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ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Theatre, Movies & Cinema
Rustom
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<blockquote data-quote="ashdoc" data-source="post: 209279" data-attributes="member: 15932"><p>This is a film on the sensational real life case that occurred in Mumbai ( the city was then called Bombay ) in 1959 , where a commander of the Indian navy shot dead the man who was having an affair with his wife . The navy officer was K M Nanavati and his wife was an Englishwoman---her name was Sylvia . They had three children . Due to Nanavati's long absences while on duty on the high seas his wife used to feel lonely and fell in love with Nanavati's friend Prem Ahuja and they had a passionate affair . Prem ( Prem ironically means love in many Indian languages ) had other girlfriends and Sylvia felt acutely jealous of them as she was deeply in love with Prem . She wanted to divorce her husband and marry Prem but Prem Ahuja was a philanderer---he refused to marry her , leaving her distraught . Deeply disturbed , one night she confessed about the affair to Nanavati who was so shocked and hurt by the confession that he wanted to shoot himself dead . On being calmed by Sylvia , Nanavati dropped her and their children to Metro theatre for a movie as the parents had promised the children a movie treat . Then Nanavati went to confront Prem , but not before he had gone to the naval base to get a pistol . He asked Prem to marry Sylvia and accept their children . Prem refused . Angered by this Nanavati shot Prem Ahuja dead and surrendered himself to the police .</p><p></p><p>The ensuing case brought to confrontation two rich business communities of Bombay who were both refugees from other lands---the Parsi community to which Nanavati belonged were people of the Zoroastrian religion who came from Iran centuries ago , and the Sindhi community to which Prem Ahuja belonged were more recent Hindu refugees from Pakistan . Parsis made huge demonstrations to free Nanavati . He was publicised as the upholder of the asian concept of honour and the killing was presented as upholding family values and honour . The fact that Nanavati had given Ahuja the chance to marry his wife , that he still wanted to spend the rest of his life with his wife inspite of her perfidies , the fact that his wife now stood by him , the fact that he had surrendered immediately to the police---all this was presented as proof of his high moral character and upbringing . A Parsi owned newspaper ( The Blitz ) ran a passionate campaign to free Nanavati . This tilted popular opinion in favour of freeing him . The jury was influenced by this and voted to free Nanavati . But this was not accepted by the court . Jury decided trials were banned in India and remain banned till date . Nanavati was given life imprisonment . But public opinion stoked by the Blitz newspaper was not ready to accept this . Finally three years later Prem Ahuja's sister was induced to ask for a pardon for Nanavati , in return for freeing a Sindhi man also---this to placate the powerful Sindhi community which was baying for Nanavati's blood . After he was freed , Nanavati and Sylvia remained together but migrated to Canada to escape the repercussions of the scandal . Nanavati died in 2003 while Sylvia is still alive today .</p><p></p><p>Coming to the movie , it shows a large part of this and is good when showing the real life events . The first half of the movie holds your attention with some good scenes and decent acting , but the movie meanders and is too longish after the interval / intermission .</p><p>Begins to falter when it adds an angle of Nanavati ( he is called Rustom in the movie ) unearthing corruption in a military deal of buying an aircraft carrier from Britain , and then unexplicably and unconvincingly protecting the officers involved . The prosecuting lawyer ( Sachin Khedekar ) acts in too melodramatic a manner and so does sister of the murdered person ( Esha Gupta ) . They are too loud in their overacting . On the other hand Ileana D'Cruz acts well as Cynthia---as Sylvia is called in the film . She looks so sweet and delicate and vulnerable . Akshay Kumar is okay as Rustom / Nanavati . Obviously his patriotism is hyped to the maximum extent in the movie---he was a volunteer to the navy not a conscript . Some real fun is added by the comical performance of the editor of the Blitz , who sits in the court every day to influence the proceedings of the trial—to the extent that he is jailed by court order on several occasions ; not a real life event but a cinematic liberty taken by the director . Also comic is the performance of the maid of Rustom’s house , who pointblank asks the judge what he would do to his wife’s lover if he caught them cheating !! Songs and music are good and sentimental---appropriate for the situation . Overall the film can be called as a decent watch , but not too fantastic .</p><p></p><p>But women are liking the movie a lot more than men as they have liked the fact that Rustom / Nanavati is shown to be deeply caring about his wife even after her affair with another man , and chooses to live with her after all the saga . Also he is shown to be protective about her even during the trial , seeing to it that her named is not dragged in the mud in any way . Generally he is shown to be a strong proponent of women's dignity and honour throughout the movie---a smart move by the director , which may yield rich dividends at the box office in the coming days .</p><p></p><p>Verdict---Decent .</p></blockquote><p></p>
[QUOTE="ashdoc, post: 209279, member: 15932"] This is a film on the sensational real life case that occurred in Mumbai ( the city was then called Bombay ) in 1959 , where a commander of the Indian navy shot dead the man who was having an affair with his wife . The navy officer was K M Nanavati and his wife was an Englishwoman---her name was Sylvia . They had three children . Due to Nanavati's long absences while on duty on the high seas his wife used to feel lonely and fell in love with Nanavati's friend Prem Ahuja and they had a passionate affair . Prem ( Prem ironically means love in many Indian languages ) had other girlfriends and Sylvia felt acutely jealous of them as she was deeply in love with Prem . She wanted to divorce her husband and marry Prem but Prem Ahuja was a philanderer---he refused to marry her , leaving her distraught . Deeply disturbed , one night she confessed about the affair to Nanavati who was so shocked and hurt by the confession that he wanted to shoot himself dead . On being calmed by Sylvia , Nanavati dropped her and their children to Metro theatre for a movie as the parents had promised the children a movie treat . Then Nanavati went to confront Prem , but not before he had gone to the naval base to get a pistol . He asked Prem to marry Sylvia and accept their children . Prem refused . Angered by this Nanavati shot Prem Ahuja dead and surrendered himself to the police . The ensuing case brought to confrontation two rich business communities of Bombay who were both refugees from other lands---the Parsi community to which Nanavati belonged were people of the Zoroastrian religion who came from Iran centuries ago , and the Sindhi community to which Prem Ahuja belonged were more recent Hindu refugees from Pakistan . Parsis made huge demonstrations to free Nanavati . He was publicised as the upholder of the asian concept of honour and the killing was presented as upholding family values and honour . The fact that Nanavati had given Ahuja the chance to marry his wife , that he still wanted to spend the rest of his life with his wife inspite of her perfidies , the fact that his wife now stood by him , the fact that he had surrendered immediately to the police---all this was presented as proof of his high moral character and upbringing . A Parsi owned newspaper ( The Blitz ) ran a passionate campaign to free Nanavati . This tilted popular opinion in favour of freeing him . The jury was influenced by this and voted to free Nanavati . But this was not accepted by the court . Jury decided trials were banned in India and remain banned till date . Nanavati was given life imprisonment . But public opinion stoked by the Blitz newspaper was not ready to accept this . Finally three years later Prem Ahuja's sister was induced to ask for a pardon for Nanavati , in return for freeing a Sindhi man also---this to placate the powerful Sindhi community which was baying for Nanavati's blood . After he was freed , Nanavati and Sylvia remained together but migrated to Canada to escape the repercussions of the scandal . Nanavati died in 2003 while Sylvia is still alive today . Coming to the movie , it shows a large part of this and is good when showing the real life events . The first half of the movie holds your attention with some good scenes and decent acting , but the movie meanders and is too longish after the interval / intermission . Begins to falter when it adds an angle of Nanavati ( he is called Rustom in the movie ) unearthing corruption in a military deal of buying an aircraft carrier from Britain , and then unexplicably and unconvincingly protecting the officers involved . The prosecuting lawyer ( Sachin Khedekar ) acts in too melodramatic a manner and so does sister of the murdered person ( Esha Gupta ) . They are too loud in their overacting . On the other hand Ileana D'Cruz acts well as Cynthia---as Sylvia is called in the film . She looks so sweet and delicate and vulnerable . Akshay Kumar is okay as Rustom / Nanavati . Obviously his patriotism is hyped to the maximum extent in the movie---he was a volunteer to the navy not a conscript . Some real fun is added by the comical performance of the editor of the Blitz , who sits in the court every day to influence the proceedings of the trial—to the extent that he is jailed by court order on several occasions ; not a real life event but a cinematic liberty taken by the director . Also comic is the performance of the maid of Rustom’s house , who pointblank asks the judge what he would do to his wife’s lover if he caught them cheating !! Songs and music are good and sentimental---appropriate for the situation . Overall the film can be called as a decent watch , but not too fantastic . But women are liking the movie a lot more than men as they have liked the fact that Rustom / Nanavati is shown to be deeply caring about his wife even after her affair with another man , and chooses to live with her after all the saga . Also he is shown to be protective about her even during the trial , seeing to it that her named is not dragged in the mud in any way . Generally he is shown to be a strong proponent of women's dignity and honour throughout the movie---a smart move by the director , which may yield rich dividends at the box office in the coming days . Verdict---Decent . [/QUOTE]
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Rustom
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