☀️ JOIN SPN MOBILE
Forums
New posts
Guru Granth Sahib
Composition, Arrangement & Layout
ਜਪੁ | Jup
ਸੋ ਦਰੁ | So Dar
ਸੋਹਿਲਾ | Sohilaa
ਰਾਗੁ ਸਿਰੀਰਾਗੁ | Raag Siree-Raag
Gurbani (14-53)
Ashtpadiyan (53-71)
Gurbani (71-74)
Pahre (74-78)
Chhant (78-81)
Vanjara (81-82)
Vaar Siri Raag (83-91)
Bhagat Bani (91-93)
ਰਾਗੁ ਮਾਝ | Raag Maajh
Gurbani (94-109)
Ashtpadi (109)
Ashtpadiyan (110-129)
Ashtpadi (129-130)
Ashtpadiyan (130-133)
Bara Maha (133-136)
Din Raen (136-137)
Vaar Maajh Ki (137-150)
ਰਾਗੁ ਗਉੜੀ | Raag Gauree
Gurbani (151-185)
Quartets/Couplets (185-220)
Ashtpadiyan (220-234)
Karhalei (234-235)
Ashtpadiyan (235-242)
Chhant (242-249)
Baavan Akhari (250-262)
Sukhmani (262-296)
Thittee (296-300)
Gauree kii Vaar (300-323)
Gurbani (323-330)
Ashtpadiyan (330-340)
Baavan Akhari (340-343)
Thintteen (343-344)
Vaar Kabir (344-345)
Bhagat Bani (345-346)
ਰਾਗੁ ਆਸਾ | Raag Aasaa
Gurbani (347-348)
Chaupaday (348-364)
Panchpadde (364-365)
Kaafee (365-409)
Aasaavaree (409-411)
Ashtpadiyan (411-432)
Patee (432-435)
Chhant (435-462)
Vaar Aasaa (462-475)
Bhagat Bani (475-488)
ਰਾਗੁ ਗੂਜਰੀ | Raag Goojaree
Gurbani (489-503)
Ashtpadiyan (503-508)
Vaar Gujari (508-517)
Vaar Gujari (517-526)
ਰਾਗੁ ਦੇਵਗੰਧਾਰੀ | Raag Dayv-Gandhaaree
Gurbani (527-536)
ਰਾਗੁ ਬਿਹਾਗੜਾ | Raag Bihaagraa
Gurbani (537-556)
Chhant (538-548)
Vaar Bihaagraa (548-556)
ਰਾਗੁ ਵਡਹੰਸ | Raag Wadhans
Gurbani (557-564)
Ashtpadiyan (564-565)
Chhant (565-575)
Ghoriaan (575-578)
Alaahaniiaa (578-582)
Vaar Wadhans (582-594)
ਰਾਗੁ ਸੋਰਠਿ | Raag Sorath
Gurbani (595-634)
Asatpadhiya (634-642)
Vaar Sorath (642-659)
ਰਾਗੁ ਧਨਾਸਰੀ | Raag Dhanasaree
Gurbani (660-685)
Astpadhiya (685-687)
Chhant (687-691)
Bhagat Bani (691-695)
ਰਾਗੁ ਜੈਤਸਰੀ | Raag Jaitsree
Gurbani (696-703)
Chhant (703-705)
Vaar Jaitsaree (705-710)
Bhagat Bani (710)
ਰਾਗੁ ਟੋਡੀ | Raag Todee
ਰਾਗੁ ਬੈਰਾੜੀ | Raag Bairaaree
ਰਾਗੁ ਤਿਲੰਗ | Raag Tilang
Gurbani (721-727)
Bhagat Bani (727)
ਰਾਗੁ ਸੂਹੀ | Raag Suhi
Gurbani (728-750)
Ashtpadiyan (750-761)
Kaafee (761-762)
Suchajee (762)
Gunvantee (763)
Chhant (763-785)
Vaar Soohee (785-792)
Bhagat Bani (792-794)
ਰਾਗੁ ਬਿਲਾਵਲੁ | Raag Bilaaval
Gurbani (795-831)
Ashtpadiyan (831-838)
Thitteen (838-840)
Vaar Sat (841-843)
Chhant (843-848)
Vaar Bilaaval (849-855)
Bhagat Bani (855-858)
ਰਾਗੁ ਗੋਂਡ | Raag Gond
Gurbani (859-869)
Ashtpadiyan (869)
Bhagat Bani (870-875)
ਰਾਗੁ ਰਾਮਕਲੀ | Raag Ramkalee
Ashtpadiyan (902-916)
Gurbani (876-902)
Anand (917-922)
Sadd (923-924)
Chhant (924-929)
Dakhnee (929-938)
Sidh Gosat (938-946)
Vaar Ramkalee (947-968)
ਰਾਗੁ ਨਟ ਨਾਰਾਇਨ | Raag Nat Narayan
Gurbani (975-980)
Ashtpadiyan (980-983)
ਰਾਗੁ ਮਾਲੀ ਗਉੜਾ | Raag Maalee Gauraa
Gurbani (984-988)
Bhagat Bani (988)
ਰਾਗੁ ਮਾਰੂ | Raag Maaroo
Gurbani (889-1008)
Ashtpadiyan (1008-1014)
Kaafee (1014-1016)
Ashtpadiyan (1016-1019)
Anjulian (1019-1020)
Solhe (1020-1033)
Dakhni (1033-1043)
ਰਾਗੁ ਤੁਖਾਰੀ | Raag Tukhaari
Bara Maha (1107-1110)
Chhant (1110-1117)
ਰਾਗੁ ਕੇਦਾਰਾ | Raag Kedara
Gurbani (1118-1123)
Bhagat Bani (1123-1124)
ਰਾਗੁ ਭੈਰਉ | Raag Bhairo
Gurbani (1125-1152)
Partaal (1153)
Ashtpadiyan (1153-1167)
ਰਾਗੁ ਬਸੰਤੁ | Raag Basant
Gurbani (1168-1187)
Ashtpadiyan (1187-1193)
Vaar Basant (1193-1196)
ਰਾਗੁ ਸਾਰਗ | Raag Saarag
Gurbani (1197-1200)
Partaal (1200-1231)
Ashtpadiyan (1232-1236)
Chhant (1236-1237)
Vaar Saarang (1237-1253)
ਰਾਗੁ ਮਲਾਰ | Raag Malaar
Gurbani (1254-1293)
Partaal (1265-1273)
Ashtpadiyan (1273-1278)
Chhant (1278)
Vaar Malaar (1278-91)
Bhagat Bani (1292-93)
ਰਾਗੁ ਕਾਨੜਾ | Raag Kaanraa
Gurbani (1294-96)
Partaal (1296-1318)
Ashtpadiyan (1308-1312)
Chhant (1312)
Vaar Kaanraa
Bhagat Bani (1318)
ਰਾਗੁ ਕਲਿਆਨ | Raag Kalyaan
Gurbani (1319-23)
Ashtpadiyan (1323-26)
ਰਾਗੁ ਪ੍ਰਭਾਤੀ | Raag Prabhaatee
Gurbani (1327-1341)
Ashtpadiyan (1342-51)
ਰਾਗੁ ਜੈਜਾਵੰਤੀ | Raag Jaijaiwanti
Gurbani (1352-53)
Salok | Gatha | Phunahe | Chaubole | Swayiye
Sehskritee Mahala 1
Sehskritee Mahala 5
Gaathaa Mahala 5
Phunhay Mahala 5
Chaubolae Mahala 5
Shaloks Bhagat Kabir
Shaloks Sheikh Farid
Swaiyyae Mahala 5
Swaiyyae in Praise of Gurus
Shaloks in Addition To Vaars
Shalok Ninth Mehl
Mundavanee Mehl 5
ਰਾਗ ਮਾਲਾ, Raag Maalaa
What's new
New posts
New media
New media comments
New resources
Latest activity
Videos
New media
New comments
Library
Latest reviews
Donate
Log in
Register
What's new
New posts
Menu
Log in
Register
Install the app
Install
Welcome to all New Sikh Philosophy Network Forums!
Explore Sikh Sikhi Sikhism...
Sign up
Log in
Social Lounge
Theatre, Movies & Cinema
Ashdoc's Movie Review---Dhoom 3
JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding.
You are using an out of date browser. It may not display this or other websites correctly.
You should upgrade or use an
alternative browser
.
Reply to thread
Message
<blockquote data-quote="ashdoc" data-source="post: 194559" data-attributes="member: 15932"><p>Nowadays Yash Raj films seems to have started making films keeping the international audience in mind : ' international ' meaning the Pakistan and middle east audience allied with Indian and Bangladeshi muslims....</p><p>.....For almost all the characters in the film are shown to be muslims---including the hero , the heroine , the father of the hero and the sidekick....</p><p>Only the cop ( inspector Jai Dixit ) played by Abhishek Bachhan is hindu---that too because his character is a leftover from former ' Dhoom ' films and cannot be changed now....</p><p></p><p>The villain of course is Bollywood's favourite bogey for international films---a white man who else . He is the banker responsible for the downfall of the hero's father ( played by Jackie Shroff ) and the father's suicide , which is the result of the banker's callous decision of forcing the closure of the magic show called ' great Indian circus ' owned by Iqbal ( Jackie ) for defaulting on debt . </p><p></p><p>The son named Saahir ( played by Aamir Khan ) grows up to take revenge on the bank by looting it repeatedly ' Dhoom ' style---meaning by the most unbelievable stunts using a rope and a flashy motorbike , and leaving a shower of notes for poor people to pick like a modern day Robinhood .</p><p></p><p>.....And because he leaves a note in hindi after every robbery , two Indian cops are called in---Jai Dixit and his sidekick Ali ( Uday Chopra ) who else....</p><p></p><p>With this the chase begins....</p><p></p><p>The stunts are frankly far far out from what can be attempted in real life and seem too much to believe at times , but do keep the adrenaline pumping in the movie . But it is in emotion that the movie scores !!---and the director surprises us by giving a romantic and emotional angle to the movie that far surpasses the action sequences in making the movie look good . </p><p></p><p>And where there is romance there has to be a woman---a dazzlingly beautiful one at that . Katrina looks like a dream and dances like heaven . Her introduction in a stupendously muscle arching and body curving dance sequence where she sheds her clothes one by one left everyone in the audience transfixed on their seats in the theater just like it left the hero just watching on his seat in the movie . There was pin drop silence in the cinema hall for 5 minutes....</p><p></p><p>But the introduction of such a heavenly beauty also shores up jealousies among two men in the movie as to who should romance her , and really gives a kick start to the emotional core of the movie . </p><p></p><p>But the jealousy is between whom and whom ?? </p><p>I am not telling---for the movie has a surprise in store at the interval , a trick commonly used in magic shows but something that the common man is unaware of....</p><p></p><p>Aamir Khan acts well , Katrina looks dazzling and that's enough....</p><p>Abhishek Bachhan acts his usual stern self as inspector Jai Dixit and Uday Chopra is more like a monkey with his eyes permanently popped out at any woman....</p><p></p><p>The action sequences may be unbelievable and the motorbikes which can change shape look frankly unreal , but everything in the movie is on a spectacular scale and that helps in glossing over the unreal parts of the film .</p><p>The climax is heart touching and shows the importance of human relationships above all the action and emotion . No sex and lack of blood soaked violence make is suitable for watching by a family crowd .</p><p></p><p>I didn't see it in IMAX form , but from the scenes I could make out that the motorbike somersaults and chases will look better in IMAX .</p><p></p><p>Verdict---good .</p></blockquote><p></p>
[QUOTE="ashdoc, post: 194559, member: 15932"] Nowadays Yash Raj films seems to have started making films keeping the international audience in mind : ' international ' meaning the Pakistan and middle east audience allied with Indian and Bangladeshi muslims.... .....For almost all the characters in the film are shown to be muslims---including the hero , the heroine , the father of the hero and the sidekick.... Only the cop ( inspector Jai Dixit ) played by Abhishek Bachhan is hindu---that too because his character is a leftover from former ' Dhoom ' films and cannot be changed now.... The villain of course is Bollywood's favourite bogey for international films---a white man who else . He is the banker responsible for the downfall of the hero's father ( played by Jackie Shroff ) and the father's suicide , which is the result of the banker's callous decision of forcing the closure of the magic show called ' great Indian circus ' owned by Iqbal ( Jackie ) for defaulting on debt . The son named Saahir ( played by Aamir Khan ) grows up to take revenge on the bank by looting it repeatedly ' Dhoom ' style---meaning by the most unbelievable stunts using a rope and a flashy motorbike , and leaving a shower of notes for poor people to pick like a modern day Robinhood . .....And because he leaves a note in hindi after every robbery , two Indian cops are called in---Jai Dixit and his sidekick Ali ( Uday Chopra ) who else.... With this the chase begins.... The stunts are frankly far far out from what can be attempted in real life and seem too much to believe at times , but do keep the adrenaline pumping in the movie . But it is in emotion that the movie scores !!---and the director surprises us by giving a romantic and emotional angle to the movie that far surpasses the action sequences in making the movie look good . And where there is romance there has to be a woman---a dazzlingly beautiful one at that . Katrina looks like a dream and dances like heaven . Her introduction in a stupendously muscle arching and body curving dance sequence where she sheds her clothes one by one left everyone in the audience transfixed on their seats in the theater just like it left the hero just watching on his seat in the movie . There was pin drop silence in the cinema hall for 5 minutes.... But the introduction of such a heavenly beauty also shores up jealousies among two men in the movie as to who should romance her , and really gives a kick start to the emotional core of the movie . But the jealousy is between whom and whom ?? I am not telling---for the movie has a surprise in store at the interval , a trick commonly used in magic shows but something that the common man is unaware of.... Aamir Khan acts well , Katrina looks dazzling and that's enough.... Abhishek Bachhan acts his usual stern self as inspector Jai Dixit and Uday Chopra is more like a monkey with his eyes permanently popped out at any woman.... The action sequences may be unbelievable and the motorbikes which can change shape look frankly unreal , but everything in the movie is on a spectacular scale and that helps in glossing over the unreal parts of the film . The climax is heart touching and shows the importance of human relationships above all the action and emotion . No sex and lack of blood soaked violence make is suitable for watching by a family crowd . I didn't see it in IMAX form , but from the scenes I could make out that the motorbike somersaults and chases will look better in IMAX . Verdict---good . [/QUOTE]
Insert quotes…
Verification
Post reply
Social Lounge
Theatre, Movies & Cinema
Ashdoc's Movie Review---Dhoom 3
This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register.
By continuing to use this site, you are consenting to our use of cookies.
Accept
Learn more…
Top