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Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Kirtan Or Simran With Bass :)
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<blockquote data-quote="Gyani Jarnail Singh" data-source="post: 168448" data-attributes="member: 189"><p>I guess I ma the ONLY ODD ONE OUT here...to me Kirtan has to be with RASS...rassmayee kirtan, vairagmayee kirtan, nirbann kirtan, nirol kirtan are terms i ma familair with...Bass Kirtan is a first - even though i am aware that the LEFT Larger wide mouthed Tabla is BASS while the smaller mouthed one is TREBLE....I was always taught to treat those as the DIALS we see on Modern AV Equipment (amps etc)..the "Dials" by themsleves are just buttons that turn left right.BUT what they do to the INPUT/OUTPUT is stupendous..same way <strong>KIRTAN is a DIAL</strong> thats supposed to <strong>TRANSFORM OUR LIVES</strong> into something Stupendous..overwhelming as HUMANS...of the stature of Baba DEEP SINGH, baba banda Singh Baba Mani Singh. IF the Dials swing left right and center...lights light up in various colours, etc etc..BUT the LISTENER remains what he was before.."BASE"..then ???? Because the <strong>Kirtan is a Vehicle</strong> that takes a Man up to HEIGHTS never achieved...Visit galaxies dreamt about...Black holes and Exploding Stars..if all you do is remain seated..then its...????</p><p></p><p>IN low end store sections for AV equipment..usually loud speakers blast rck music at top volume..the visitors/shoppers roam about admiring the Dials on the Amps..the Leds dancing across the face Plates, the shiny look etc.. At High End AV sections its total silence - enthusiasts wear head phones, each engrossed in hsi own world..less attention is paid to leds or shining dials..instead they discuss true dolbys and 5.1 and 71. systems, cross talk bi-wired amps etc etc...same way we have Nagar Kirtans hwere Kiratn Blasts over loudspeakers, the visitors ooh and ahh over how fats the tabla players hands fly on the tabla, the shining waja or the outfit of the ragis the running lights of the palki etc etc or simply what a huge turnout...and then we have kirtan in total "silence"..everyone eyes closed totally immersed in his own world...soothing music flowing like waves of the ocean...surf on the sea shore compared to the tsunami grade storm in a Nagar Kirtan..</p></blockquote><p></p>
[QUOTE="Gyani Jarnail Singh, post: 168448, member: 189"] I guess I ma the ONLY ODD ONE OUT here...to me Kirtan has to be with RASS...rassmayee kirtan, vairagmayee kirtan, nirbann kirtan, nirol kirtan are terms i ma familair with...Bass Kirtan is a first - even though i am aware that the LEFT Larger wide mouthed Tabla is BASS while the smaller mouthed one is TREBLE....I was always taught to treat those as the DIALS we see on Modern AV Equipment (amps etc)..the "Dials" by themsleves are just buttons that turn left right.BUT what they do to the INPUT/OUTPUT is stupendous..same way [B]KIRTAN is a DIAL[/B] thats supposed to [B]TRANSFORM OUR LIVES[/B] into something Stupendous..overwhelming as HUMANS...of the stature of Baba DEEP SINGH, baba banda Singh Baba Mani Singh. IF the Dials swing left right and center...lights light up in various colours, etc etc..BUT the LISTENER remains what he was before.."BASE"..then ???? Because the [B]Kirtan is a Vehicle[/B] that takes a Man up to HEIGHTS never achieved...Visit galaxies dreamt about...Black holes and Exploding Stars..if all you do is remain seated..then its...???? IN low end store sections for AV equipment..usually loud speakers blast rck music at top volume..the visitors/shoppers roam about admiring the Dials on the Amps..the Leds dancing across the face Plates, the shiny look etc.. At High End AV sections its total silence - enthusiasts wear head phones, each engrossed in hsi own world..less attention is paid to leds or shining dials..instead they discuss true dolbys and 5.1 and 71. systems, cross talk bi-wired amps etc etc...same way we have Nagar Kirtans hwere Kiratn Blasts over loudspeakers, the visitors ooh and ahh over how fats the tabla players hands fly on the tabla, the shining waja or the outfit of the ragis the running lights of the palki etc etc or simply what a huge turnout...and then we have kirtan in total "silence"..everyone eyes closed totally immersed in his own world...soothing music flowing like waves of the ocean...surf on the sea shore compared to the tsunami grade storm in a Nagar Kirtan.. [/QUOTE]
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