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Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Theatre, Movies & Cinema
Ashdoc's Movie Review---Shuddh Desi Romance
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<blockquote data-quote="ashdoc" data-source="post: 190888" data-attributes="member: 15932"><p>Calling out to all the free spirits out there....</p><p> </p><p> Generation X....</p><p> </p><p> What China calls the ME generation....</p><p> </p><p> The commitment phobic generation.....</p><p> </p><p> This is a film made for you.....</p><p> </p><p> For the lovers of pure unadulterated romance and even purer physical intimacy with no strings attached.....</p><p> </p><p> And who else would dare to make it other than Yash Raj films---the unquestioned Badshahs of romance.....</p><p> </p><p> But even they had to wait for Yash Chopra to fade away to make such a film---maybe , just maybe , the old man would have disapproved.....</p><p> </p><p> For he belonged to the 20th century.....</p><p> </p><p> And this is love of the 21st century.....</p><p> </p><p> But some smart alec thought of mocking the audience and calling it '' Shuddh desi romance ''( pure Indian love ).....</p><p> </p><p> Or maybe that's the director's way of telling us to take the issue lightly.....</p><p> </p><p> For it's not a film that discusses the issue of live in relationships seriously.....</p><p> </p><p> Rather it takes an entertaining take on them.....</p><p> </p><p> And keeps you interested throughout.....</p><p> </p><p> Mind you---the budget of the film must be low....</p><p> </p><p> For there are no foreign locations....</p><p> </p><p> No big and posh sets.....</p><p> </p><p> Only the camera doing close ups on the characters as they talk....</p><p> </p><p> But the ones who are doing the talking are lively people.....</p><p> </p><p> Lively and interesting too.....</p><p> </p><p> For they lead interesting lives....</p><p> </p><p> Interesting things we dreamt in our youth....</p><p> </p><p> Like sex without marriage....</p><p> </p><p> Endless mouth to mouth kissing---that too filmed so seamlessly and done so effortlessly that it doesn't feel vulgar at all....</p><p> </p><p> And all this acted out by all the actors in top class fashion....</p><p> </p><p> With those actors acting in a film peopled with some real cool characters....</p><p> </p><p> Waaaay cool...uber cool....</p><p> </p><p> There's Parineeti Chopra---she's lost count of her boyfriends in the midst of her cigarettes , though she remembers the one whose child she had to abort....</p><p> </p><p> And there's Sushant Singh---he hears about the multiple boyfriends and sees her smoking and promptly decides to ditch the girl he is going to marry , to get hitched ( but without marriage ) to Parineeti.....Sooooo coool....</p><p> </p><p> And when they finally decide to marry each other and arrive at the marriage venue , they are so afraid of commitment that flee from there and from each other !!</p><p> </p><p> Boy !! Are things really cool or are they getting cold out there.....??</p><p> </p><p> Enter Vaani Kapoor---the girl Sushant ditched for Parineeti to hotten up the cool atmosphere by her mesmerising beauty....</p><p> </p><p> You soak in her beauty and wonder why Sushant decided to ditch her at all....</p><p> </p><p> And you are not alone in doing so---for Sushant wonders the same.....</p><p> </p><p> She wants revenge for Sushant's ditching by making him pine for her and dance to her tune.....</p><p> </p><p> And her obliges her....who wouldn't , considering her ravishing looks ??</p><p> </p><p> But fate has destined for Sushant's and Parineeti's paths to cross again....</p><p> </p><p> When they do cross , who will choose whom ??</p><p> </p><p> And who will be the loser ??</p><p> </p><p> Relax....No need to get vexed up on this issue.....</p><p> </p><p> For this is the new generation....</p><p> </p><p> All that this generation needs to forget someone is a cool or rather chilled drink....Coke anyone ??</p><p> </p><p> Amidst all this Yash Raj films stays true to it's old habit of showing shaadis and shows several shaadi baraat sequences even though many of the characters in the film don't believe in the concept of shaadi at all---this is done by conveniently showing the lead characters as ready for hire baraatis who have to constantly attend shaadis as part of their profession....</p><p> </p><p> The film does not do any in depth discussion of the issue of live in relationships at all , and is light hearted all the way.....</p><p> </p><p> That's the way I like it too.....</p><p> </p><p> Verdict---some solid timepass .</p></blockquote><p></p>
[QUOTE="ashdoc, post: 190888, member: 15932"] Calling out to all the free spirits out there.... Generation X.... What China calls the ME generation.... The commitment phobic generation..... This is a film made for you..... For the lovers of pure unadulterated romance and even purer physical intimacy with no strings attached..... And who else would dare to make it other than Yash Raj films---the unquestioned Badshahs of romance..... But even they had to wait for Yash Chopra to fade away to make such a film---maybe , just maybe , the old man would have disapproved..... For he belonged to the 20th century..... And this is love of the 21st century..... But some smart alec thought of mocking the audience and calling it '' Shuddh desi romance ''( pure Indian love )..... Or maybe that's the director's way of telling us to take the issue lightly..... For it's not a film that discusses the issue of live in relationships seriously..... Rather it takes an entertaining take on them..... And keeps you interested throughout..... Mind you---the budget of the film must be low.... For there are no foreign locations.... No big and posh sets..... Only the camera doing close ups on the characters as they talk.... But the ones who are doing the talking are lively people..... Lively and interesting too..... For they lead interesting lives.... Interesting things we dreamt in our youth.... Like sex without marriage.... Endless mouth to mouth kissing---that too filmed so seamlessly and done so effortlessly that it doesn't feel vulgar at all.... And all this acted out by all the actors in top class fashion.... With those actors acting in a film peopled with some real cool characters.... Waaaay cool...uber cool.... There's Parineeti Chopra---she's lost count of her boyfriends in the midst of her cigarettes , though she remembers the one whose child she had to abort.... And there's Sushant Singh---he hears about the multiple boyfriends and sees her smoking and promptly decides to ditch the girl he is going to marry , to get hitched ( but without marriage ) to Parineeti.....Sooooo coool.... And when they finally decide to marry each other and arrive at the marriage venue , they are so afraid of commitment that flee from there and from each other !! Boy !! Are things really cool or are they getting cold out there.....?? Enter Vaani Kapoor---the girl Sushant ditched for Parineeti to hotten up the cool atmosphere by her mesmerising beauty.... You soak in her beauty and wonder why Sushant decided to ditch her at all.... And you are not alone in doing so---for Sushant wonders the same..... She wants revenge for Sushant's ditching by making him pine for her and dance to her tune..... And her obliges her....who wouldn't , considering her ravishing looks ?? But fate has destined for Sushant's and Parineeti's paths to cross again.... When they do cross , who will choose whom ?? And who will be the loser ?? Relax....No need to get vexed up on this issue..... For this is the new generation.... All that this generation needs to forget someone is a cool or rather chilled drink....Coke anyone ?? Amidst all this Yash Raj films stays true to it's old habit of showing shaadis and shows several shaadi baraat sequences even though many of the characters in the film don't believe in the concept of shaadi at all---this is done by conveniently showing the lead characters as ready for hire baraatis who have to constantly attend shaadis as part of their profession.... The film does not do any in depth discussion of the issue of live in relationships at all , and is light hearted all the way..... That's the way I like it too..... Verdict---some solid timepass . [/QUOTE]
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Ashdoc's Movie Review---Shuddh Desi Romance
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