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Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Hard Talk
Bachittar Natak
[Part Iii] Charitropakhyan – Analysis And Clarifications Of Charitar 21-23 – Story Of (A)Noop Kaur (
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<blockquote data-quote="spnadmin" data-source="post: 124946" data-attributes="member: 35"><p><span style="color: DarkSlateGray"><em></em></span></p><p><span style="color: DarkSlateGray"><em></em></span></p><p><span style="color: DarkSlateGray"><em>‘Just because you say, why should I have sex with you?</em></span></p><p><span style="color: DarkSlateGray"><em>‘I am afraid of being put in the hell.</em></span></p><p><span style="color: DarkSlateGray"><em>‘To copulate with you is like disowning the righteousness,</em></span></p><p><span style="color: DarkSlateGray"><em>And my story will go around the whole world.(25)</em></span></p><p><span style="color: DarkSlateGray"><em>‘How would I show my face to the Lord of Righteousness?</em></span></p><p><span style="color: DarkSlateGray"><em>‘Lady, you better forsake the thought of my friendship,</em></span></p><p><span style="color: DarkSlateGray"><em>‘You have said enough and, now, forget to talk more.’(26)</em></span></p><p><span style="color: DarkSlateGray"><em>Anoop Kumari said, ‘If you, my love, have sex with me,</em></span></p><p><span style="color: DarkSlateGray"><em>‘You will not be thrown in the hell. Don’t be scared.</em></span></p><p><span style="color: DarkSlateGray"><em>‘How could people tattle about you when they are so afraid of you.(27)</em></span></p><p><span style="color: DarkSlateGray"><em>Also they would talk only if they learn about the secret.</em></span></p><p><span style="color: DarkSlateGray"><em>‘Even if one learns, fearful of you, will keep quiet.</em></span></p><p><span style="color: DarkSlateGray"><em>‘You must make up your mind to sleep with me today,</em></span></p><p><span style="color: DarkSlateGray"><em>‘Or, alternatively, you crawl through my legs.’(28)</em></span></p><p><span style="color: DarkSlateGray"><em>(Raja,) ‘Only that one crawls through the legs who is unable to indulge in sex,</em></span></p><p><span style="color: DarkSlateGray"><em>And remains sitting whole night like a eunuch and does not perform.</em></span></p><p><span style="color: DarkSlateGray"><em>‘Being prevailed by the righteousness I will not copulate with you.</em></span></p><p><span style="color: DarkSlateGray"><em>‘I am always fearful of the criticism of the public.(29)</em></span></p><p></p><p></p><p></p><p>My remarks are the short version of a much longer query regarding these particular charitthars. Almost every verse is questionable. These lines quoted above make it seem as if the "guru" is as concerned about public opinion as he is about "the intention ... to illustrate the pious relationship that exists between the Guru and his Sikh." (refer to the interpretation in the starting post). Giving the benefit of the doubt, the story of Anoop Kaur is a fable with an ironic moral message. What is the deeper spiritual meaning? The last line demonstrates that the raja's prime motive is "respectability in the eyes of the public" not morality for its own sake or spirituality for that matter. How does this material improve upon SGGS which already tells us how to control our uncontrollable carnal desires and obsessions?</p></blockquote><p></p>
[QUOTE="spnadmin, post: 124946, member: 35"] [COLOR=DarkSlateGray][I] ‘Just because you say, why should I have sex with you? ‘I am afraid of being put in the hell. ‘To copulate with you is like disowning the righteousness, And my story will go around the whole world.(25) ‘How would I show my face to the Lord of Righteousness? ‘Lady, you better forsake the thought of my friendship, ‘You have said enough and, now, forget to talk more.’(26) Anoop Kumari said, ‘If you, my love, have sex with me, ‘You will not be thrown in the hell. Don’t be scared. ‘How could people tattle about you when they are so afraid of you.(27) Also they would talk only if they learn about the secret. ‘Even if one learns, fearful of you, will keep quiet. ‘You must make up your mind to sleep with me today, ‘Or, alternatively, you crawl through my legs.’(28) (Raja,) ‘Only that one crawls through the legs who is unable to indulge in sex, And remains sitting whole night like a eunuch and does not perform. ‘Being prevailed by the righteousness I will not copulate with you. ‘I am always fearful of the criticism of the public.(29)[/I][/COLOR] My remarks are the short version of a much longer query regarding these particular charitthars. Almost every verse is questionable. These lines quoted above make it seem as if the "guru" is as concerned about public opinion as he is about "the intention ... to illustrate the pious relationship that exists between the Guru and his Sikh." (refer to the interpretation in the starting post). Giving the benefit of the doubt, the story of Anoop Kaur is a fable with an ironic moral message. What is the deeper spiritual meaning? The last line demonstrates that the raja's prime motive is "respectability in the eyes of the public" not morality for its own sake or spirituality for that matter. How does this material improve upon SGGS which already tells us how to control our uncontrollable carnal desires and obsessions? [/QUOTE]
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Hard Talk
Bachittar Natak
[Part Iii] Charitropakhyan – Analysis And Clarifications Of Charitar 21-23 – Story Of (A)Noop Kaur (
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