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Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Guru Granth Sahib
Gurmat Sangeet
Raag Sarang
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<blockquote data-quote="Admin" data-source="post: 81468" data-attributes="member: 1"><p style="text-align: center"><a href="http://www.youtube.com/watch?v=3znm2w9p9e0" target="_blank">http://www.youtube.com/watch?v=3znm2w9p9e0</a></p><p></p><p></p><p>Gurbani Raag: Sarang </p><p> Sarang is reputed to have acquired its name from the famous 14th century music theorist, Sarangadeva. The Sarang raga consists of a group of seven, each of which is combined with some other raga. Today when Sarangg is given as the raga, it usually means Brindavani-Saranga, a member of the Kafi thata. Performed during the midday period, its mood is quiet and peaceful. In the Ragmala, Sarang is listed as a putra (son) of Siri Raga. Sarang is an important raga in the Guru Granth Sahib and was used extensively by Guru Arjan. However, Guru Nanak, Guru Amar Das, Guru Ram Das and Guru Tegh Bahadur also composed sabdas to this raga and Guru Angad used it for some slokas. </p><p> <strong>Aroh</strong> : Sa Re Ma Pa Ni Sa </p><p> <strong>Avroh</strong> : Sa Ni Pa Ma Re, Sa </p><p> <strong>Pakar</strong> : Ni Sa Re, Nfa Re, Pa Nfa Re, Ni Sa </p><p> <strong>Vadi </strong>: Re </p><p> <strong>Samvadi </strong>: Pa </p><p> <strong> Introduction : </strong></p><p> According to Indian Schools of music this raga is a very old, popular, simple and melodious raga. Its effect is very cool, so it is normally sung at noon time to give to the listeners a cooling effect. The snake-charmers also use this raga to intoxicate poisonous snakes with its melody. This raga is sung in many variations e.g., </p><p> </p><ul> <li data-xf-list-type="ul"> Sadh Sarang,</li> <li data-xf-list-type="ul"> Madhmad Sarang</li> <li data-xf-list-type="ul"> Bindrabani Sarang</li> <li data-xf-list-type="ul"> Lankdehan Sarang</li> <li data-xf-list-type="ul"> Mia ki Sarang,</li> <li data-xf-list-type="ul"> Gaund Sarang,</li> <li data-xf-list-type="ul"> Jaldhar Sarang,</li> <li data-xf-list-type="ul"> Surdasi Sarang,</li> <li data-xf-list-type="ul"> Nur Sarang,</li> <li data-xf-list-type="ul"> Samant Sarang</li> <li data-xf-list-type="ul">Wadhans Sarang</li> </ul><p> This raga is mentioned as a son of raga Sri in the Ragamala listed at the end of Guru Granth Sahib. </p><p> The scale and notes of the raga are as follows: </p><p> Arohi (ascending scale) - sa re ma pa ni sa </p><p> Avrohi (descending scale) - sa ni pa ma re sa </p><p> The wadi. (most popular) note is 're' and samvadi (second most popular) note is 'pa'. </p><p> This raga is normally sung in the second part of the day i.e., 9 a.m. 12 noon. The season of its recitation is rainy (varsha) i.e., during July - August. In Guru Granth Sahib it has hymns from pages 1197 - 1253 ( 57 pages). </p><p> <strong> The Composers: </strong></p><p> The composers of bani (hymns) in this raga are: </p><p> <strong><em>Gurus </em></strong></p><p> </p><ul> <li data-xf-list-type="ul"> Guru Nanak Dev</li> <li data-xf-list-type="ul"> Guru Angad</li> <li data-xf-list-type="ul"> Guru Amardas</li> <li data-xf-list-type="ul"> Ramdas</li> <li data-xf-list-type="ul"> Guru Arjan Dev</li> <li data-xf-list-type="ul"> Guru Tegh Bahadur</li> </ul><p> <strong><em> Bhagats: </em></strong></p><p> </p><ul> <li data-xf-list-type="ul"> Kabir</li> <li data-xf-list-type="ul"> Namdev</li> <li data-xf-list-type="ul"> Ravidas</li> <li data-xf-list-type="ul"> Parmanand</li> <li data-xf-list-type="ul"> Surdas</li> </ul></blockquote><p></p>
[QUOTE="Admin, post: 81468, member: 1"] [CENTER][url]http://www.youtube.com/watch?v=3znm2w9p9e0[/url][/CENTER] Gurbani Raag: Sarang Sarang is reputed to have acquired its name from the famous 14th century music theorist, Sarangadeva. The Sarang raga consists of a group of seven, each of which is combined with some other raga. Today when Sarangg is given as the raga, it usually means Brindavani-Saranga, a member of the Kafi thata. Performed during the midday period, its mood is quiet and peaceful. In the Ragmala, Sarang is listed as a putra (son) of Siri Raga. Sarang is an important raga in the Guru Granth Sahib and was used extensively by Guru Arjan. However, Guru Nanak, Guru Amar Das, Guru Ram Das and Guru Tegh Bahadur also composed sabdas to this raga and Guru Angad used it for some slokas. [B]Aroh[/B] : Sa Re Ma Pa Ni Sa [B]Avroh[/B] : Sa Ni Pa Ma Re, Sa [B]Pakar[/B] : Ni Sa Re, Nfa Re, Pa Nfa Re, Ni Sa [B]Vadi [/B]: Re [B]Samvadi [/B]: Pa [B] Introduction : [/B] According to Indian Schools of music this raga is a very old, popular, simple and melodious raga. Its effect is very cool, so it is normally sung at noon time to give to the listeners a cooling effect. The snake-charmers also use this raga to intoxicate poisonous snakes with its melody. This raga is sung in many variations e.g., [LIST] [*] Sadh Sarang, [*] Madhmad Sarang [*] Bindrabani Sarang [*] Lankdehan Sarang [*] Mia ki Sarang, [*] Gaund Sarang, [*] Jaldhar Sarang, [*] Surdasi Sarang, [*] Nur Sarang, [*] Samant Sarang [*]Wadhans Sarang [/LIST] This raga is mentioned as a son of raga Sri in the Ragamala listed at the end of Guru Granth Sahib. The scale and notes of the raga are as follows: Arohi (ascending scale) - sa re ma pa ni sa Avrohi (descending scale) - sa ni pa ma re sa The wadi. (most popular) note is 're' and samvadi (second most popular) note is 'pa'. This raga is normally sung in the second part of the day i.e., 9 a.m. 12 noon. The season of its recitation is rainy (varsha) i.e., during July - August. In Guru Granth Sahib it has hymns from pages 1197 - 1253 ( 57 pages). [B] The Composers: [/B] The composers of bani (hymns) in this raga are: [B][I]Gurus [/I][/B] [LIST] [*] Guru Nanak Dev [*] Guru Angad [*] Guru Amardas [*] Ramdas [*] Guru Arjan Dev [*] Guru Tegh Bahadur [/LIST] [B][I] Bhagats: [/I][/B] [LIST] [*] Kabir [*] Namdev [*] Ravidas [*] Parmanand [*] Surdas [/LIST] [/QUOTE]
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Guru Granth Sahib
Gurmat Sangeet
Raag Sarang
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