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Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
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Ashtpadi (129-130)
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Bara Maha (133-136)
Din Raen (136-137)
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ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
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Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
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Chhant (435-462)
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ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
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Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
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Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
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Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
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Chhant (763-785)
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ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
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Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Gurmat Vichaar
Gurmat Vichar - Discussions
In Which Tune To Sing This Shabad?
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<blockquote data-quote="Gyani Jarnail Singh" data-source="post: 190811" data-attributes="member: 189"><p>BUT.....why the length to go an write the whole TUK from the Shabad..instead of simply writing "GHAR 4" ??? Imho, Guru Jis intends us to KEEP THAT SHABAD IN MIND...while reading this one..and thus Guru Arjun Ji emphasizes that BOTH Bhagat Kabir Ji and Guru nanak Ji SHARE their thoughts on the subject tackled by these two SHABADS. Elsewhere Guru Nanak ji sahib and Sheikh farid ji <strong>share</strong> another shbad..About the time needed to make a BOAT to cross the Ocean...where Guru nanak ji elaborates on shabad by Farid Ji..</p><p></p><p>I think THAT is the reason for the instruction of singing via quote of entire TUK rather than just Ghar 4. IF Not for this instruction..the two shabads would remain far apart becasue the Bani is arranged such that Guru Nanak jis compositions come at the beginning whle Bhagat bani comes at the End..in this way Guru Arjun ji LINKS the two sections !!!..a sort of CROSS REFERENCE.</p><p></p><p>2. Second point to note is HOW Guru Arjun Ji has also ADDED shabads and Sloks by Guru Amardass Ji, and His own..to Sloks of Kabir Ji and Sheikh farid Ji. These sloks/shabds by the Guru Sahibs serve to Explain or elaborate on the ideas expressed by the Sheikh sahib or Kabir sahib Ji. AS per the USUAL Arrangement followed by Guru Arjun Ji..sloks/shbads by the GURUs should be at the Beginning and bahgat bani should be at the conclusion.</p><p></p><p>These are two examples of Linking/cross references provided by Guru Arjun ji in SGGS.</p></blockquote><p></p>
[QUOTE="Gyani Jarnail Singh, post: 190811, member: 189"] BUT.....why the length to go an write the whole TUK from the Shabad..instead of simply writing "GHAR 4" ??? Imho, Guru Jis intends us to KEEP THAT SHABAD IN MIND...while reading this one..and thus Guru Arjun Ji emphasizes that BOTH Bhagat Kabir Ji and Guru nanak Ji SHARE their thoughts on the subject tackled by these two SHABADS. Elsewhere Guru Nanak ji sahib and Sheikh farid ji [B]share[/B] another shbad..About the time needed to make a BOAT to cross the Ocean...where Guru nanak ji elaborates on shabad by Farid Ji.. I think THAT is the reason for the instruction of singing via quote of entire TUK rather than just Ghar 4. IF Not for this instruction..the two shabads would remain far apart becasue the Bani is arranged such that Guru Nanak jis compositions come at the beginning whle Bhagat bani comes at the End..in this way Guru Arjun ji LINKS the two sections !!!..a sort of CROSS REFERENCE. 2. Second point to note is HOW Guru Arjun Ji has also ADDED shabads and Sloks by Guru Amardass Ji, and His own..to Sloks of Kabir Ji and Sheikh farid Ji. These sloks/shabds by the Guru Sahibs serve to Explain or elaborate on the ideas expressed by the Sheikh sahib or Kabir sahib Ji. AS per the USUAL Arrangement followed by Guru Arjun Ji..sloks/shbads by the GURUs should be at the Beginning and bahgat bani should be at the conclusion. These are two examples of Linking/cross references provided by Guru Arjun ji in SGGS. [/QUOTE]
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Gurmat Vichaar
Gurmat Vichar - Discussions
In Which Tune To Sing This Shabad?
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