and their children...as HUMANS/or DEVTAS...while this concept is not as per Gurmatt...a Raag is just a Raag..a musical composition a vehicle for the Shabad to ride on..This would be normal for a society where trees are worshipped..monkeys are gods..snakes and rats are worshipped as Avtaars...so Sri raag could marry and have a Raagni wife and raag sons and daughters..blah blah..ok thing...</p><p></p><p>3. RaagMaala supporters ( the Brahmgyanis and snats derawallahs obviously..who eose..) also have a tall tale attached...IT seems when the SGGS was COMPLETED and SEALED SHUT..by the Mundawnni mohr Slok Mh 5 Tera Kita Jatoh nahin...the Raags, their wives and kids all rushed down form "heaven swarag..." and fell at Guru Arjun Jis feet..begging for a Place of HONOUR in the Granth that would be GURU and worshipped...so in order to satisfy them..Guru ji wrote a Raag Maala and added it to the back of SGGS...what this story cnat explain is WHY Guru ji ADDED thsoe "raags" not used in SGGS..and even MORE IMPORTANTLY...LEFT OUT Raags USED in SGGS !! Were those RAAGS SLEEPING or what ?? Here we have raags not even used being added to a granth to be worshipped for ever..honoured....and those raags USED being LEFT OUT and not a whimper ?? <strong> Isnt it said Rightly that LIARS dont have FEET...JHOOTH de Pair nahin Hundeh..rings so true here..</strong>.How to explain this anamoly ?? This TRAVESTY of JUSTICE and FAIR PLAY ?? Our Guur being so carelsess, unfair and unjust ?? we just accept this {censored} and bull story regardeless of what it means to the Honour of our Guru Ji...</p><p></p><p>Even Shakespaeare has said..IF MUSIC be the FOOD of LOVE...PLAY ON. MUSIC is VITAL IN GURMATT....our Guru Granth Ji is the worlds one and only granth all in POETRY set to SPECIFIC Raags, melodies, tunes and Time limited. Morning Raag is ASA..and so on...Deepak Raag cna light a lamp...megh raag can make clouds drop rain..IF sung expertly is an accepted traditional beleif..how far true...no idea..BUT what I DO KNOW is RAAG can BRING TEARS t my eyes...esp DHADEE VAARS sung properly always make my BLOOD boil...JOSH is so automatic...i wonder whay and how..ha ha</p><p>The Other day while climbing the stairs of a Gurdwara..I distinctly heard the LAAVAN being SUNG TWICE...on coming into the darbaar sahib i saw the Granthi reading the Laavans much more Musically in SUHI Raag than the Ragi jatha who did Kirtan of the Laavan in the ususal melody which is NOT the SUHI Rag but a hotch potch popualr way all ragis sing the laavan...The Granthi read BETTER...with just his VOICE !!</p><p>Firts the Ragis DROPPEd the use of the more difficult to learn Saajs..instruments like sarangee, and the stringed instruments..the VAJA was MUCH MUCH EASIER...now the even LAZIER Raagis have the modern Electronic Pianos..they feed in the melody and the lyrics..the keys light upa nd play automatically...no wonder the Takhat damdama Snagat compalined that the Ragi Jatha had been caught LISTENING TO HINDI FILM SONGS via EARPHONES...while they were DOING KIRTAN ON STAGE for the sangat !!! Their Automatic Pianos were playing the kirtan..while they enjoyed private sessions via earphones...attached to Ipods or tablets ...</p></blockquote><p></p>
[QUOTE="Gyani Jarnail Singh, post: 170391, member: 189"] [b]Re: What is Raaga Maala[/b] There is RaagMaala...and then theres raagmaala.... The First one is a HOTCH POTCH Cut and Paste job done by an unprofessional...he CUT out a few contiguous parts of a LONGER POEM penned by a Poet called madhav nal..who wrote along poem called Kaam Kandla Raagmaala..around the time of Akbar's reign. IN the ORIGINAL POEM...the NUMBERS are all in Order..that is they begin with [1] followed by [2]......[199]. followed by [200]........[250] ..followed by [251] etc etc... BUT the CUT and Paste Con artist afraid of being found out/or just plain IGNORANT...pasted the Parts and numbered them ALL..[1]...[1]....[1]...[1]...[1].... ( The [B]KabioBach benti Chaupaii[/B] " The [B]POET'S SAID BENTI IN CHAUPAII FORM[/B]"....is another suhc Copy cate Cut and Paste con perpetrated on sikhs..this Cut and Paste is REMOVED from its ORIGINAL Place in the CHARITAR PAKHOYAN SERIES of DG..where it exists with proper sequences of NUMBERING....BUT when Cut and Pasted as Kabio bach benti Chaupaii for Nitnem..its NUMBERS are CHANGED to [1]...[2]....3 and so on..Here the Con Artist apperars a bit more smart...than the one who cut pasted Ragamala at the end of SGGS. 1. Apart form the Senseless numbering ( comaprd to the Ultra fine tuned numbering system applied by Guur Arjun ji to SGGS making it FOOL PROOF to tampering/additions/subtractions/alterraions etc...) the RAAGS listed in something supposedly a Raag Index of SGGS has Raags that re NOT used in SGGS due to their "context"...Raags used by Courtesans dancing in fornt of Kings where alcohol is drunk liberally etc are NOT used in SGGS (obvioulsy)....BUT those RAAGS are LISTED in this Raagmaala preciely becasue its STOLEN out of a Courtesan darbar Poem written by a court poet to his beautiful dancing gilr friend in front of him....and RAAGS that are used in SGGS are[B] MISSING CONSCIPICOUSLY[/B] from this supposed Rag index of SGGS. Thirdly when GURU Nanak ji declares Sri Raag as SHIROMANI Raag..the Raag Maala author declares BHAIRO to be Shiromani Raag...Sri Raag comes FIRST in SGGS..Bhairo raag comes FIRST in RM. 2. The Raag Maala author being a court poet..imagines Raags and Ragnnies and their children...as HUMANS/or DEVTAS...while this concept is not as per Gurmatt...a Raag is just a Raag..a musical composition a vehicle for the Shabad to ride on..This would be normal for a society where trees are worshipped..monkeys are gods..snakes and rats are worshipped as Avtaars...so Sri raag could marry and have a Raagni wife and raag sons and daughters..blah blah..ok thing... 3. RaagMaala supporters ( the Brahmgyanis and snats derawallahs obviously..who eose..) also have a tall tale attached...IT seems when the SGGS was COMPLETED and SEALED SHUT..by the Mundawnni mohr Slok Mh 5 Tera Kita Jatoh nahin...the Raags, their wives and kids all rushed down form "heaven swarag..." and fell at Guru Arjun Jis feet..begging for a Place of HONOUR in the Granth that would be GURU and worshipped...so in order to satisfy them..Guru ji wrote a Raag Maala and added it to the back of SGGS...what this story cnat explain is WHY Guru ji ADDED thsoe "raags" not used in SGGS..and even MORE IMPORTANTLY...LEFT OUT Raags USED in SGGS !! Were those RAAGS SLEEPING or what ?? Here we have raags not even used being added to a granth to be worshipped for ever..honoured....and those raags USED being LEFT OUT and not a whimper ?? [B] Isnt it said Rightly that LIARS dont have FEET...JHOOTH de Pair nahin Hundeh..rings so true here..[/B].How to explain this anamoly ?? This TRAVESTY of JUSTICE and FAIR PLAY ?? Our Guur being so carelsess, unfair and unjust ?? we just accept this {censored} and bull story regardeless of what it means to the Honour of our Guru Ji... Even Shakespaeare has said..IF MUSIC be the FOOD of LOVE...PLAY ON. MUSIC is VITAL IN GURMATT....our Guru Granth Ji is the worlds one and only granth all in POETRY set to SPECIFIC Raags, melodies, tunes and Time limited. Morning Raag is ASA..and so on...Deepak Raag cna light a lamp...megh raag can make clouds drop rain..IF sung expertly is an accepted traditional beleif..how far true...no idea..BUT what I DO KNOW is RAAG can BRING TEARS t my eyes...esp DHADEE VAARS sung properly always make my BLOOD boil...JOSH is so automatic...i wonder whay and how..ha ha The Other day while climbing the stairs of a Gurdwara..I distinctly heard the LAAVAN being SUNG TWICE...on coming into the darbaar sahib i saw the Granthi reading the Laavans much more Musically in SUHI Raag than the Ragi jatha who did Kirtan of the Laavan in the ususal melody which is NOT the SUHI Rag but a hotch potch popualr way all ragis sing the laavan...The Granthi read BETTER...with just his VOICE !! Firts the Ragis DROPPEd the use of the more difficult to learn Saajs..instruments like sarangee, and the stringed instruments..the VAJA was MUCH MUCH EASIER...now the even LAZIER Raagis have the modern Electronic Pianos..they feed in the melody and the lyrics..the keys light upa nd play automatically...no wonder the Takhat damdama Snagat compalined that the Ragi Jatha had been caught LISTENING TO HINDI FILM SONGS via EARPHONES...while they were DOING KIRTAN ON STAGE for the sangat !!! Their Automatic Pianos were playing the kirtan..while they enjoyed private sessions via earphones...attached to Ipods or tablets ... [/QUOTE]
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