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Dasam Granth and its History

Discuss Dasam Granth and its History within the Essays on Sikhism forums, part of the Articles & Archives category; Dasam Granth - Its History By Daljeet Singh INTRODUCTION Since the time the writings or pothis, to be later compiled and ...

 
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Dasam Granth and its History

Dasam Granth - Its History

By Daljeet Singh

INTRODUCTION

Since the time the writings or pothis, to be later compiled and called the granth of the Tenth Master, were originally found, there has been a controversy about their authorship, authenticity and historicity. Very few persons have made a serious study about their genuineness. The issue is important, and writers like O'Connell and others have often made accusations like : "A conspicuous deficiency already mentioned is the general reluctance to grapple effectively with the Dasam Granth. The period whence it comes is absolutely crucial, and until it is adequately treated, we shall continue to grope in our efforts to trace the course of Sikh history or development of Sikh tradition." It is, therefore, necessary to assess the veracity of facts, and to indicate the probabilities of the issue, so that it is understood in its right academic perspective.

HISTORY - 18TH CENTURY CHHIBBER'S STORY

Most of the evidence about the present work called the 'Dasam Granth' is negative. The earliest reference about some writings by the Tenth Master is by Chhibber in his Bansavalinama. Contemporary historians of the period of Guru Gobind Singh like Sainapat, Bhai Nandlal, Chaupa Singh, Sewadas, Koer Singh or Bhai Mani Singh, make no mention of the Dasam Granth or any such writing in the period. This negative evidence is quite significant and strong. For, had there been any compilation like the Dasam Granth, these contemporary chroniclers could never have failed to mention it. The first reference to some writings by the Tenth Guru is in Chhibber's Bansavalinama written 71 years after the Guru's demise. This volume, as assessed by scholars like Jaggi, Kohli and others, has not been found to be very reliable as to its dates and other particulars. Besides, the author himself says that he is no chronicler, but has based the writing merely on hearsay, and just as a matter of his hobby : "I state what I had heard and what I could recollect." "This hearsay I record just by way of my hobby (shauk)."

1. Thus, Chhibber himself discounts the historical accuracy of his statements, for, he claims to belong only to the third generation of a Brahmin family whose head was a contemporary of the Tenth Master. Further, two important points have also to be kept in view. First, most Brahmin writers always have a strong, natural and understandable bias to give a Brahminical colour to the Sikh religion and its history, even though all the Sikh Gurus were emphatic to proclaim the independence of their system and the Panth. The Fifth Master wrote : "I keep not the Hindu fast, nor do I observe Muslim month of fast; I serve only Him, who emancipates all; He is my Gosain; He is my Allah; I have found release from the Hindus as from the Turks; I visit not the pilgrim places of Hindus, nor go to Kaaba for Haj; I serve only God, I serve not any other; I worship not the Hindu way, nor say the Muslim prayers; I bow to the one God within my heart; I am neither a Hindu, nor a Muslim; For, my body and life belong to Him, Allah and Ram."

2. Second, Guru Gobind Singh had put the final seal on this complete separateness, by the creation of the Khalsa, the Nash Doctrine (Dharam Nash, Bharam Nash, Karam Nash, Sharam Nash and Janam Nash), and the declaration of Guru Granth Sahib as the sole Ideological Guide and Living Guru of the Sikhs. Yet, these writings have shown a subtle tendency to reshape and reframe Sikh events, so that these are accepted by the gullible as a part of the Brahminical tradition. Following is what Chhibber records : "The Guru got written a Granth (book) called 'Samundar Sagar.' Later he got it thrown in a river." "Later still he composed other writings." "But, during the battles at Anandpur, the leaves of these writings or packets (sanchian) were scattered to the wind and lost."

3. Chhibber is vague about the contents or nature of these writings. Once he calls it 'Samundar Sagar', at another time 'Avtar Leela.' There is no reference at all to 'Dasam Granth', 'Bachittar Natak', 'Chandi Charitar', 'Chandi di Var', 'Charitropakhyan' or 'Chaubis Avtar', as these are called now. It is clear that it was peace time when the Guru had thrown the Samundar Sagar Granth in the river. Could it ever happen that he would destroy Gurbani, his own or that of earlier Gurus, or anything of value to Sikhs ? Gurbani has always been considered sacred, and been venerated more than even the Guru. Evidently, the writings were such as could conveniently be discarded. The argument applies doubly to the packets that were never completed or compiled, and were allowed to be scattered. Thus, Chhibber's story adds nothing to our knowledge about the Dasam Granth writings, their compilation or loss. Therefore, the negative evidence of all contemporary chroniclers, coupled with the evidence of Chhibber's story, shows that till the end of the 18th century, there was nothing known about any granth of the Tenth Guru, or any writings now regarded as its chapters or contents. In fact, the only granth or compilation mentioned in the literature is 'Vidya Sagar' or 'Samundar Sagar Granth', the contents of which have no relation to the present Dasam Granth.

CHHIBBER'S STORY CONTRADICTED

Chhibber alleges three facts. First, that the Tenth Master initially created a granth called Samundar Sagar, and had it thrown into a river. Later, some papers (sanchis) were prepared, but these, too, were scattered to the wind and lost in the time of battles. Second, he records that in 1725 A.D. Bhai Mani Singh compiled a granth combining the bani of Aad Granth and the writings that subsequently came to be called Dasam Granth.

4. For doing this mix-up, and thereby violating the prescribed sequence or method of writing gurbani, a poor Sikh, when he saw the combined granth, cursed Bhai Sahib saying that just as he had disjointed the gurbani and mixed it up, he would also be cut to pieces.

5. Chhibber never writes chronologically. For example, in a still later couplet No. 389, he writes that in 1698 A.D. Guru Gobind Singh rejected the request of the Sikhs to combine the Aad Granth with his own writings.

6. It is very significant that the entire book of Chhibber is packed with his use and narration of Brahminical practices, and stories of demons, fairies, Hom, mantras, curses, etc., even though he knows that these are opposed to the doctrines in Guru Granth Sahib. In short, his Brahminical faith and prejudices are glaringly evident. In addition, the above version of Chhibber, we find, is contradicted both by Gian Singh and Sarup Das Bhalla on all the essential points concerning Dasam Granth writings. Gian Singh never mentions that Samundar Sagar Granth or sanchis of Avtar Leela stories were prepared, thrown or lost. He also contradicts Chhibber that Sikhs at any time made a request to the Guru to combine his bani with the Aad Granth. All he states is that once Sikhs requested the Guru to compile his own bani, but he categorically declined to do so, saying that such a request should never be made again.

7. He also contradicts Chhibber's version that Bhai Mani Singh ever combined the two, and later suffered a 'curse' from a poor Sikh for doing so. He only states that in response to a suggestion by some Sikhs, he wrote gurbani in separate words for the purpose of explaining its meaning (teeka), and that the sangat disapproved of it, saying that he would suffer for it. But the sangat conceded that his faith in the Guru will remain unshaken. This satisfied Bhai Sahib.

8. However, he indicates that on the request of Sikhs, he collected the bani of Guru Gobind Singh.

9. Mehma Parkash of Sarup Das Bhalla, a late 18th century or an early 19th century production, materially gives the same impression as does Gian Singh. Bhalla, a non-Brahmin, contradics all the three assertions of Chhibber, namely, the preparation or loss of any granth like Samundar Sagar or sanchis of other writings, the request of Sikhs to the Guru to add his bani to the Aad Granth, or any combined compilation by Bhai Mani Singh, and the curse by a poor Sikh. On the other hand, Bhalla gives the story that the Guru got prepared a granth, since lost, called Vidya Sagar, which constituted translations of Sanskrit literature.

10. He does not say that the Sikhs ever requested the Guru to include his bani in the Aad Granth, nor that Bhai Sahib ever produced any such compilation. These being the realities, there is little doubt that Chhibber's version is not only unworthy of reliance, but is clearly the result of a prejudiced twist to facts as they really were. For, it is unthinkable that Bhai Sahib would ever combine the two, as alleged by Chhibber and as now sought to be supported by the presence of the Delhi and Sangrur birs, when he knew full well that the Guru had clearly frowned upon such an idea. Had Bhai Sahib prepared any bir, it would be the authentic version, and there could never have been the possibility of such widely variant versions of the granth, as actually exist now. For, every bir would have been a copy of it. Nor is there any reason for the complete disappearance of it. Because, we find, that the Delhi bir, which has no history, is certainly not Bhai Sahib's production. For the reasons and facts given above there is little doubt that the story of Chhibber stands belied, and that the version that Bhai Mani Singh compiled the Dasam Granth, is a distortion that has no historical, ideological or factual basis or possibility.

19TH CENTURY

The existence of Dasam Granth is mentioned for the first time in mid-nineteenth century by Bhai Santokh Singh, and later by Giani Gian Singh and others. Later, Bhai Kahn Singh and others repeat the story of Bhai Santokh Singh, suggesting that the bir of Dasam Granth was compiled by Bhai Mani Singh. It is also stated that there were many objections to the compilation in one volume of the various writings that had earlier existed separately. But, the final decision to do so or not, rested on the chance factor of the success or otherwise of the mission of Sukha Singh and Mehtab Singh against Massa Ranghar. The reality, however, is that none of these writers have given any shred of evidence to support the story of its compilation. In the absence of any authentic historical evidence, it is simply impossible to attribute the present collection, or any part of it, to Bhai Sahib. It is equally impossible to believe that if a respected contemporary of the Guru like Bhai Sahib had really compiled the granth, or any part of it, there could ever have been a controversy about it among the Sikhs so as to require them to resort to the chance decision depending on the success of Mehtab Singh and Sukha Singh. Bhai Mani Singh's position being pre-eminent as a trusted scribe and devout Sikh of the Guru, could any Sikh or Panth disregard or doubt his testimony about the Dasam Granth, if it had been there ? There is, thus, little doubt that the story of Dasam Granth's compilation by Bhai Sahib has no historical basis. In fact, it is a motivated fabrication to give credence to the story of Dasam Granth compilation.

LETTER BY BHAI MANI SINGH

The supportive story of a letter written by Bhai Sahib, about the collection of Charitropakhyan, to Mataji at Delhi is another fabrication. Dr Jaggi has examined in detail the veracity of this letter and found it to be unreliable. The method of writing separate words, as in this letter, was not at all in vogue in the time of Bhai Sahib. Nor is the practice visible in the contemporary manuscripts. The words or language used also relates to a later period. Besides, the use of bindi, other features, matras and shape of letters are comparatively modern. Very probably the letter is written by a metallic nib which was not available in those times. The words used are rather unsophisticated and could not have been from a learned gurmukh like Bhai Sahib. It is also strange that the letter mentions 303 charitars or stories, whereas everywhere else the number is 404.

11. Nor has the letter been forthcoming from a natural custody. It was never heard of in the 18th or 19th centuries, and its appearance is only a mid 20th century phenomenon. It is strange that Dr Ashta who accepts it, has done so virtually without any examination of it. Charitropakhyan is a writing which no Sikh, granthi, or scholar has been willing to read or send to his mother, sister or daughter. No one has so far read it out in the open sangat. It is, indeed, unlikely that a gurmukh like Bhai Sahib would send its manuscript to venerated Mataji. It is, thus, historically baseless to connect Bhai Sahib or Mataji in any manner with the collection or compilation of Dasam Granth or any part of it. The above rationale makes it plain that there is no evidence whatsoever of the existence of Dasam Granth or any part of it in the 18th or even the 19th century. All we now know is the later appearance of some manuscripts or birs of the Dasam Granth. Four of them are regarded as the oldest. We shall consider their reliability or authenticity.

BHAI MANI SINGH BIR

Raja Gulab Singh of Delhi purchased a bir in 1944-45, which is known as the Bhai Mani Singh Bir. Nothing historically verifiable is known about it, except a story given by him that a soldier of Ranjit Singh found or looted it during an attack on Multan in 1818 A.D. The soldier then shifted to and settled at Hyderabad. How the bir got to Multan and remained unknown for 125 years, is quite enigmatic and unexplained. External evidence about its history is completely missing. The bir is far from being a speaking manuscript. For, the authorship is unknown, as also the place or time of its compilation. In a corner of a page there is a slanting postscript, recording 1713 A.D. as the date of it. Jaggi's examination and its photocopy clearly show it to be a suspicious interpolation. The ink and writing of this entry are different from those of the original bir. The handwriting and shape of letters are also comparatively crude. Its introduction in slanting lines in a corner proves its belated character.

12. In fact, it is a thoughtless fabrication of the date. For, the story of Bhai Sahib's collection of its parts and the Panthic decision to have them in one volume following Massa Ranghar's death, relate to a time about two decades later. All the internal evidence of the bir is against its authenticity. Jaggi finds that the writer of the bir does not seem to be a good scribe or to have a good knowledge of the Gurmukhi script or the Punjabi language.

13. Therefore, it is not at all possible to connect this bir with Bhai Sahib. On the other hand, the scribe is a Hindi-knowing person who is distinctly interested in distorting the Sikh doctrines and mixing up Sikh literature with Puranic literature. And this is, exactly what he has done. The bir comprises both the bani of the Gurus and that of the Dasam Granth. Gurbani has not been recorded as in Guru Granth Sahib, i.e., raag-wise. It is done Guru-wise and Bhagat Bani is mostly at the end of the combined volume. It shows conclusively that the scribe is a non-Sikh who, without any knowledge of the prescribed method of writing Gurbani, is out to do the heretical distortion of mixing-up dhur ki bani with Puranic myths about worship of devis and avtars. For, no Sikh, and much less a gurmukh like Bhai Sahib, could ever plan to combine the two and flout the sacred sequence of Gurbani (written raag-wise) laid down by the Gurus. The shape of writing and its language suggest that the distortion was done long after the demise of Bhai Sahib, when the Sikh world was engaged in its life and death struggle with the Empire and the invaders. Thus, the lack of any history of the manuscript for over 200 years, its internal evidence of interpolation, shape of letters and language, together with the heretical change of method in writing Gurbani, and its mix-up with Puranic and avtar-worship literature, conclusively exclude the possibility of the bir being a production of Sikh quarters. On the other hand, the probability is that it is a compilation by those either unconversant with Sikh doctrines, tradition and literature, or those out to confuse the Sikh ideology. In any case, the manuscript has no historical or academic value as an authentic bir.

MOTI BAGH BIR

The bir of Moti Bagh is another manuscript that has no verifiable history. In 1959, one Natha Singh stated that his ancestor, one Hakam Singh had given this bir to Maharaja Mohinder Singh (1862-1876 A.D.), that earlier one Nahar Singh had obtained it from Charat Singh, son of Sukha Singh, and that the former had been obtaining for it a grant from Maharaja Ranjit Singh.

14. But, no part of its history is verifiable, or is otherwise corroborated. Nor is there anything in the internal evidence of the bir to support the story or any part of it. The bir shows that it had been compiled by more than one person. Jaggi opines that the age of the paper and the character of words and writing show that it could not have been compiled earlier than a hundred years after the demise of the Tenth Guru.

SANGRUR BIR

The granthi at gurdwara Deodi Sahib Dewan Khara, Sangrur, says that in 1857 A.D. the bir had been presented to the Raja by a Pathan of Delhi ,when he had gone there in aid of the British. The bir was in two parts, pages 1 to 600 contained Gurbani from Guru Granth Sahib, and pages 601 to 1166 the chapters that form Dasam Granth. The first part stands lost. Its history before 1857 A.D. is unknown.

15. Internal evidence suggests that it is a combined collection of bani from Guru Granth Sahib and the chapters of Dasam Granth. Since the very system of combining dhur ki bani with puranic and avtar and other literature is opposed to the specific tradition laid down by the Gurus, the heretical mix-up has been done, as explained earlier, by non-Sikh elements. For, it is inconceivable that a composition like the Charitropakhyan, which even the SGPC, vide its letter No. 36672 dated 3.8.1972, has declared to be a composition from Hindu mythology and not by the Tenth Master , could have been combined with sacred Gurbani by any Sikh. This fact alone shows conclusively that the Dasam Granth, which contains Charitropakhyan, could never be a compilation of Sikh quarters, much less could it be by the Tenth Guru. The bir, thus, is of no historical or academic value.

PATNA BIR The Patna Bir has also no historical value. Nothing worthwhile about it was narrated to Jaggi when he examined it there.

16. The writing is simple, except that red ink has also been used. The arguments against the authenticity of its compilation, production, and mix-up of the Tenth Gurus's bani with Charitropakhyan, as noted earlier, also apply to this volume. Jaggi feels that the condition of the paper, shape of letters, writing, etc., suggest that it is a production of the 19th century.

NO BIR IS AUTHENTIC Dr Jaggi's detailed descriptions of these and other birs shows that in matters of contents, number of hymns and chhands, sequence of topics, list of writings, distribution of writings, or headings, etc., etc., there is no uniformity between any two birs. In fact, some of these contain additional material clearly known to be from non-Sikh sources. The conclusion is inevitable that these birs are odd, assorted and belated compilations or collections of unconnected and disjointed materials, made by individuals from non-Sikh quarters, who were neither conversant with the Sikh literature, nor with the method and sanctity of writing Gurbani. Their only interest was to mix-up Sikh literature with puranic and avtar literature so as to show both of them as parts of a single tradition. For, had the compilers been acquainted with Sikh practices and quarters, there would not have been such a variation in contents, combinations, sequence, number of hymns, as is evidenced by the different birs. Nor are these birs, for the same reasons, copies from one traceable or authentic source. This conclusion is fortified by the facts that not only have these birs virtually no known history, but the earlier ones relate to the period when struggle with the Empire was intense and there was a price on every Sikh head. And, later when peace came, in the late 18th or early 19th century, these writings containing mixed-up literature were quietly introduced and got copied without much scrutiny. Otherwise, how could it be that no bir bears any authentic date or name of a known Sikh scribe of the Guru, of the early Sikh period ? We also find that some of the errors are too gross to be committed by a person conversant with Gurbani. Jaggi has listed many of these errors in chapter six of his book. These errors and their repetition show their non-Sikh origin. These are very significant aspects of the old compilations, and in any serious assessment of their value, the importance of their import and implications cannot be ignored. Here it is necessary to mention an unverified story that the Tenth Guru had initiated a move to translate into Gurmukhi some ancient literature. It is well-known that in his short life he was faced with colossal tasks, and his accomplishments, as declared by H.R. Gupta, were indeed superhuman in every field of his activities : "His dreams and deeds brought a wonderful change in his own generation in the religious, military and political life of the people. His personality was so fascinating, so bewitching, so dynamic, so momentous and so unforgettable, that we are seized with wonder at the changes which took place in Punjab within one year and half of his death. He was the greatest genius of his age. Whenever we touch that short life, as he died at the age of forty two, we are at once brought into contact with a live wire. He was a meteor that consumed itself to light the world. He was luminous like the sun and had conquered death. He possessed a rare combination of so many excellences, supreme self-denial, marvellous intellect, superhuman willpower, great heart and limitless energy ......"

17. It is quite apparent that whatever translations were done by Brahmins and Sikhs, were lost, and could not be suitably compiled or scrutinized about their utility in his time or even later. In any case, there is no historical evidence to this effect. Very probably it is only the Brahminical quarters who had later the time and interest to compile those translations and combine them with Gurbani. This view, we feel, explains all aspects of the Dasam Granth and what Jaggi considers its numerous inconsistencies and contradictions.

INTERNAL EVIDENCE
I. Historical Contradictions : There are, as detailed by Jaggi, many historical and other incongruities in the Dasam Granth which it would be naive to attribute to the Tenth Guru.

18. We give only two instances :
(i) In the story of Prithoo Raja, the author has shown that the legendary Shakuntala had connection not with Prince Dushyant, but with the mythical Prithoo. According to Bhagwat Puran, Prithoo was an avtar of Vishnu who appeared in Treta Yug. But Shakuntala's story of love with Dushyant in Bhagwat Puran is entirely different.

19. Thus, the writer who has joined Prithoo and Shakuntala, could not be concerned with the purity of Puranic stories. But his only interest appears to be to link the bani of Guru Gobind Singh Sahib with concocted Hindu legends, so that he is shown to be part of the Brahminical lore and legend.
(ii) Similarly, in the story of Raghu Raja, to say that Sanyasis regarded him as Dutt, Yogis as Gorakh Nath, Bairagis as Ramanand, and Muslims as Prophet Mohammad, shows that the interest of the story writer is not to narrate any rational history or myth.

20. He only seeks to represent that the Guru accepted Hindu mythology and tradition, and for the purpose to distort Sikh doctrines and ideas. By no means can the authorship of such cock-and-bull stories be attributed to the lofty personality of the Guru. Obviously, the interest of the authors of these incongruities is quite extraneous to any faithful representation of events, doctrines, ideas, or even myths. Another fact that seriously affects the historicity of these writings, is quite significant. Normally, the preparation, compilation or reproduction of a granth by a scholar is a great achievement, and the same is kept as a treasure, which the author or his family is always reluctant to part with. But, in the case of these manuscripts or birs not only their history and names or identity of compilers are unknown, but, we also find, that none of the compilers or custodians ever showed any reluctance to part with them. On the other hand, an apparent aim seems to have been that the compilation reaches an important place or a distinguished person, that could confer authenticity to it.

II. Ideological Contradictions : The unity of spirit of all the Ten Gurus is a fundamental of Sikhism, which stands emphasised and recorded in Guru Granth Sahib. The second basic and unalterable concept of Sikhism, as opposed to that of Brahminism, is that God does not incarnate. This concept is an integral element of the creedal hymn Mul Mantra

21. of Guru Nanak in the very beginning of Guru Granth Sahib. This concept is the corner-stone of Sikh theology. So much so, that the Guru says : "May that mouth burn which says that God incarnate."

22. "God alone is the one who is not born of a woman."

23. "God is self-existent, without form and incarnates not."

24. The Gurus clearly deny belief in the theory of incarnation of God. In order to dispel such ideas they state, "The Formless alone, Nanak, is without fear, many are Ramas as the dust of His Feet, many Krishnas. Many are their stories and many are the Vedas."

26. The Gurus write that He created countless Brahmas, Sivas and Vishnus. The above is the categoric thesis of the Gurus and Guru Granth Sahib, the sole Ideological Guide of the Sikhs. We have to test any idea, doctrine or practice on the touchstone of Gurbani. For, it is unimaginable that any Guru or Sikh could approve of anything incongruous with the creedal statement of Guru Nanak. It is in the above context that we have to examine and test the authenticity of what is in any granth, not specifically authenticated by the Gurus. DEVI AND AVTAR WORSHIP IN THE DASAM GRANTH Dr Jaggi has made a detailed examination of the issue. He finds that except for about 70 pages of the Dasam Granth, including Jap Sahib, Swayyas, Akal Ustat (excluding hymns in praise of Durga), Asphotak Chhand and Zaffarnama, the other contents which involve worship of avtars, devis and mahakal are mostly from the Puranic literature. Following are some instances of devi worship. (For details see chapter 9 of Jaggi's book).

i. Tribhangi Chhands (201-220, In Akal Ustat) are clearly in praise of the devi.

ii. In Shashtarnama in the beginning there is a whole chapter (27 chhands) in praise of the devi.

iii. Chandi Charitar I & II, Chaubis Avtar, Rudra Avtar including parts of Charitropakhyan, all relate to the Puranic myths that are in praise of the devi and avtars.

iv. Similarly, in the above Puranic stories there are numerous hymns in praise of Maha Kal, who is a Tantric or Sakat deity, pages 55, 56, 57, 58, 73, 156, 157, 183, 185, 254, 310, 612, 613, 642, etc.

v. Worship of devi under the name of Kalika, Chandi, Siva or Durga is found at pages 74, 76, 99, 117, 255, 118, 309, 310, 116, 673, 675, etc., etc.

vi. Apart from the Var of Durga, there is the entire Puranic story of the devi coming to the rescue of the mythical Indra and fighting battles with demon Maikhasur, involving trillions of soldiers (devi worship chhands and narration of the myth).

vii. In Chandi Charitar Ukat Bilas the author mentions that he has virtually made the composition from 700 slokas of Markand Purana. He adds that whoever hears or recites the same for any specific boon, the devi would certainly grant it instantaneously (Chandi Charitar, Ukat Bilas - sloka 232).

viii. In Chandi Charitar II in the sloka 261 the author writes that whoever remembers or worships the devi with devotion, shall attain salvation. Similarly, in the Durga Var the author writes that whoever recites the same, will achieve salvation and not be born again (stanza or pauri - 55).

ix. Whether it is Rama Avtar, Parasnath Avtar, Krishna Avtar, Brahma Avtar, or the other Puranic stories, these all relate to the worship to the devi and avtars.

x. Charitropakhyan, too, involves worship of the devi and Kal or Maha Kal (charitra 405, chhands 52, 77, 126 and 132). The very facts that no Sikh is willing to read it in the presence of women or the sangat, and that the S.G.P.C. has called it a Puranic myth and not work of the Tenth Guru, show that it is no longer considered a part of the Dasam Granth. The above few instances prove that, apart from the about 70 pages or so, the writings in the Dasam Granth positively accept and involve devi and avtar worship. Accordingly, these writings (Chandi Charitra and Chandi Di Var - 126 pages, Chaubis Avtar - 744 pages, Brahm Rudra Avtar - 383 pages, Charitropakhyan and Hikayat - 923 pages) are opposed to the doctrines of the Gurus and Guru Granth Sahib. GURU GRANTH SAHIB ON DEVI AND AVTAR WORSHIP About mythical writings and devi and avtar worship Guru Granth Sahib records : (i) "O brother, fools worship gods and goddesses. They do not know that these imaginary deities can give nothing."

27. (ii) "The Vedas, Brahma, gods and goddesses know not His secrets, and have no knowledge of the Creator."

28. (iii) "The fools, the ignorant and the blind forget the Master Lord, and instead, worship His slaves, the goddesses and Maya."

29.GURU GOBIND SINGH ON DEVI WORSHIP
Here under we give the bani of the Tenth Guru as in the Akal Ustat :

i. "There are millions of Indras and incarnations of Brahma, Vishnu and Krishna. But, without worship of God none are accepted in His Court." (stanza 38).

ii. "Millions of Indras are servants at His door. Countless are the insignificant Shivas, Ramas and Krishnas." (stanza 40).

iii. "Some worship Shiva (Mahadev); some say Vishnu is master of the universe, and that by devotion to him, all calamities disappear. O, fool, think over a thousand times and understand that at the last moment everyone will leave you in the lurch to die alone. Remember only the One Lord who will never forsake you." (ibid).

iv. "There was a Shiva; he was gone, and there appeared another and he was gone too. There are innumerable avtars like Rama or Krishna." "Countless are Brahmas, Vishnus, Vedas, Puranas and Simritis that have come and gone." (stanza 77). These being the categoric hymns of Guru Granth Sahib and the clear statements of the Tenth Guru himself, does it make any sense that he approved of or could ever have accepted any of the writings mentioned earlier, which so clearly involve worship of devis and devtas, and some of which faithfully reflect and reproduce Puranic writings and myths in praise of avtars and the devis, suggesting faith in the efficacy of the mantar system discarded by Guru Granth Sahib ?

CHANGING NAME OF THE GRANTH

There is another important factor suggesting that the major part of the Dasam Granth is actually taken from some other sources, and has been mistakenly or deliberately combined with the bani of the Tenth Guru. For example, the writings were originally all separate and unconnected pothis, or compilations. For thatreason these were first called 'Dasam Patshah Ka Granth.' This name does not suggest any authorship of the Guru, but only seeks to link his name by way of reference to his period or quarters. Later, the granth was called Dasam Granth and still later Sri Dasam Granth, and so on. The frequent changes in name only reflect the interests of the writers or the publishers. That this is a deliberate mix-up, is evident from the fact that originally most parts of the granth were called Bachittar Natak Granth. This name appears 151 times in the Puranic parts of the compilation. It is repeatedat the end of each composition, story, chapter or poem. This name appears 19 times in Rama Avtar, 67 times in Krishna Avtar, 33 times at the end of the stories of other Avtars, etc. The probability is that the mix-up has been done deliberately. For, Puranic verses, and chhands in praise of devi are interpolated in the midst of what is clearly the bani of the Tenth Guru, as seen in the light of Guru Granth Sahib. Similarly, some couplets, which are the bani of the Tenth Guru, as seen in the context of Guru Granth Sahib, stand introduced in the midst of Puranic stories. The bani in Guru Granth Sahib is the Sole Guru and Guide of every Sikh. It is the Light that alone shows us the way to truth, especially when one may be wavering or in doubt. May we ask if there is any objection to accepting what is clearly in consonance with it and avoiding what is admittedly, theologically and logically, opposed to it ?

CONCLUSION

Our discussion makes it plain that such contents of the Dasam Granth as suggest worship of gods, goddesses and avtars, are opposed to the doctrines of Sri Guru Granth Sahib and the Gurus. These are also opposed to the unanimously accepted bani of Guru Gobind Singh, quoted above. By no stretch of reason can it be suggested that those writings are consonant with the bani and doctrines of Guru Granth Sahib. On the other hand, they clearly support the theory of avtarhood which the Gurus have emphatically rejected. Further, we find that there is not a shred of historical evidence to suggest that the Guru at any time approved of it. In fact, he had thrown away or permitted to be scattered, whatever was not worth presentation. On the other hand, Guru Granth Sahib was declared the Guru. Gurbani has been given to us to test what is valid or true and what is unacceptable or spurious. That test is final and unalterable. It is also evident that none of the devi or avtar-worship writings are the collection of a Sikh or indicate the authorship of a Sikh as the original scribe or compiler. On the other hand, the manner in which this mix-up has been done, and the method of writing Gurbani laid down by the Gurus, grossly violated in the old birs, show that the author could not be a Sikh. Further, already the S.G.P.C. has accepted the position that 923 pages of Charitropakhyan are Puranic myths, unconnected with the Guru. Many outside scholars have clearly stated that in the absence of clarification of the position about the Dasam Granth, the stand and history of the Tenth Guru cannot be clear. The oblique suggestion is that the Tenth Guru brought the Panth into the Hindu fold, and drew inspiration from the Puranic past and the Shakti cult, even though it is a historical fact that the hill princes, the staunch worshippers of the Shakti or devi cult, not only opposed the Guru, but also voluntarily accepted the supremacy of the mighty Mughal instead of confronting him. Another scholar, Ramji Lal, writes that Sikhs are Hindus, saying, "The Khalsa was constituted to emancipate the Hindu society from the contemporary evils including idolatry, caste system, superstition and ritualism." "Again at that time among the disciples of the Great Guru Gobind Singh - Bhai Nand Lal, Bhai Kanahya and Mohkam Chand, all were Hindus. Bhai Mati Das and Bhai Dayala who sacrificed their lives along with Guru Tegh Bahadur, were also Hindus." "Not only this, but Guru Gobind Singh himself revered Hindu Goddesses - Chandi and Durga and the Hindu avtars including - Sri Ram Chander and Lord Krishna."

30.While it is well-known that views of many scholars like Bhai Ardaman Singh of Bagrian, Dr Jaggi, Shamsher Singh Ashok, Prof. Jagjit Singh, Principal Harbhajan Singh, Principal Jagjit Singh, Dr Rann Singh, Sardar Harnam Singh, Maj. Gen. Narinder Singh, Sardar M.S. Marco, Bhai Ashok Singh and others are the same as ours. Open attempts at ideological erosion, as quoted above, are being made. Hence the need of academic clarification. For, no Sikh can accept that anything opposed to the categoric rejection of the doctrine of avtarhood in Guru Granth Sahib, could ever be from an authentic Sikh source, much less from the Tenth Guru. It is undeniable that Guru Granth Sahib is our Living Guru, and its principles and doctrines are our Sole Guide to test the veracity or acceptability of any idea, concept, writing, suggestion or activity.

REFERENCES

1. Chhibber, Kesar Singh : Bansavalinama, p. 1.
2. Guru Granth Sahib : p. 1136.
3. Chhibber, Kesar Singh : op. cit., p. 135.
4. Ibid., p. 136.
5. Ibid.
6. Ibid.
7. Gian Singh : Panth Prakash, p. 320.
8. Ibid., pp. 688-689.
9. Ibid., p. 321.
10. Bhalla, Sarupdas : Mehma Parkash, p. 794.
11. Jaggi, Rattan Singh : Dasam Granth da Karitartav, pp. 38-45.
12. Ibid., pp. 92-93.
13. Ibid.
14. Ibid., pp. 93-95.
15. Ibid., pp. 95-97.
16. Ibid., pp. 97-98.
17. Gupta, H.R. : The Sikh Gurus, p. 245.
18. Jaggi, Rattan Singh : op. cit., pp. 152-154.
19. Ibid., p. 152.
20. Ibid., p. 153.
21. Guru Granth Sahib : p. 1.
22. Ibid., p. 1136.
23. Ibid., p. 473.
24. Ibid., p. 547.
25. Ibid., pp. 464, 1156.
26. Ibid., p. 637.
27. Ibid., p. 894.
28. Ibid., p. 1138.
29. Geholt, N.S. : Politics of Communalism and Secularism, Deep and Deep Publications, New Delhi, 1993, p. 67.
Dasam Granth - Its History
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Old 10-02-2008, 12:07 AM
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Re: Dasam Granth and its History

Quote:
Originally Posted by International Akaali View Post
A Book on dasam granth will be out in 6 months- 1 year time in english. Where translations will be found with discussions.

actually, it has been available in english translation for several years. you can buy it on amazon.

Amazon.com: The Dasam Granth: Books: Gobind Singh,Surindar S. Kohli

i've just ordered a copy, will give a review when it comes.


of course, this is simply an english translation of Sri Dasam Granth... there's no "discussions" biased in one direction or another. one can simply read it and come to their own conclusions.
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Old 10-02-2008, 11:23 PM
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Re: Dasam Granth and its History

Quote:
Quote:
Originally Posted by BhagatSingh
It's funny though cuz I did a bit of research and the parts not suitable for children and women have not been translated. BUT there could be a different reason...

And I thought Gurbani was for women and children as well! __________________
Infact any writing by Guru Gobind singh ji is worth reading for anybody

Its limitation of translators who feel uncomfortable when translating some parts because only thing they can make sense out of it is Sexual in nature .

It is just like some old chaps in Indian home planly call all channels and Bollywood movies as Nangi ( nude ) Movies and Nanga ( Nude)Channels but in reality everybody weras clothes on Indian small and Big Screen!
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Old 11-02-2008, 03:47 AM
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Re: Dasam Granth and its History

I came across this on the web while looking for History of Dasam Granth.
http://www.globalsikhstudies.net/art...%20Mehboob.doc
DASAM GRANTH:
THE QUESTION OF AUTHENTICITY


By Prof. Harinder Singh Mehboob


When the earthly sojourn of the 10th Master was nearing its end at Nanded, he gathered the small bunch of his devout followers around him, and declared in an emphatic but revelational tone, “I am soon leaving my visible abode of divine law ( Drmswl-jpujI ), but I will not leave you in utter loneliness. I entrust to the ambrosial reservoir of immortal Word“ the finality of which is preserved by my super insight in the Damdami Bir. I bestow the divine gift of Gurgaddi upon Guru Granth Sahib ----“an everlasting spirit of the Ten Guru-Prophets." These echoes of divine Faith made a powerful tradition which had appeared in all channels of history of the Khalsa, facing no obstruction in its continuity. The Sikhs have been making solutions to their great Scripture, and thus paying their obeisance to no other Scripture as their Guru, since the physical departure of the 10th Master. No student of history witnesses any gap, any contradiction and any obstruction in the endless flow of this divine practice. Thus the prophetic faith of Guru Gobind Singh, transcending all illusory forms of knowledge and rejecting all false masks of poesy, but embracing none but the Supreme Word revealed his final commitment to Guru Granth Sahib as the only eternal Guru of the Khalsa.

Guru Gobind Singh never mentioned existential validity as well as the historic whereabouts of Dasam Granth anywhere. The tenth Guru didn't give any clue of a single volume of Dasam Granth as revealed or compiled by him. Sainapat (another of "Sri Gur Sobha") and Koer Singh (author of "Gur Bilas Patshahi Das") were, undoubtedly, influenced by some unauthentic but contemporary poetic compositions such as "Bachitar Natak" (the fabulous autobiography of the 10th Guru) and 'Chandi Charitars' (I & II) which were incorporated in one of the so called Dasa Granths (actually voluminous collections of different "Bachitar Nataks") near the first half of the 18th century, but these two famous poets didn't give any trace of the existence of a single volume of Dasam Granth in their epics. So I conclude, in all humility, that the title of Dasam Granth is a misnomer.

Guru Gobind Singh was not the author of the bulky part of Dasam Granth. I ascribe only a slim part of it to his genuine authorship. Even this slim part, which includes Gap, Akal Ustat,
Shabad Hazare, Swayyas and Zafarnama, does not become a single whole, displaying and contemplating its structural beauty. The arrangement of compiling of these highly socio-metaphysical compositions of the master is arbitrary. Therefore, we see that these true Dasam Guru-Banis are scattered in a haphazard manner in Dasam Granth. There is an exception also. We witness an absurd intrusion of Brahamanical reflexes in Akal Ustat. The devotee finds 20 Kiratas (numbers 210 to 230) eulogizing Chandi (other names Durga, Bhagwati and Siva). Thus even here the purity of genuine text is impaired by the false compilers.








I divide this paper in the following sections to justify my analytical conclusions, long cherished poetic experiences and meditations on the metaphysical sikh literature.

1) DASAM GRANTH VERSUS GURU GRANTH SAHIB

The blessed status of an eternal spiritual preceptor granted to Guru Granth Sahib in his final meeting with the Khalsa shows that Guru Gobind Singh's contemplative understanding of Gurgaddi to his scripture was perfect. It proves that he was in an absolute command of plunging deeply into the far reaching mysteries of Guru Granth Sahib. It means the tenth master would never betray his distinct religious cause as envisioned in Guru Granth Sahib like Minerva - insights awakening the age-long human ordeals of truthful struggles. How could he contradict the unique transmutation of rare Guru inspiration of his Guru Scripture by incorporating in Dasam Granth the stale, stereotyped and static descriptions of mythological characters of feeble symbolical significance and artificial combinations of explosive sounds?

(a) GOD, GODDESSES & AVTARS IN DASAM GRANTH:

The authors of Dasam Granth in 'Chandi Charitars' (Parts I, II) shower praises on the Chandi and her other manifestations in profusion, bring forth twenty four incarnation of Vishnu in "Chaubis Avtar, give seven mythological descriptions of Brahma in 'Brahma Avtar' and describe two forms of Rudra (Siva) in 'Rudra Avtar' in such a manner that these Brahamanical Gods, Goddesses and Avtars inevitably tend to become the center of worship for the devotees of other religions. Thus these heroes of Hindu Mythology create a hotchpotch situation in the pure conceptual centers of Sikhism also.
Dasam Granth concludes in some scattered lines that the purpose of these poetical narrations of mythological gods/goddesses is to intensify the religious felicity in the hearts of devotees (i.e. the Khalsa) to escalate lawful battles against the opponents of God. In my humble opinion this statement should would prove to be a wrong hypothesis as the bulky size of the descriptions of Brahamanical Gods doesn't justify their declared purposes of holy war. The reader is caught in the meshes of ritualistic worship of these Hindu Gods, and as a result of the dense mythological atmosphere will never allow the devotees to realize the sanctity, faith and fervor of the religious mission as propounded in the concluding sections of these gods and goddesses. The declared pious mission becomes meaningless and stands isolated. It is in reality a misguiding hallucination. The poetical presentation of the fables of gods, goddesses and Avtars are a shrewd device to prepare the Khalsa - consciousness to surrender itself to the mythological heroes and heroines of the Brahamanical Cult. Thus the declared missionary slogans in the poetical compositions of Dasam Granth are false temptations. The dominating Brahamanical atmosphere in these fables becomes an arbitrary movement which ensnares ultimately the natural freedom of Khalsa-Mind. The pious manifests of religious battles as mentioned in Bachitar-Natak and other poetical compositions of Dasam Granth becomes null and void when it is followed by the paraphernalia of inert tales. The brief but sacred claims made in these pansanic Kathas find themselves enveloped in the superstitions contents, false assumptions and disconnected visions.

The gods, goddesses and Avtars of Indian Mythology along with ancient Hindu Scriptures are not used in Guru Granth Sahib as full fledged, exuberant and self-dependent personalities of super-status transmitting themselves into independent worship centers. They are merely used in Adi Granth as literary illustrations of some higher truth, symbols, metaphors, similes or sole references. Their role doesn't move beyond the main/dominating contents of Guru Granth Sahib. They never aspire to establish the limited sovereignty of their divinity over the vast devotional system of Guru Granth Sahib. Their existence serve the solitary purpose of enhancing their literary genres. Vishnu, Shiva, Ram, Krishan and devis and so many other manifestations in their line never transcend the spiritual fabric of Guru Granth Sahib, posing themselves as free spiritual preceptors.

As far as vision of God is concerned, Dasam Granth, with the exception of five Banis, presents a perspective which is contrary to the vision and total sensibility of Guru Granth Sahib. Leaving aside the question of Supreme Reality without any substitute, it gives priority to the worship of countless godly existences. In human thought and imagination they move freely in their supernatural realms, but practically they descend on earth in their solid, stagnant and shrunk forms as idols for worship. The flat and single layered consciousness of mythological forms doesn't make proper harmony with abstract realms of divinity of Guru Granth Sahib. The result is that anthropomorphic existences in their super frenzy dominate the bulky sections of Dasam Granth. The dense and nebulous pageants of the haphazard dramas ( nwtk ) of Indian Mythology-cum-history do not allow a free entry into the spheres of divine realization of one God of Guru Granth Sahib. With the exception of five Banis Dasam Granth doesn't present a harmonious vision that leads the prayers of Man to the Region of eternal Truth ( sc KMf-jpujI ) when only the bliss of One God burgeons forth. In Dasam Granth, the isolated poetic sensibilities of heterogeneous contents, structural deformity and hotchpotch compilations dominate. The unbalanced literary genres of Dasam Granth do no prove the credibility of their declared purposes and unified vision. The bulky size of its dominating material convinces the reader definitely of its original impulse relating to Avtar-worship. It shows a world of difference between Guru Granth Sahib and Dasam Granth.


(b) RELIGIOUS BATTLES; EXPLOSIVE SOUNDS; WORSHIP OF WEAPONS:

According to numerous religious commentators of Sikhism, the battles, described in the different poetical compositions of Dasam Granth are not flat descriptions of fabulous turmoils that are supposed to be enacted in the supernatural world of gods and goddesses. So many Sikh commentators believe that those battles being fought between Good and Evil on the different planes of universal Existence are symbolical, justifying the radiant struggles of divine forces and their final victory against the intriguing arrogance of super devilish agencies.

Now I take liberty to disagree with the learned scholars on this point. The holy battles envisioned in the contents of Bachitar Natak, Chaubis Avtar and other stories of Avtars do not transcend hegemony of Brahamanical reflexes, pretensions of human pride, pettiness of mundane interests of man, exaggerative heroism, and above all the boastful attitude of godly /religious crusaders. Therefore, holy battles being sung in poetic compositions of Dasam Granth seldom qualify to plunge deeply into blissful experience of oceanic depths of one God, enjoying eternally his absolute freedom in Guru Granth Sahib. The holy battles belong to the limited but repeated exercises of Brahamanical instincts which enjoy the dominance of their priest-savagery, freely enacted and highlighted in these dramatic battles of Dasam Granth. If the reader tries to enhance other meanings of the said battles, the results will be forced interpretation of the text. For example, Dr. Gurbhagat Singh, without giving any satisfactory perspective of "religio-martial texts" explains in his "Sikhism And Postmodern Thought". The purpose of using "the explosive language" full of "binaric tensions" in the following words:
1) The sharpened binaric sounds arranged in their fierceness to clank like swords, to twang like arrows or to pierce like bullets were intended to shatter the decadent environment and
at the same time create a new person of a different bio-
consciousness. (Page 134).
2) The meta-intention behind this was to affect the biology of the reader, to give a new nervous system.

3) By creating his martial infra-structure of language, the Guru was certainly trying to reverse the bio-functioning of his reader, who was obviously either the decadent Muslim or the exhausted Hindu of his times.......(Page 135). do not believe with the learned scholar's viewpoint on the following logical grounds:

a) The texts upon which the learned Doctor draws his formulations are unable to produce sufficiently the thematic integrity of their literary visions, the harmonious wholeness of their cosmic logic, the creative continuity of their intrinsic virtues and the invisible profundity of a balanced universal Truth.
b) The learned doctor totally insolates his main ideas, speculations and philosophic flights from the intrinsic experience of those texts upon which he seems to concentrate his theory. A thinker cannot create "a new person of a different bio-consciousness" in the absence of proper context of life-material and without the multifarious support of the complete and flawless cosmic vision. The visionary attempts to create the "binaric tensions", "explosive sound-combinations" and "a new nervous system" would lead the human consciousness to a blind alley without the timely help of proper material and without the participations of a same guiding spirit.
c) There is no possibility in the 'mortal structure of language' of Dasam Granth to infuse an inspired collection courage or an enlightened spiritual bliss into the minds of oppressed classes (both Muslims and Hindus). in the absence of an idea text fulfilling the cosmic needs of a multi-layered lyrical genius of Guru Granth Sahib. Otherwise the attempt to create the collective fervor of social victory would prove to be an artificial assumption or the short-lived mirage of intellect.

Sensing the futility of his unpracticable ideology and unconsciously building up its defence Dr. Gurbhagat Singh says:
"If these explosive sound-combinations are flaming red without the context, they are blind; but within the context they are directed". In my opinion, the context is very much there, but its poor structure is without the breath of creativity. Its lethargic body (form) never throbs with vibrant intensity. So this theory that shows "how the martial sound becomes haloed and telic" is baseless and doesn't give any definite clue or creative proof of the authenticity of Dasam Granth to the seekers.

d) It is an irony of uncreative/mechanical knowledge that the "martial infra-structure of long age" (Page 135), eulogized profusely by the author of "Sikhism And Postmodern Thought" ultimately degenerates into the ritualistic worship of lifeless arms in Shastra Nam Mala. These arms producing the artificial music of chanting swords, flaming flashes of dazzling speed and the boisterous joy of fighters are related to the celebrated characters of Hindu Mythology such as Ravana, Karan, Krishan, MeghNad, Bali, and Arjana in the rhymed composition of Shastra Nam Mala. The divine arms in Dasam Granth, producing light and speed and looking haloed and sanctified, become dead objects of mechanical worship in their ending point. They deteriorate themselves into the absurd petrifactions of human consciousness. We cannot claim these static arms to be the symbols of some higher life. The manifestation of great truths need also a vast perspective of universal dimensions. "The martial red poem" (Page 140) envisioned by Dr. Gurbhagat Singh in Dasam Granth, is without proper context and no multi-dimensional artistic harmony supports its intrinsic hypothesis. The arms of Dasam Granth take the devotees to a stagnant point of idol-worship. This process negates mercurial human consciousness and meditative joy of Guru Granth Sahib.


2) THE QUESTION OF SCRIPTUAL AUTHENTICITY OF WOMAN IMAGE IN DASAM GRANTH

The texts of Charitrapakhyan and Hakayats incorporated in Dasam Granth remain at a far-off distance from the sublimest point of scriptural experience of Guru Granth Sahib. The vast vision of Damdami Bir which encompasses the metaphysical dimensions of timeless bliss, apical grandeur of multifarious truth, mystical nuances of divine thrill, handsome proportions of universal life and a serene union of visible-invisible spiritual perspectives is absent from the enormous text of Charitrapakhyan. The experience of Charitrapakhyan and Hakayats is shallow, disproportionate and extravagant. It doesn't add any aesthetic serenity to the mystical/spiritual existence of woman-image of Guru Granth Sahib. The descriptions of Charitropakhyan bring out the lewdness of a corrupt society. These compositions are unable to explore any deep psychology. Charitropakhyan versifies particularly in an immoral vein the fantastic manners of unchaste woman. When the reader applies literary canons to valuate Chartiropakhyan, its text remains below the mediocre genres of fine literature. The reader finds no visionary quest of Guru Granth Sahib in the pages of Charitropakhyan which present an obscene drama of monstrous libidinous containing more than four hundred pageants of degenerate humanity. There are, undoubtedly, the lyrical illustrations of the role of unchaste woman in Guru Granth Sahib, but these literary genres never break the sanctity of its supreme woman-image. The uncontrollable and intriguing sexual impulses of women in Charitropakhyan shatter the scriptural balance /harmony and natural poise of sublime aspects of woman-image of Guru Granth Sahib which give her a permanent place or existential naturalness in the spiritual fabrics of society. So I conclude that the contents of
Charitropakhyan are anti-Guru Granth Sahib. The tenth Guru would never disown his final commitment by creating such a mundane and inartistic voice against the metaphysical canons of Guru Granth Sahib ------ the everlasting spiritual light of the Khalsa.

3) AUTHORSHIP OF BACHITAR NANAK ASCRIBED WRONGFULLY TO GURU GOBIND SINGH

After probing into the multiplicity of historical facts of Guru-Times and studying the profound socio-spiritual values of Guru Granth Sahib I formulated this firm opinion in Sehje Rachio Khalsa that a man fo true Sikh psyche cannot ascribe the authorship of Bachitar Natak to the 10th Guru. I cite some cardinal points of my logical conviction regarding the authorship of Bachitar Natak below:

a) Ignorance of the most conspicuous fact of Guru Arjan's martyrdom:

Guru Arjan's martyrdom was not known to the unknown author of Bachitar-Natak. While composing his poetic narrative the poet got an appropriate opportunity to grasp the most significant moment of history, but the ignorance of 5th Guru's martyrdom failed him. His mind was too blank to mention it.

I admit that the poets often take liberty with their subject matter or contents in the form of so many poetic licenses and artistic devices in the process of their creations. While creating poetic signs, symbols, metaphors, similes and above all multi-layered socio-cultural semitic, the art of poetry enjoys enough freedom transmitting its raw material into fresh myriad forms. I admit that in the process of poetic creation the given objective reality offers a vast scope of change and there remains every possibility that the given contents may blossom forth into new metamorphic spectrums of life. If the essential material of poetic compositions contains the distinct features of history, geography and the presence of heroic person in the center of historic happenings, the art of poesy in spite of its generous acceptance and flexibility cannot avoid the basic and most representative feature of a particular historic fact.

In canto V of Bachitar-Natak the poet mentions the pious row of first nine Gurus. There is only a brief space of four lines between the names of Guru Arjan Sahib and Guru Tegh Bahadur Sahib. The poet devotes twelve lines to the nostalgic description of Guru Tegh Bahadur's martyrdom. He highlights, though purely in his Brahamanical way, this marvelous sacrifice in a nostalgic vein and lavishes praises in profusion on the exemplary perseverance of the 9th Guru. It seems unnatural that Bachitar Natak does not bring even a far-fetched hint to recollect the martyrdom of the fifth Guru. When there exists a short span of four lines between the two names of said Gurus, such a lapse on the part of the poet shows that there shimmers no glorious sign of intense past in his memory. The poet of Bachitar-Natak treats the physical disappearance of the fifth Master like the general demise of human beings. Had Guru Gobind Singh been the author of Bachitar-Natak, he would have, in the present context, given at least a reverential hint of his great grandfather's splendid sacrifice.

b) Absence of Pir Budhu Shah's role in the Battle of Bhangani:

All the historical details and collective oral traditions are of the opinion that Pir Budhu Shah was the most prominent character of Bhangani Battle. Even the naive poetic logic of Bachitar Natak cannot ignore the blessed presence of the Sufi Saint-Soldier who stands inevitably in the very center of the famous historic battle of Bhangani. Defending the noble cause of the 10th Master, he sacrificed his two sons and many pious followers in the ****** battle which was fought against the mountainous chiefs by the 10th Master. Pir Budhu Shah received abundant blessings, deep affection and personal relics from Guru Gobind Singh. Thus he became a forerunner, signalling beforehand the heroic martyrdom of Guru's four sons and great sacrifices of innumerable Sikhs. Only an immature author would forget to mention the conspicuous role played by a man of destiny like Budhu Shah in a very crucial battle of Guru's life. The obscure author of Bachitar Natak had not the least inkling of the solitary existence of Pir Budhu Shah, otherwise, he would have mentioned his role in the poetic annals of Bhangani battle. Guru Gobind Singh would never envision the battle of Bhangani without referring to the immortal role of Pir Ji. So, Bachitar-Natak is not authorized by him.

c) Dull Approach towards the Family History of Gurus:

The author of Bachitar-Natak exhibits gross ignorance regarding the family histories of second Guru and third Guru respectively. He was nourishing this mistaken idea that first three Gurus belong to the Bedi Sub-Caste, because his ignorance supported his stupid hypothesis declaring that Bedis would hand over Guruship to Sodhis in their next birth. The author didn't know that the sub-castes of Guru Angad and Guru Amar Das were Tehan and Bhalla respectively. (The words 'Bhalla' and 'Sodhi' are used in Guru Granth Sahib to hint at worldly identity of the Gurus. These words signifying the sub-castes of Gurus also serve the purpose of establishing the distinctive features of their family histories by having no spiritual context). The word 'Bhalla' is used in connection with the sub-caste of Guru Amar Das in Bhatt Swayas. The final version of Guru Granth Sahib was prepared under the supervision of Guru Gobind Singh who bestowed eternal Guruship upon it at his eleventh hour. So, I bring this fact to the kind notice of my readers, if the author of Bachitar-Natak is Guru Gobind Singh he must have known at least the exact sub-caste of the third Guru, because the word Bhalla, with its elaborative context, exists in the Sikh Scripture. (The knowledge of the work Tehan, the sub-caste of the 2nd Guru before Gurgaddi, would also not betray the memory of the Master).

d) Wrong Chronological Order of Relating to the Spiritual Preceptors:

In the 6th canto of Bachitar Natak the poet presents a rhymed list of religious seekers along with some vague comments, but he disobeys the right historic sequence concerning the advent of two religious personalities. According to the chronological or of Bachitar-Natak prophet Muhammad (Mahan Din) appears on the canvas of history after Ramanand. There arises no inevitable need of literary form, no creative demand of symbolism, no powerful momentum of life experience, no irresistible call of the mysterious circles of Time and no exuberant movement of visionary semiotics, which might dictate the essential poetic logic to change the normal course of objective history. In spite of that all the authors of Bhachitar-Natak create wrong chronological order placing Mohammad after Ramanand out of his blind ignorance. Guru Gobind Singh who was well versant scholar of Islamic History. There was not the least possibility on his part to commit such a gross error.



e) An Estranged Image of Anandpur Without the Full-Fledged Historic Presence of the 10th Master.

The 7th canto of Bachitar-Natak mentions that the 10th Master was brought to the Punjab from Patna in his childhood, but in this context the author didn't allude to the existence of Aandpur. After the martyrdom of his father he spent many meditative years there. The prophetic experience of the 10th Master passed through many phases of divine enlightenment at Anandpur, but the poet didn't reveal the name of the town even and remained silent about its existence in the 7th canto of Bachitar Natak. In canto VIII the author informs the reader that the 10th Prophet proceeded to Patna, won the battle of Bhangani after some years, visited Kahloor and established a town called Anandpur. This brief statement is a self-evident proof that the author has misplaced all significant historical situations associated with Guru Gobind Singh. Even a common reader of history knows that Guru Tegh Bahadur laid the foundation stone of Anandpur and Guru Gobind Singh received the divine status of Gurgaddi there. By releasing such a distorted image of Anandpur that annihilates the right perspective of Gurus presence related to it, the author of Bachitar-Natak cannot claim himself to be Guru Gobind Singh.

f) The Immature Vision of Religious Crises and Unjustifiable Criticism of Islam:

The author of Bachitar-Natak is too immature to judge the historical processes of religious crises. He is unable to understand the subtle wholeness of a particular religion which distinguishes it from its small sects. When the decline of Hinduism appears on its historical surface, he passes harshly the sweeping judgements on its disruptive segments. The author is ignorant of the fact that in spite of the ritualistic tendencies leaving behind the perfection of its moral values, those Hindu Sects have positively many divine element also. An adamant egoistical tone of Bachitar-Natak is not justified to brush aside the importance of those Sects by making their followers look like atheistic nincompoops. Again, such a harshness rooted in illogical prejudices builds up no justification of the advent of the 10th Master. India had been creating the subtlest patterns of religious thoughts of infinite variety since the birth of the Vedas. The vast vision of history and a true realization of abstract channels of life make this natural demand from a serious poet of prophetic consciousness to present wonderful realistic pageants of the rise and fall of the universal religions manifesting the logical culmination of the Khalsa. In Canto VI the poet of Bachitar-Natak gives some common place illustrations of religiously misguided characters of mythology basing his analysis on false assumptions. He creates a mazy narration of Mahander, Bisham, Brahma and general category of idolaters who alienated themselves from the true path of God in remote past. His declarations regarding the betrayal of the Gods are based on common hearsay without any authentic scholarly information. As the author doesn't understand the difference of mythology and the history of concrete facts, he fails to draw a convincing line of the different evolutions of the subtlest branches o f religious ideologies. Again, he makes a poor choice of the Theological characters to delineate his point of view. For example, Datta-Tray and Gorakh look like insignificant dim dots of meditative reflections of spiritual journey amidst the vast panorama of varied religious paths of ancient times. The religious experience of the author of Bachitar-Natak is too shallow to deserve its comparison with the poetical/philosophic analysis of varied religious branches, revealed specially in the first Var of Bhai Gardas. We find no justification to place the fresh manifestation of the Khalsa at the end of that line of immature presentations of spiritual preceptors as visualized by the author of Bachitar-Natak.
The obscure author of Bachitar-Natak gives a shocking treatment to the Prophet of Islam when he reaches the ending point of his tizada of condemnation against the certain religious paths and their crises. He underestimates the Prophet Muhammad in a disrespectful manner by declaring him simply the King of Arabia. Then he denies him indirectly the elevated status of Prophet and openly condemns him in an obscene language for circumcising all the kings.

Mahadin tab prabhu upraja ||
Arab des ko kino raja ||26||
Tin bhi ek panth upraja ||
Ling bina kiney sabh raja ||
Sabh te apna naam japao ||
Satnam kahoon na dhirao |