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Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Kisaan - Film That Tackles Farmer Suicide
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<blockquote data-quote="kds1980" data-source="post: 110814" data-attributes="member: 1178"><p>Here is the preview of movie</p><p></p><p>By Subhash K Jha</p><p></p><p>Starring Sohail Khan, Arbaaz Khan, Jackie Shroff, Dia Mirza, Nauheed Cyrusi</p><p>Directed by Punit Sira</p><p>Rating: ** ½</p><p></p><p>Sohail Khan is the most underrated Khan in the film industry. Comic roles or something requiring an intense application in the midst of abject melodrama like Kissan, Sohail knows his craft and he uses it with crafty transparency. </p><p></p><p>Sohail had earlier done a fairly watchable take on the the question of Indianness in I Proud To Be An Indian with the same director. In Kissan Sohail champions the cause of rural life with a plot that nudges Manoj Kumar’s Upkar .It’s a nudge that doesn’t topple the patriotism over.</p><p></p><p>The story of a wizened father (Jackie Shroff, sufficiently wise in look and makeup) and his two sons, one gone to the city (Arbaaz) and eventually seed marries a girl who’s blessedly not the urban predator-vamp.The other is a quiet faithful son who stays with her father in the Punjabi farm ploughing not just the land but also goons who dare to cross their path. </p><p></p><p>The authentic Punjabi locales replete with lush stretches of sarso ke khet handpumps and sugarcane juice give the film a rugged and credible climate. However many of the peripheral characters specially the corrupt villainous caucus are purely caricatural. If subtlety is your big cinematic turn-on then Kissan may not be your cup of tea…or should that be glass of lassi?</p><p></p><p>Kissan is like a tall spiced-up glass of lassi, not quite malaai maar ke. It’s an unabashed celebration of oldfashioned melodrama with dollops of bone-crunching action in the last 30 minutes that leaves us wondering if Manoj Kumar ever imagined the fight to hold on to the land could ever get so violent and ******.</p><p></p><p>The principal characters seem to inhabit rural Punjab with comforting familiarity. The ambience is conducive to a demonstration of flamboyant emotions. The direction is often ramrod straight and literal. The film’s charm lies in its ability to be an oldfashioned cliché without getting wobbly.</p><p></p><p>However the Punjabi songs and the hideous remix of Mahendra Kapoor’s Mere Desh ki dharti get on the nerves. But Sanjoy Chowdhary’s background music is first-rate in its ability to be replicate the character’s emotional graph. </p><p></p><p>Among the actors Sohail stands tall, quite often taller than the material given to him. Will someone make a film that would justice to this Khan’s talent?</p></blockquote><p></p>
[QUOTE="kds1980, post: 110814, member: 1178"] Here is the preview of movie By Subhash K Jha Starring Sohail Khan, Arbaaz Khan, Jackie Shroff, Dia Mirza, Nauheed Cyrusi Directed by Punit Sira Rating: ** ½ Sohail Khan is the most underrated Khan in the film industry. Comic roles or something requiring an intense application in the midst of abject melodrama like Kissan, Sohail knows his craft and he uses it with crafty transparency. Sohail had earlier done a fairly watchable take on the the question of Indianness in I Proud To Be An Indian with the same director. In Kissan Sohail champions the cause of rural life with a plot that nudges Manoj Kumar’s Upkar .It’s a nudge that doesn’t topple the patriotism over. The story of a wizened father (Jackie Shroff, sufficiently wise in look and makeup) and his two sons, one gone to the city (Arbaaz) and eventually seed marries a girl who’s blessedly not the urban predator-vamp.The other is a quiet faithful son who stays with her father in the Punjabi farm ploughing not just the land but also goons who dare to cross their path. The authentic Punjabi locales replete with lush stretches of sarso ke khet handpumps and sugarcane juice give the film a rugged and credible climate. However many of the peripheral characters specially the corrupt villainous caucus are purely caricatural. If subtlety is your big cinematic turn-on then Kissan may not be your cup of tea…or should that be glass of lassi? Kissan is like a tall spiced-up glass of lassi, not quite malaai maar ke. It’s an unabashed celebration of oldfashioned melodrama with dollops of bone-crunching action in the last 30 minutes that leaves us wondering if Manoj Kumar ever imagined the fight to hold on to the land could ever get so violent and ******. The principal characters seem to inhabit rural Punjab with comforting familiarity. The ambience is conducive to a demonstration of flamboyant emotions. The direction is often ramrod straight and literal. The film’s charm lies in its ability to be an oldfashioned cliché without getting wobbly. However the Punjabi songs and the hideous remix of Mahendra Kapoor’s Mere Desh ki dharti get on the nerves. But Sanjoy Chowdhary’s background music is first-rate in its ability to be replicate the character’s emotional graph. Among the actors Sohail stands tall, quite often taller than the material given to him. Will someone make a film that would justice to this Khan’s talent? [/QUOTE]
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Kisaan - Film That Tackles Farmer Suicide
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