Raag Malhaar http://www.youtube.com/watch?v=kN36RWmbwhk Percussions : 12 beats (for first 9 and half minutes) thereafter change to 16 beats (teentaal). Explanation of Raag Malhaar Malhar, Miyan
Thaat
Kafi
Prahar
Anytime in Monsoon
Aaroha
S - m - R - P, - m - P - n - D - N - S'
Vaadi
m
Avroha
S' - D - n - P - m - P - (m)g~ - m - R - S
Samvaadi
S
Pakad
R - P - g - m - R - S, 'n - 'D - 'N - S
Jaati
Shadav - Sampoorna
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Gaund Malhar
Gur munar priy dyar
Mahi more pritam deho milaye
Megh Malhar
Bhadon bharam bhoole
.................................................. .................................................. ........................... Raag Basant Click here > http://youtube.com/watch?v=WKQ4mTFQ_30
Tabla : 12 beats
(1185-4)
basant mehlaa 5
Basant, Fifth Mehl:
daykh phool phool foolay.
Behold the flowers flowering, and the blossoms blossomingforth!
ahaN ti-aag ti-aagay.
Renounce and abandon your egotism.
charan kamal paagay.
Grasp hold of His Lotus Feet.
tum milhu parabh sabhaagay.
Meet with God, O blessed one.
har chayt man mayray. rahaa-o.
O my mind, remain conscious of the Lord. ||Pause||
saghan baas koolay.
The tender young plants smell so good,
ik rahay sook kathoolay.
while others remain like dry wood.
basant rut aa-ee.
The season of spring has come;
par-phool-taa rahay. ||1||
it blossoms forth luxuriantly. ||1||
ab kaloo aa-i-o ray.
Now, the Dark Age of Kali Yuga has come.
ik naam bovhu bovhu.
Plant the Naam, the Name of the One Lord.
an root naahee naahee.
There’s no other season (to plant seeds of Naam).
matbharam bhoolahu bhoolahu.
Do not wander lost in doubt and delusion.
gur milay har paa-ay. jis mastak hai laykhaa. One who has such destiny, shall meet with the Guru and find the Lord.
man rut naam ray.
O mortal, this is the season of the Naam.
gun kahay naanak har haray har haray. ||2||18||
Nanak utters the Glorious Praises of the Lord, Har, Har, Har, Har. ||2||18||
Theory of Raag BasantThe name Basant is from Sanskrit vasant meaning spring, and during that season of the year Basant may be performed at any time of the day or night. Otherwise, it is reserved for the night between 9 p.m. and midnight. The Ragmala gives Basant as a putra (son) of Hindol, also a spring raga. Today it belongs to the Purvi thata. The only variant noted in the Holy Book is Basant-Hindol. Basant is a very old raga dating from the 8th century. Guru Nanak, Guru Amar Das, Guru Ram Das, Guru Arjan and Guru Tegh Bahadur composed sabdas to this raga. Performed in slow tempo, this gentle melody depicts quiet joy. The descending scale is usually found at the beginning of a composition with the ascending form following later.
According to Indian Schools of music this raga has very gentle mood and represents loneliness and quiet joy and is to be performed in a dignified slow tempo The raga belongs to Purvi thaht.
Basant
Thaat Poorvi
Prahar 8 (3am - 6am)
Aaroha
S - G - M - d - N - S
'Vaadi
S'
Avroha
S' - N - d - P - M - G, M - G - r - S
Samvaadi
M
Pakad M - d - r' - S' - N - d - P - M - G - M - G
JaatiAudav - Sampoorna
Samvadi :Ma
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Kat jaiye re ghar lago rang
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Budha Basant
Holi Kini Sant Sev
Kat Jaiye Re Ghar Lago Rang
Basant (Marwa Ang)
Man kahan bisaryo ram nam (Bhai Gupal Singh)
Basant Hindol
Maha Maham Mumarkhi
Waheguru Waheguru (Avneet Kaur Baljot Kaur)
Lobh Lahar At Nijar Baje
Basant Bahar
Asi Bhavra Baas Lay
Moli Dharti Mohlia Akas
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Aaj hamare mangal char
Tu kae garbay bavalee
