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Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Discussions
Sikh History & Heritage
Sikh History Radiates Through Light And Sound Show
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<blockquote data-quote="spnadmin" data-source="post: 130842" data-attributes="member: 35"><p>CHANDIGARH: The glory of Sikh history, which depicted the sacrifices made by warriors during Mughal rule, radiated through a light-and-sound show at Punjab Kala Bhawan on Saturday. The two-and-a-half-hour play, ‘Singh Soorme’, produced and directed by Jarnail Singh Gogi in association with Panj Pani Rang Manch, was composed by Sharanjit Singh and Satpal Singh Joshila. </p><p></p><p> Gogi said he staged the play to promote Sikh history, espeially among youths. Though the era might be different, the evils prevalent in society have only changed their faces and not characteristics. So, these have to be dealt with in a tougher way even today. </p><p></p><p> The performance begins with the ruler of undivided Lahore, Zakoria Khan, receiving a dispatch from Nadir Shah, demanding money and other gifts as signs of accepting the latter’s subordination. Khan seeks advice of a dancing girl at his court, Gulu Bai. Acting on her advice, he sends a message to Sikhs to loot Nadir Shah, assuring them that his Lahore Army would not interfere. </p><p></p><p> When returning from Delhi to Iran, Nadir Shah halts in Punjab, where he is attacked by Sikhs at midnight. The warriors loot his treasure and also release all girls who were taken captive by Nadir Shah. Ignorant of Zakoria’s role in this incident, Nadir orders him to kill all Sikhs and fill up the the Golden Temple ‘sarowar’ in Amritsar. </p><p></p><p> Nadir Shah dies on the way and Ahmed Shah, who had accompanied Nadir Shah, feels that it is his responsibility to wipe out Sikhs. He scouts for a person whom he can crown as ‘Choudhary’ of Amritsar and who would help him to accomplish the task. Again taking Gulu Bai’s suggestion into consideration, Ahmed Shah names Massa Ranggar as his choice. </p><p></p><p> Meanwhile, a girl named Jeeto, who was the sister of sewadar Joga, is raped and killed. Joga reaches Darbar Sahib to take revenge against Massa. Ranggars soldiers assault him and throw him out. Joga brings the body of his sister home, puts his home on fire and sets out in search of Sikhs. He locates them in Lakhi forest. He narrates the insult of Darbar Sahib to Sukha Singh and Mehtab Singh. They reach Patti, kill its ‘choudhary’ and snatch the revenue he was carrying to deposit. </p><p></p><p> Thereafter, when Sukha Singh and Mehtab Singh face resistence from soldiers in entering Darbar Sahib, the duo introduce themselves as ‘Choudharys’ of Patti who have come to pay revenue. Upon reaching the shrine, they see mujra going on. They behead Massa and run away with his head, bringing the curtains down on a valour-coloured script. Simran Singh enacted the part of Sukha Singh, Sunny Gill that of Mehtab Singh, Nagender Gakhad portrayed Zakoria Khan and Sunny Sandhu played Massa Rangar.</p><p></p><p><a href="http://timesofindia.indiatimes.com/city/chandigarh/Sikh-history-radiates-through-light-sound-show/articleshow/6242201.cms" target="_blank">http://timesofindia.indiatimes.com/city/chandigarh/Sikh-history-radiates-through-light-sound-show/articleshow/6242201.cms</a></p></blockquote><p></p>
[QUOTE="spnadmin, post: 130842, member: 35"] CHANDIGARH: The glory of Sikh history, which depicted the sacrifices made by warriors during Mughal rule, radiated through a light-and-sound show at Punjab Kala Bhawan on Saturday. The two-and-a-half-hour play, ‘Singh Soorme’, produced and directed by Jarnail Singh Gogi in association with Panj Pani Rang Manch, was composed by Sharanjit Singh and Satpal Singh Joshila. Gogi said he staged the play to promote Sikh history, espeially among youths. Though the era might be different, the evils prevalent in society have only changed their faces and not characteristics. So, these have to be dealt with in a tougher way even today. The performance begins with the ruler of undivided Lahore, Zakoria Khan, receiving a dispatch from Nadir Shah, demanding money and other gifts as signs of accepting the latter’s subordination. Khan seeks advice of a dancing girl at his court, Gulu Bai. Acting on her advice, he sends a message to Sikhs to loot Nadir Shah, assuring them that his Lahore Army would not interfere. When returning from Delhi to Iran, Nadir Shah halts in Punjab, where he is attacked by Sikhs at midnight. The warriors loot his treasure and also release all girls who were taken captive by Nadir Shah. Ignorant of Zakoria’s role in this incident, Nadir orders him to kill all Sikhs and fill up the the Golden Temple ‘sarowar’ in Amritsar. Nadir Shah dies on the way and Ahmed Shah, who had accompanied Nadir Shah, feels that it is his responsibility to wipe out Sikhs. He scouts for a person whom he can crown as ‘Choudhary’ of Amritsar and who would help him to accomplish the task. Again taking Gulu Bai’s suggestion into consideration, Ahmed Shah names Massa Ranggar as his choice. Meanwhile, a girl named Jeeto, who was the sister of sewadar Joga, is raped and killed. Joga reaches Darbar Sahib to take revenge against Massa. Ranggars soldiers assault him and throw him out. Joga brings the body of his sister home, puts his home on fire and sets out in search of Sikhs. He locates them in Lakhi forest. He narrates the insult of Darbar Sahib to Sukha Singh and Mehtab Singh. They reach Patti, kill its ‘choudhary’ and snatch the revenue he was carrying to deposit. Thereafter, when Sukha Singh and Mehtab Singh face resistence from soldiers in entering Darbar Sahib, the duo introduce themselves as ‘Choudharys’ of Patti who have come to pay revenue. Upon reaching the shrine, they see mujra going on. They behead Massa and run away with his head, bringing the curtains down on a valour-coloured script. Simran Singh enacted the part of Sukha Singh, Sunny Gill that of Mehtab Singh, Nagender Gakhad portrayed Zakoria Khan and Sunny Sandhu played Massa Rangar. [url]http://timesofindia.indiatimes.com/city/chandigarh/Sikh-history-radiates-through-light-sound-show/articleshow/6242201.cms[/url] [/QUOTE]
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Sikh History Radiates Through Light And Sound Show
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