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Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
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Theatre, Movies & Cinema
Ashdoc's Movie Review---Heropanti
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<blockquote data-quote="ashdoc" data-source="post: 197573" data-attributes="member: 15932"><p>The jats of Haryana---stuck in the medieval age of caste and class and rules descended from ancient times.....</p><p></p><p>And also stuck in archaic marriage laws---of not marrying a person descended from the same gotra ( linage ) calling such a marriage marrying ones own brother and sister...</p><p></p><p>And the position of their women---not allowed to get education , to work in offices and sometimes not even allowed to live , for female infanticide is most common in Jatland....</p><p></p><p>Above all these rules are enforced by violence , by gangs of men roughing up any person daring to break the ancient codes and carrying out honour killings of those couples who dare to free themselves of the shackles of primitive bondage....</p><p></p><p>So when one woman ( jat headman Chaudhary's elder daughter) elopes with her lover in defiance of the barbaric mindset of honour , the jats unleash mayhem---they kidnap her and her husband's friends and keep them locked up among savage beatings hoping to force them to reveal the couple's whereabouts....</p><p></p><p>But they have made one mistake---big mistake....they have also kidnapped the Tiger Shroff ; and he is in one sided love with the Chaudhary's younger daughter( Kriti Sanon ) ---a {censored}tail for explosion , given the violence her kinsmen are likely to unleash if this fact becomes known to them....</p><p></p><p>But fortunately , we have hero fully capable of contending with violence , for he is a fighter himself---yeah Tiger Shroff can throw punches and kicks and somersaults like there is no tomorrow....</p><p>All the stunts and flying kicks he carries out are authentic , and can rival those of our very own desi Bruce Lee---Vidyut Jammwal....</p><p></p><p>Looks wise , Tiger's face has a feminine aura about it---and his appearance reminded one of Danny Denzogpa when he was young . Tiger in fact looks like he has arrived from the northeast or Ladakh....</p><p>And he has a chiseled hardened body with real muscles . He can dance okay---when he dances , he does not sway like other heroes but his whole body swings....</p><p></p><p>The girl he has fallen for---Kriti Shanon , the Chaudhary's younger daughter....She looks good enough , and I found myself staring and looking at her slim white waist with it's deliberately exposed navel---a treat for the eyes....</p><p></p><p>The movie has two dimensions in the first half---the Tiger dimension and the JAT dimension....</p><p>When Tiger is on the screen the background music is lighthearted and the proceedings frivolous---to the point where they seem like a farce....and Tiger doesn't have much acting talent....</p><p>But when the Chaudhary and his jats enter the screen , the mood of the film turns dark and sombre with sinister music and an atmosphere of violence....</p><p>And the two dimensions constantly overlap each other with alternate scenes of laughter and tension and tension and laughter---and the whole film looks corny for a while....</p><p></p><p>But the second half turns serious with Kriti discovering a new freedom in Tiger's company---freedom she has not had in her father's tradition bound household , freedom which makes her fall in love....</p><p></p><p>And as Chaudhary and his goons continue their search for Kriti's eloped elder sister and her husband wanting to finish their lives for sake of family honour , they have to face the storm unleash by Kriti's newfound love for Tiger and it's consequences....</p><p></p><p>But what about the millennia old customs and traditions of the land ?? What about the father's ( Chaudhary's ) love for his daughters ?? His missing them after their elopement ?? What about the fact that he cares for them deeply and wants the best for them ?? What about the fact the daughters' husbands cannot keep them in the luxury the father gave them and that hurts the father deeply ?? After having raised them for years and given them guidance does the father have no say in their future ??</p><p></p><p>So can a compromise be worked out between the aspirations of youth and the wisdom of old age ?? Are the lovers right or is Chaudhary's stand correct?? Watch the movie for the answers....</p><p></p><p>The movie is not so great in the first half but gives us some emotion in the second half , and I found myself interested....</p><p></p><p>Music is decent enough and I found myself humming some of the film's songs....</p><p></p><p>The movie gives a menacing impression of Jats in the first half but softens up towards them in the second . Acting by everyone is not fantastic--It can be called okay though . </p><p></p><p>Verdict---Decent .</p></blockquote><p></p>
[QUOTE="ashdoc, post: 197573, member: 15932"] The jats of Haryana---stuck in the medieval age of caste and class and rules descended from ancient times..... And also stuck in archaic marriage laws---of not marrying a person descended from the same gotra ( linage ) calling such a marriage marrying ones own brother and sister... And the position of their women---not allowed to get education , to work in offices and sometimes not even allowed to live , for female infanticide is most common in Jatland.... Above all these rules are enforced by violence , by gangs of men roughing up any person daring to break the ancient codes and carrying out honour killings of those couples who dare to free themselves of the shackles of primitive bondage.... So when one woman ( jat headman Chaudhary's elder daughter) elopes with her lover in defiance of the barbaric mindset of honour , the jats unleash mayhem---they kidnap her and her husband's friends and keep them locked up among savage beatings hoping to force them to reveal the couple's whereabouts.... But they have made one mistake---big mistake....they have also kidnapped the Tiger Shroff ; and he is in one sided love with the Chaudhary's younger daughter( Kriti Sanon ) ---a {censored}tail for explosion , given the violence her kinsmen are likely to unleash if this fact becomes known to them.... But fortunately , we have hero fully capable of contending with violence , for he is a fighter himself---yeah Tiger Shroff can throw punches and kicks and somersaults like there is no tomorrow.... All the stunts and flying kicks he carries out are authentic , and can rival those of our very own desi Bruce Lee---Vidyut Jammwal.... Looks wise , Tiger's face has a feminine aura about it---and his appearance reminded one of Danny Denzogpa when he was young . Tiger in fact looks like he has arrived from the northeast or Ladakh.... And he has a chiseled hardened body with real muscles . He can dance okay---when he dances , he does not sway like other heroes but his whole body swings.... The girl he has fallen for---Kriti Shanon , the Chaudhary's younger daughter....She looks good enough , and I found myself staring and looking at her slim white waist with it's deliberately exposed navel---a treat for the eyes.... The movie has two dimensions in the first half---the Tiger dimension and the JAT dimension.... When Tiger is on the screen the background music is lighthearted and the proceedings frivolous---to the point where they seem like a farce....and Tiger doesn't have much acting talent.... But when the Chaudhary and his jats enter the screen , the mood of the film turns dark and sombre with sinister music and an atmosphere of violence.... And the two dimensions constantly overlap each other with alternate scenes of laughter and tension and tension and laughter---and the whole film looks corny for a while.... But the second half turns serious with Kriti discovering a new freedom in Tiger's company---freedom she has not had in her father's tradition bound household , freedom which makes her fall in love.... And as Chaudhary and his goons continue their search for Kriti's eloped elder sister and her husband wanting to finish their lives for sake of family honour , they have to face the storm unleash by Kriti's newfound love for Tiger and it's consequences.... But what about the millennia old customs and traditions of the land ?? What about the father's ( Chaudhary's ) love for his daughters ?? His missing them after their elopement ?? What about the fact that he cares for them deeply and wants the best for them ?? What about the fact the daughters' husbands cannot keep them in the luxury the father gave them and that hurts the father deeply ?? After having raised them for years and given them guidance does the father have no say in their future ?? So can a compromise be worked out between the aspirations of youth and the wisdom of old age ?? Are the lovers right or is Chaudhary's stand correct?? Watch the movie for the answers.... The movie is not so great in the first half but gives us some emotion in the second half , and I found myself interested.... Music is decent enough and I found myself humming some of the film's songs.... The movie gives a menacing impression of Jats in the first half but softens up towards them in the second . Acting by everyone is not fantastic--It can be called okay though . Verdict---Decent . [/QUOTE]
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Ashdoc's Movie Review---Heropanti
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